#4 Artist Of The Rock Era/ #4 Hit Song Since 1964

The #4 Artist Of The Rock Era Is........ Elton John

Elton John was the biggest pop star of the '70s, grabbing headlines and generating hits throughout the world. As it turned out, this was merely the first act in a remarkable career that kept him at the top of the charts for over 25 years. He charted a Top 40 hit single every year between 1970 and 1996, a sign that he knew how to both change with the times and mold the times to fit him. Initially marketed as a singer/songwriter, John soon revealed he could craft Beatlesque pop and pound out rockers with equal aplomb. He could dip into soul, disco, and country, as well as classic pop balladry and even progressive rock. His versatility, combined with his effortless melodic skills, dynamic charisma, and flamboyant stage shows, became his calling cards and many of his songs -- including "Your Song," "Rocket Man," "Goodbye Yellow Brick Road," and "Don't Let the Sun Go Down on Me" -- became contemporary pop standards. 

The son of a former Royal Air Force trumpeter, John was born Reginald Kenneth Dwight in 1947. Dwight began playing piano at the age of four, and when he was 11, he won a scholarship to the Royal Academy of Music. After studying for six years, he left school with the intention of breaking into the music business. In 1961, he joined his first band, Bluesology, and divided his time between playing with the group, giving solo concerts at a local hotel, and running errands for a London publishing house. By 1965, Bluesology was backing touring American soul and R&B musicians like Major Lance, Doris Troy, and the Bluebells. In 1966, Bluesology became Long John Baldry's supporting band and began touring cabarets throughout England. Dwight became frustrated with Baldry's control of the band and began searching for other groups to join. He failed his lead vocalist auditions for both King Crimsonand Gentle Giant before responding to an advertisement by Liberty Records. Though he failed his Liberty audition, he was given a stack of lyrics left with the label courtesy of Bernie Taupin, who had also replied to the ad. Dwight wrote music for Taupin's lyrics and began corresponding with him through mail. By the time the two met six months later, Dwight had changed his name to Elton John, taking his first name from Bluesology saxophonist Elton Dean and his last from John Baldry. 

John and Taupin were hired by Dick James to become staff songwriters at his fledgling DJM in 1968. The pair collaborated at a rapid rate, with Taupin submitting batches of lyrics -- he often wrote a song an hour -- every few weeks. John would then write music without changing the words, sometimes completing the songs in under a half-hour. Over the next two years, the duo wrote songs for pop singers like Roger Cook and Lulu. In the meantime, John recorded cover versions of current hits for budget labels to be sold in supermarkets. By the summer of 1968, he had begun recording singles for release under his own name. Usually, these songs were more rock- and radio-oriented than the tunes he and Taupin were giving to other vocalists, yet neither of his early singles for Philips, "I've Been Loving You Too Long" and "Lady Samantha," sold well. In June of 1969, he released his debut album for DJM, Empty Sky, which received fair reviews, but no sales. 

For his second album, John and Taupin hired producer Gus Dudgeon and arranger Paul Buckmaster, who contributed grandiose string charts to Elton John. Released in the summer of 1970, Elton John began to make inroads in America, where it appeared on MCA's Uni subsidiary. In August, he gave his first American concert at the Troubadour in Los Angeles, which received enthusiastic reviews, as well as praise from Quincy Jones and Leon Russell. Throughout the fall, Elton John continued to climb the charts on the strength of the Top Ten single "Your Song." John followed it quickly in late 1970 with the concept album Tumbleweed Connection, which received heavy airplay on album-oriented radio in the U.S., helping it climb into the Top Ten. The rapid release of Tumbleweed Connection established a pattern of frequent releases that John maintained throughout his career. In 1971, he released the live 11-17-70 and the Friendssoundtrack, before releasing Madman Across the Water late in the year. Madman Across the Waterwas successful, but John achieved stardom with the follow-up, 1972's Honky Chateau. Recorded with his touring band -- bassist Dee Murray, drummer Nigel Olsson, and guitarist Davey Johnstone -- and featuring the hit singles "Rocket Man" and "Honky Cat," Honky Chateau became his first American number one album, spending five weeks at the top of the charts. 

