Pop Music Hall Of Famers
The List(134):
Bing Crosby
Frank Sinatra
Dean Martin
Nat King Cole
Elvis Presley
Pat Boone
The Platters
Chuck Berry
Fats Domino
Ricky Nelson
Buddy Holly
James Brown
Sam Cooke
Bobby Darin
Roy Orbison
Everly Brothers
Ray Charles
Connie Francis
Paul Anka