Between 1972 and 1976, John and Taupin's hitmaking machine was virtually unstoppable. "Rocket Man" began a four-year streak of 16 Top 20 hits in a row; out of those 16 -- including "Crocodile Rock," "Daniel," "Bennie and the Jets," "The Bitch Is Back," and "Philadelphia Freedom" -- only one, the FM hit "Saturday Night's Alright for Fighting," failed to reach the Top Ten. Honky Chateau began a streak of seven consecutive number one albums -- Don't Shoot Me I'm Only the Piano Player (1973), Goodbye Yellow Brick Road(1973), Caribou (1974), Greatest Hits (1974), Captain Fantastic and the Brown Dirt Cowboy (1975), Rock of the Westies (1975) -- that all went platinum. John founded Rocket, a record label distributed by MCA, in 1973 in order to sign and produce acts like Neil Sedaka and Kiki Dee. John didn't become a Rocket recording artist himself, choosing to stay with MCA for a record-breaking eight-million-dollar contract in 1974. Later in 1974, he played and sang on John Lennon's number one comeback single "Whatever Gets You Through the Night," and he persuaded Lennon to join him on-stage at Madison Square Garden on Thanksgiving Day 1974; it would prove to be Lennon's last live performance. The following year, Captain Fantastic became John's first album to enter the American charts at number one. After its release, he revamped his band, which now featured Johnstone, Quaye, Roger Pope, Ray Cooper, and bassist Kenny Passarelli; Rock of the Westies was the first album to feature this lineup. 

Throughout the mid-'70s, John's concerts were enormously popular, as were his singles and albums, and he continued to record and perform at a rapid pace until 1976. That year, he revealed in an interview in Rolling Stone that he was bisexual; he would later admit that the confession was a compromise, since he was afraid to reveal that he was homosexual. Many fans reacted negatively to John's bisexuality, and his audience began to shrink somewhat in the late '70s. The decline in his record sales was also due to his exhaustion. After 1976, John cut his performance schedule drastically, announcing that he was retiring from live performances in 1977, and started recording only one album a year. His relationship with Taupin became strained following the release of 1976's double album Blue Moves, and the lyricist began working with other musicians. John returned in 1978 with A Single Man, which was written with Gary Osborne; the record produced no Top 20 singles. That year, he returned to live performances, first by jamming at the Live Stiffs package tour, then by launching a comeback tour in 1979 accompanied only by percussionist Ray Cooper. "Mama Can't Buy You Love," a song he recorded with Philly soul producer Thom Bell in 1977, returned him to the Top Ten in 1979, but that year's Victim of Love was a commercial disappointment. 

John reunited with Taupin for 1980's 21 at 33, which featured the Top Ten single "Little Jeannie." Over the next three years, John remained a popular concert artist, but his singles failed to break the Top Ten, even if they reached the Top 40. In 1981, he signed with Geffen Records and his second album, Jump Up!, became a gold album on the strength of "Blue Eyes" and "Empty Garden (Hey Hey Johnny)," his tribute to John Lennon. But it was 1983's Too Low for Zero that began his last great streak of hit singles, with the MTV hit "I'm Still Standing" and the Top Ten single "I Guess That's Why They Call It the Blues." Throughout the rest of the '80s, John's albums would consistently go gold, and they always generated at least one Top 40 single; frequently, they featured Top Ten singles like "Sad Songs (Say So Much)" (1984), "Nikita" (1986), "Candle in the Wind" (1987), and "I Don't Want to Go on with You Like That" (1988). While his career continued to be successful, his personal life was in turmoil. Since the mid-'70s, he had been addicted to cocaine and alcohol, and the situation only worsened during the '80s. In a surprise move, he married engineer Renate Blauel in 1984; the couple stayed married for four years, although John later admitted he realized he was homosexual before his marriage. In 1986, he underwent throat surgery while on tour, but even after he successfully recovered, he continued to abuse cocaine and alcohol. 

Following a record-breaking five-date stint at Madison Square Garden in 1988, John auctioned off all of his theatrical costumes, thousands of pieces of memorabilia, and his extensive record collection through Sotheby's. The auction was a symbolic turning point. Over the next two years, John battled both his drug addiction and bulimia, undergoing hair replacement surgery at the same time. By 1991 he was sober, and the following year he established the Elton John AIDS Foundation; he also announced that he would donate all royalties from his single sales to AIDS research. 

In 1992, John returned to active recording with The One. Peaking at number eight on the U.S. charts and going double platinum, the album became his most successful record since Blue Moves and sparked a career renaissance for John. He and Taupin signed a record-breaking publishing deal with Warner/Chappell Music in 1992 for an estimated 39 million dollars. In 1994, John collaborated with lyricist Tim Rice on songs for Disney's animated feature The Lion King. One of their collaborations, "Can You Feel the Love Tonight," won the Academy Award for Best Original Song, as well as the Grammy for Best Male Pop Vocal Performance. John's 1995 album Made in England continued his comeback, peaking at number three on the U.K. charts and number 13 in the U.S.; in America, the album went platinum. The 1997 follow-up, The Big Picture, delivered more of the same well-crafted pop, made the Top Ten, and produced a hit in "Something About the Way You Look Tonight." However, its success was overshadowed by John's response to the tragic death of Princess Diana -- he re-recorded "Candle in the Wind" (originally a eulogy for Marilyn Monroe) as a tribute to his slain friend, with Taupin adapting the lyrics for what was planned as the B-side of "Something About the Way You Look Tonight." 

With the profits earmarked for Diana's favorite charities, and with a debut performance at Diana's funeral, "Candle in the Wind 1997" became the fastest-selling hit of all time in both Britain and the U.S. upon the single's release, easily debuting at number one on both sides of the Atlantic; with first-week sales of over three million copies in the U.S. alone and 14 weeks in the top spot, it was John's biggest hit ever. For his next project, John reunited with Lion King collaborator Tim Rice to write songs for Disney's Broadway musical adaptation of the story of Aida; an album of their efforts featuring a who's who of contemporary pop musicians was released in early 1999, going gold by the end of the year. In late 2000, John landed a TV special with CBS, performing a selection of his greatest hits at Madison Square Garden; a companion album drawn from those performances, One Night Only, was issued shortly before the special aired. Released in 2001, Songs from the West Coast was a return to form for John, who found critical success for the first time since the '80s. However, it wasn't until 2004's popular Peachtree Road album that he managed to match that success commercially. In 2006, John and Taupin released The Captain & the Kid, a sequel to 1975's Captain Fantastic and the Brown Dirt Cowboy. John busied himself with stage work and a Vegas show before he unexpectedly recorded a duet album with Leon Russell, releasing the T-Bone Burnett-produced The Union in the fall of 2010. 

The Union revived Russell's career and the duo supported the record with a limited tour. John settled into another Vegas stint in 2011, signing a contract with Caesars Palace to deliver a show called The Million Dollar Piano over the next three years. Despite this long-term commitment, Eltonpursued other projects: he published an autobiography called Love Is the Cure in the summer of 2012 and, around the same time, the Australian dance duo Pnau reworked many of his classic '70s recordings on the Good Morning to the Nightalbum. He also completed another collection of new songs called The Diving Board; the T-Bone Burnett-produced album appeared in September 2013. Three years later, John reunited again with Burnett to record Wonderful Crazy Night, the first album of his to feature his touring band since The Captain & the Kid. Wonderful Crazy Night saw release in February 2016.




The #4 Biggest Pop Hit Since 1964 is...

WE BELONG TOGETHER

MARIAH CAREY

"We Belong Together" is a song by American singer Mariah Carey from her tenth studio album, The Emancipation of Mimi (2005). The song was released on March 29, 2005, through Island Records, as the second single from the album. "We Belong Together" was written by Carey, Jermaine Dupri, Manuel Seal, and Johntá Austin, and produced by the former three. As the song samples lyrics from Bobby Womack's "If You Think You're Lonely Now" (1981) and the Deele's "Two Occasions" (1987), several other songwriters are credited. "We Belong Together" is built on a simple piano arrangement with an understated backbeat. The lyrics chronicle a woman's desperation for her former lover to return.

Following her decline in popularity between 2001 and 2005, critics dubbed the song her musical comeback, as many had considered her career over. "We Belong Together" earned her several music industry awards and nominations throughout 2005–06. The song broke chart records in the United States and became Carey's sixteenth topper on the US BillboardHot 100. After staying at number one for fourteen non-consecutive weeks, it was placed as the second longest running number one song in US chart history, behind Carey's own "One Sweet Day," collaboration with Boyz II Men (1995). Billboard listed it as the "song of the decade" and the ninth most popular song of all time. Additionally, it broke several airplay records, gathering both the largest one-day and one-week audiences in history. "We Belong Together" also topped the charts in Australia and reached the top two in Canada, New Zealand, and the United Kingdom.

The song's music video was filmed as a two-part story with "It's Like That", which featured Carey at her bachelorette party. The video for "We Belong Together" is a continuation focusing on Carey's wedding to an older and powerful man and ends with the singer eloping with her ex-lover. Rumors arose of the video's connection to her 1993 marriage to Tommy Mottola. Carey performed the song on several award shows and television appearances around the world, namely 2005 MTV Movie Awards, MTV Video Music Awards, Macy's Fourth of July Parade, The Oprah Winfrey Show and the 48th Grammy Awards. In Europe the song was performed at the Live 8 charity concert, the Fashion Rocks in Monaco, and the German Bambi Awards. Carey performed the song on both her Adventures of Mimi and Angels Advocate Tours.

Background[edit]

Carey had produced back-to-back commercially and critically unsuccessful albums, Glitter (2001) and Charmbracelet (2002). Though fueled by strong media attention regarding Carey's return to music, as well as her new deal with Island Records, the albums failed to deliver the type of success she had been accustomed to throughout the 1990s, and only managed sales of five million copies globally. After the album's release, and its succeeding tour, Carey began conceptualizing and working on a new project, eventually titled The Emancipation of Mimi, her tenth studio effort. "We Belong Together" became a song that critics considered Carey's "return to form" and "the return of The Voice", after several questioned her vocal abilities following the release of Charmbracelet.

By November 2004, Carey had already recorded several songs for The Emancipation of Mimi. Island Records chairman L.A. Reid suggested Carey that she compose a few more strong singles to ensure the project's commercial success. Noting that she had written some of her best work with Jermaine Dupri, Reid recommended her to meet with Dupri for a brief studio session. Carey headed to Atlanta to collaborate with Dupri where the duo wrote and produced "Shake It Off" and "Get Your Number", which were eventually released as the album's third and fourth singles. (Following this recording session, "Shake It Off" was briefly selected as the album's lead single, replacing the originally planned "Say Somethin'".) Carey returned to Atlanta for a second meeting with Dupri; during this trip, Carey and Dupri penned the last two songs to be included on the album, "We Belong Together" and "It's Like That". In an interview with Billboard, Carey described her sentiments regarding the song during the production stage:

I had the chills. I had a great feeling about it when we finished writing the song, and I was flying back from Atlanta at some crazy hour of the morning... But we were listening to it on the plane ride on the way home, and even from the demo version, I really felt something very special.

Carey and her management then decided to release "It's Like That", which Carey called "the right fire-starter", as the album's lead single. She later reminisced about her experience with Dupri: "I am so grateful I went to Atlanta," she said. "And I have to say, we wrote some of my favorite songs on the album. I'm so proud of Jermaine – he's so focused, and he knew what had to be done."

Music and structure

"We Belong Together" is a R&B ballad. Rolling Stone called it "soulful." The song is propelled by a programmed Roland TR-808-styled kick and hi-hat, which is prominently utilized in hip hop music. Reviewer Jennifer Vineyard from MTV News commented that Carey's spare and understated singing approach gave the song more power, which would not have been achieved if she had belted. The song also incorporates 1980s retro-soul music by "cleverly" referencing Bobby Womack's "If You Think You're Lonely Now" (1981) and the Deele's "Two Occasions" (1987), with Babyface. In the second verse of "We Belong Together", Carey sings: "Bobby Womack's on the radio / Singing to me, 'If you think you're lonely now'." She then flips across a radio dial: "So I turn the dial, tryin’ to catch a break / And then I hear Babyface / 'I only think of you...'." The line "If you think you're lonely now" is from the song of the same name and "I only think of you" is from the chorus of "Two Occasions." In the remix she also says "I only think of you / On two occasions / That's day and night..." Due to the inclusion of the lyrics from both songs, the songwriters were given co-writing credits on the song. "We Belong Together" follows the common verse-chorus form and is structured into three distinct sections, with each section presenting the protagonist in different emotions. The first section chronicles the break-up of the couple, and a sorrowful tone is established as she laments her former mistakes. In the second section, the narrative switches to the present, and the protagonist becomes increasingly agitated and feels "all out of her element" when she attempts to distract herself by listening to the radio, but fails. "We Belong Together" does not have a bridge; instead, Carey transitions into the third section by raising the pitch an octave, which emphasizes the sheer frustration and desperation of the protagonist. Metro Times writer Johnny Loftus described the song's production, lyrics and vocals in detail:

It’s straightforward, heartfelt and classy. Mariah pleads with her departed lover – 'When you left I lost a part of me / It’s still so hard to believe' – and the song’s gentle R&B roll is perfectly understated, built from a few piano chords and a slowed-down So So Def rhythm. It has a homebody quality, almost like an autumn song would – you can imagine a split-up couple singing it quietly, separately, as the world goes on around them. She’s on a porch with tea; he’s stuck in traffic when he finds Mariah on the radio. It even cleverly references that feel, with Mariah finding the Bobby Womack and Babyface songs on her radio just too tough to hear. There’s no tired 'I tried to 2-way you' retorts, no trash-technology love affair 'I was at the grocery store and this guy had the same ring tone as you, and I cried.' No, there’s a classic sensibility to the lyrics and sound of 'We Belong Together' that makes for perfect – and perfectly universal – pop/R&B songwriting. In other words, it’s the jam. And there’s probably a happy ending, too: Mariah’s triumphant octave shift finale makes the song’s title an emphatic.

"We Belong Together" is a simple, understated musical arrangement set in F lydian and composed in 4/4 time. Similarly, within the song, Carey's voice spans from G₃ to the high note of A₅. Carey's vocal range is demonstrated with a greater emphasis in the ending chorus, where the chorus is raised an octave higher, lying from G₄to A₅. As such, Carey ends with an anticipated coda, completing both the chorus and the song with a potent, belted note of C₅ for approximately four semibreves (around 17 seconds). It follows the common verse-chorus form and is structured into three sections that portray the protagonist in a range of emotions; from doleful and resigned in the first section, to desperate and agitated in the second. In the last section the song climaxes with an octave raise, which not only emphasizes the protagonist's heightened desperation, but her determination to be with her lover. The song is written in the key of C major with a slow tempo of 70 beats per minute. Carey's vocals span from G₃ to A₅, and the song follows a chord progression of Am–G–Em–F.

Critical response[edit]

"We Belong Together" became a "career re-defining" song for Carey, at a point when many critics had considered her career over. Unlike most of Carey's recent singles at that time, "We Belong Together" received generally positive reviews from critics, most of whom hailed the song as her "return to form", following reviews for Charmbracelet (2002), that suggested Carey had lost her signature vocal range and power. Sal Cinquemani of Slant Magazine wrote "the... diva [keeps] cool with breathy, rapid-fire verses until the final full strong-voiced climax that... proves that 'The Voice' has indeed returned." Additionally, he said that "The song is as 'innovative' as Mariah has been in years." Other critics commended Carey on her novel singing style which, according to Kelefa Sanneh of The New York Times, gave the song its propulsion, writing "This style is part of the reason why she has been able to turn a ballad into a summer smash. 'We Belong Together' doesn't have a guest rapper, or a hard-hitting beat, but Ms. Carey's tricky vocal lines give the song more propulsion than you'd expect, with tightly coiled counter-rhythms that tug against the beat." Johnny Loftus from Metro Times called it a "summer hit" and wrote "We all know it’s the intangibles that make a summer single anyway, those untraceable currents that grab the heart and feet, and despite not being an anthem, 'We Belong Together' is that rousing."

Writing for Vibe, Michael Ehrlich claimed the song would "cut across generations", while Cinquemani felt it would revive "faith in Mariah the balladeer". Stephen Thomas Erlewine from AllMusic chose "We Belong Together" as a "top Pick" from the album, while Todd Burns from Stylus Magazine described it as "beautifully cadenced". Echoing Cinquemani's comments about the song and Carey's past as a balladeer, Jozen Cummings from PopMatters wrote "Carey makes the song her own, reminding fans of her 'Hero' days with full, throaty vocals and a crashing climax at the end. The dichotomy between 'The Emancipation of Mimi's' first two tracks is the album’s bread and butter." Since first hearing the song on the radio, Sherri Winston from South Florida Sun-Sentinel claimed she "knew it would be a smash", complimenting its understated beat and Carey's vocals. Billboard's Michael Paoletta described "We Belong Together" as one of the album's strongest cuts, claiming that it highlighted the strongest focal point on the song: Carey's voice. Slant Magazine ranked it 2nd on their best songs of 2005 list.

Chart performance

Carey performing "We Belong Together" on Good Morning America

Between 2001 and 2004, Carey's popularity had substantially declined and many had considered her career over. The song spent fourteen non-consecutive weeks at number one on both the US Billboard Hot 100—after making its debut at number 81—and on the Hot R&B/Hip-Hop Songs chart. It had major cross-over success, becoming the first song to simultaneously occupy the number one position on nine Billboard charts on the week ending August 6, 2005: the Hot 100, Billboard Hot 100 Airplay, Hot R&B/Hip-Hop Songs, Hot R&B/Hip-Hop Airplay, Pop 100 Airplay, Top 40 Mainstream, Rhythmic Airplay Chart, Hot Dance Club Songs, and the Hot Ringtones charts. Spending fourteen weeks atop the Hot 100, "We Belong Together" became the one of the second longest running number one songs in US chart history, behind only Carey's 1995 collaboration with Boyz II Men, "One Sweet Day", which spent sixteen weeks at number one. Aside from its chart success, the song broke several airplay records, and according to Mediabase and Nielsen BDS, gathered both the largest one-day and one-week audiences in BDS history, reaching 32.8 million and 223 million impressions respectively. This record was held until it was broken by Robin Thicke's "Blurred Lines" in 2013, with 234.65 million listeners on July 28.

During the week of September 25, 2005, Carey set another record, becoming the first female to occupy the first two spots atop the Hot 100, as "We Belong Together" remained at number one, and her next single, "Shake It Off" held the number two spot. Additionally, the song held the top position on the official Hot 100 Airplay chart for sixteen weeks, tying for the second all time spot with No Doubt's "Don't Speak" (1996). "We Belong Together" was certified Platinum by the Recording Industry Association of America (RIAA), denoting shipments of a million copies throughout the United States. On the Billboard Hot 100 Year-end Chart of 2005, the song was declared the number one song, a career first for Carey. Billboard listed "We Belong Together" ninth on The Billboard Hot 100 All-Time Top Songs and second on Top Billboard Hot 100 R&B/Hip-Hop Songs. The song was also declared the most popular song of the 2000s decade by Billboard, which makes Carey the first artist to have more than one song being the most popular of a decade, as "One Sweet Day" was the most popular song of the 1990s.

Besides its success in the United States, "We Belong Together" achieved strong charting throughout Europe and Australia. On the ARIA Charts, the song debuted atop the singles chart in Australia during the week dated July 3, 2005. The following week, it held the number one spot for a second week, and stayed on the chart for a total of eleven weeks. To date, "We Belong Together" was certified Platinum by the Australian Recording Industry Association (ARIA), denoting shipments of 70,000 units. The song finished at number seventeen on the 2005 Australian Year-End Chart. In both Flemish and Wallonian territories in Belgium, "We Belong Together" peaked at numbers twelve and twenty-four, spending a total of fifteen and fourteen weeks fluctuating in the singles chart, respectively. The song finished at number forty-seven on the Flemish Year-End Chart of 2005. "We Belong Together" made its debut at number fifteen on the Danish Tracklisten chart during the week of August 7, 2005, eventually peaking at number three. In France, the song peaked at number twelve, and spent nineteen weeks fluctuating within the French singles chart. On the Dutch Top 40 chart, "We Belong Together" reached number one in its fourth week, and spent a total of sixteen weeks in the chart, four of which were at the number two position. The song finished at number forty-one on the Dutch Year-End Chart of 2005. In New Zealand, the song spend three weeks at number two on the singles chart, and a total of twelve before making its exit on October 3, 2005. At the end of 2005, "We Belong Together" finished at number thirty-six, and was certified Gold by the Recording Industry Association of New Zealand (RIANZ). In both Norway and Spain, the song peaked at number nine and three, and spent nine and seven weeks within the charts. In Switzerland, the song peaked at number four on the official singles chart, and charted for thirteen weeks.During mid-week predictions in the United Kingdom, "We Belong Together" was positioned to become Carey's third UK number one single. However, it wound up debuting at number two on the UK Singles Chart. In its second week, the song dropped to number three, before re-surfacing to number two in its third week, this time blocked by James Blunt's "You're Beautiful". The song spent a total of eighteen weeks within the singles chart, and has estimated sales of over 240,000 units in the United Kingdom.

Awards and nominations

"We Belong Together" was awarded several prestigious music industry awards throughout 2005 and 2006. At the 2005 Billboard Music Awards ceremony, Carey won five awards, with the song receiving awards in the "Rhythmic Top 40 Title of the Year", "Hot 100 song of the Year" and "Hot 100 Airplay of the Year" categories. On November 6, 2005, Carey earned two awards for "We Belong Together" at the Radio Music Awards ceremony, in the "Song of the Year/Mainstream Hit Radio" and "Song of the Year/Urban and Rhythmic Radio" categories. Similarly, "We Belong Together" won the "Best R&B/Soul Single" and "Best R&B/Soul Single, Female" awards at the 20th annual Soul Train Music Awards, "Choice Love Song" at the Teen Choice Awards, "Best R&B Song" at the Vibe Awards, and "World's Most-Played Single" at the 2005 World Music Awards.

At the 48th annual Grammy Awards, held at the Shrine Auditorium on February 8, 2006, Carey was nominated for eight awards, the most she had received in one night throughout her career. "We Belong Together" was nominated for Song of the Year and Record of the Year; however, it won two awards: "Best R&B Song" and "Best Female R&B Vocal Performance". The song was named "Song of the Year" at the ASCAP Awards, and "Song of the Year", "Most Performed Song" and "Number-one Billboard Song" at the BMI Awards. Towards the summer of 2006, Carey took home "Song of the Year", "Best Pop Female Song Performance" and "Best R&B/Soul Female Song Performance" at the GrooveVolt Music & Fashion Awards.

Remixes

Carey recorded an official remix version for "We Belong Together", which she produced with DJ Clue. The remix features vocals from rappers Jadakiss and Styles P, two-thirds of the hip-hop trio the LOX. The remix is fundamentally different from the original, described as having "a faster, springier backbeat" by Kelefa Sanneh of The New York Times. Lyrically, the song is similar to the album version of the song, in which both rappers' verses contemplate on past memories. Styles P raps "Past is the past, just let it be bygones / Matter of fact I know a fly song that we could vibe on", which Sanneh writes "Cheerfully out of place, he sounds like a man who has wandered into the wrong summertime party, but so what? He figures he might as well stick around and enjoy it." In two separate reviews of The Emancipation of Mimi, Sanneh referred to the song as both "great" and "excellent", in regards to the remix.

Aside from the album version's main remix, several others were commissioned and released, although none contained new vocals from Carey. Peter Rauhofer created the "Reconstruction Mix/Atlantic Soul Vocal Mix" and "Atlantic Soul Vocal Mix", which both feature a synthetic bass line, a piano and guitar line, and distinctive hi-hats that produce a more up-tempo, hard-hitting beat.

Music video

The song's music video premiered worldwide on April 11, 2005, although MSN offered an exclusive look at the music video on April 9. Carey's "We Belong Together" is Yahoo! Music's most watched video of 2005 with 7.5 million streamed performances. The video was shot by film director Brett Ratner in Los Angeles alongside the video for Carey's previous single, "It's Like That". Carey had collaborated with Ratner several times in the past, having worked on the video for "Heartbreaker", which became one of the most expensive of all time, costing an estimated $2.5 million. The video was filmed through February 9 to February 10, 2005, in conjunction with "It's Like That" and serves as the second half to the two-part story. The music video for "It's Like That" features Carey at her bachelorette party set to wed an older and powerful man, played by Eric Roberts. Towards the end of the video, her ex-lover and past flame, played by Wentworth Miller, arrives at the event, and the video concludes with them staring into each other's eyes as Carey's soon-to-be husband watches from a balcony. The video for "We Belong Together" finishes their tale of love, and features Carey on her wedding day. For the scenes of Carey's wedding to the older man, she wore her Vera Wang gown she originally wore during her nuptials to Tommy Mottola in 1993. In an interview with MSNBC, when asked if there was a connection to the use of the dress in the video and reality, Carey responded:

The wedding dress was a Vera Wang original dress from a while ago that I actually wore on a certain occasion and had it in storage and when we came up with the concept for the video that had the element of a wedding in it, I said, ‘well, I do have my old wedding dress,’. 'It’s still worth [sic] for me ’cause I can’t believe I was ever married but whatever, end of story. And I knew that we wouldn’t be able to get a fabulous dress like in two days so I just took that dress out of the storage – it has a 27-foot train and it was just all hand-beaded and stuff and so I figured we might as well get a use out of it.'

Synopsis

In the music video, Carey wore her wedding dress from her nuptials to Tommy Mottola in 1993. She is seen running from the altar, alongside her lover (Wentworth Miller), in the video's climactic sceneThe video features Carey readying for her wedding, and follows her to the altar, as well as her escape from the reception. Many of the actors featured in Carey's "It's Like That" video were in that of "We Belong Together", which was shot as a continuation from the "It's Like That" video. It begins with a scene of a large mansion, apparently owned by the older man who she is to marry. Carey is seen walking barefoot in a room, shedding a black sheer robe and laying down on a bed draped with white linens. Dressed in lingerie, Carey's face is shown close-up, as scenes of her tossing in the bed are shown. As the song begins, Carey is seen sitting in front of a large mirror, preparing for her wedding by putting on earrings and shoes, and staring at the ring on her finger. Additional scenes of Carey sitting on a small blue sofa, wearing a purple dress, and Carey staring at the camera during a shower moment are interspersed. The wedding is then shown, with Miller approaching the reception through a stairwell in the back. Small children as seen throwing flowers on the white carpet, followed by Roberts and Carey walking down the aisle.

As Carey, now dry and clothed, is shown in another scenario following the dressing scene, a still of Carey and Miller in the video for "It's like That" is shown, during the lyrics "I can't sleep at night / When you are on my mind". After several other scenes of Carey dressed in the purple gown and white shirt are interspersed, the altar is displayed, where before being ordained by the minister, Carey looks into her ex-lover's eyes once more. She turns to Roberts, and begins running towards Miller, leaving the reception. As the song's climax is reached, Carey and Miller are shown running from the reception, as the guests stand up in awe, and watch the pair leave. Carey, dressed in the white shirt, is shown with growing anticipation, crying to the camera and moving her hands and hair. Back at the wedding scene, Carey and her lover get into his vehicle, and drive away as her 27-foot train hangs behind the car. The video was nominated for "Best R&B Video" and "Best Female Video" at the 2005 MTV Video Music Awards.

Live performances

Due to its continued chart success, Carey performed "We Belong Together" on several live televised performances and included it on the set-lists of all of her tours following its release. In the United Kingdom, Carey filmed a two-part appearance on the British music program Top of the Pops, performing "It's Like That", "We Belong Together", and "Shake It Off". Additional European and Asian appearances included an interview on the French talk show Le Grand Journal, and a performance of "We Belong Together" on both Music Station and Riponggi Hills in Japan. After returning to the United States for a string of televised performances, Carey launched the release of the album on Good Morning America, in the form of a five-piece outdoor concert. The concert, taking place in Times Square and featuring the largest crowd in the plaza since the 2004 New Year's Eve celebration, featured the first three singles from the album, as well as "Fly Like a Bird" and "Make It Happen" (1991). The following week, she performed "We Belong Together" at the 2005 BET Awards, with an additional appearance at the annual VH1 Save the Musicspecial, filmed live on April 17 from the Beacon Theatre. Throughout May, Carey appeared on several US television programs, performing "We Belong Together" on the Late Show with David Letterman (May 5), The Tonight Show with Jay Leno (May 11), and The Ellen DeGeneres Show (May 13), which included a performance of "It's Like That". As June approached, Carey made an appearance on The Oprah Winfrey Show (May 24), featuring a live rendition of "We Belong Together". She appeared on stage wearing a long blue evening gown, and featured a four piece band, as well as three background vocalists. Eleven days later on June 4, she performed at the annual Macy's Fourth of July Parade, singing "America the Beautiful" and "We Belong Together".

Carey performing "We Belong Together" on her Angels Advocate Tour

The following week, Carey made a live appearance at the 2005 annual MTV Movie Awards. The recital aired on television in black and white format, with Carey wearing a red Armani Privé and sporting a retro curled hairstyle, appearing in color. She performed "We Belong Together" on a white runway-styled stage with four male and female dancers. Following the stateside promotion of the album, Carey traveled to the United Kingdom on July 2, 2005 for a benefit concert held in Hyde Park, London titled Live 8. The televised event was watched by over 9.6 million British citizens and held a live audience of over 200,000. Carey performed a three song set-list, opening with "Make It Happen" and "Hero", which featured a live choir of African children, and followed by "We Belong Together", accompanied by actors Chris Barrie, Judy Flynn, Michael Burns and Julia St. John. On August 3, USA Todayannounced that Carey would be added to the roster of performers at the 2005 MTV Video Music Awards, held on the 28th of the month. The ceremony was held at the American Airlines Arena in downtown Miami Beach Florida, with Carey's performance taking place at the National Hotel in South Beach. Apart from the Killers, she was the only performer to tape their appearance from an undisclosed location in Miami. After being introduced by Eva Longoria, Carey appeared on a long stage in the hotel's courtyard, with Dupri opening the song in a nearby cabana. After performing "Shake It Off" and the official remix version of "We Belong Together", Carey made her way into the shallow pool, followed by Dupri and the back-up dancers. Following the awards ceremony, Carey once again took to Europe, being featured as a head-lining performer at the 2005 Fashion Rocks, held in Monaco. Following her introduction by Donatella Versace, Carey performed the Peter Rauhofer Remix for "We Belong Together" on a suspended rafter, while wearing a metallic Versace gown. Carey played a similarly-choreographed performance of the song's Peter Rauhofer Remix at the German Bambi Awards, held in October 2005. Two months later, she celebrated the new year on television, placing as the featured performer at the Times Square Ball drop on New Year's Eve in New York. The special, titled Dick Clark's New Year's Rockin' Eve with Ryan Seacrest, aired on ABC at 10 pm on December 31, and featured Carey on stage wearing a short sparkling dress, and performing a selection of the album's singles.

At the 48th Grammy Awards, held on February 8, 2006, Carey was nominated for eight awards—the most she had ever received in one night. That night, Carey returned to the Grammy stage for the first time since 1996. Her performance opened with a pre-taped video in which she discussed the importance of God and religion in her life. Carey then came to the stage, dressed in a white Chanel gown, and sang a shortened version of "We Belong Together". Next, Carey's pastor Clarence Keaton read a Bible passage to open Carey's performance of "Fly Like a Bird", as he did in the studio recording of the song. Midway through the song, a black temporary wall was removed, revealing a large choir who joined Carey for the song's gospel climax. The performance earned the night's only standing ovation, prompting Teri Hatcher, who was presenting the next award, to exclaim, "It's like we've all just been saved!" Carey's performance earned rave reviews from critics. Gary Susman from Entertainment Weekly called Carey the "comeback queen", noting that her voice "soar[ed] into the rafters like only Carey's can." Carey included "We Belong Together" on both succeeding tours following its release, the Adventures of Mimi and Angels Advocate Tours. On the former, the song was featured as the encore number, with Carey re-entering the arenas in a form fitting beige evening gown. Backed by three background vocalists, Trey Lorenz, Sherry Tatum, and MaryAnn Tatum, Carey began the song as confetti dropped the arena rafters. According to Jennifer Vineyard from MTV News, the performance was "a major accomplishment", and the highlight of the show, and found Carey re-connect with the audience in ways that she was unable throughout most of the show. Similarly, during her Angel's Advocate Tour, the song was placed as one of the final numbers on the set-list. Dressed in a black Herve Leger gown, Carey introduced the song as the Billboard's "song of the decade", and thanked the audience for making it her 16th number-one single in the United States. Following the song's completion, Carey exited the arena for a few moments, before returning to perform "Hero" as the encore.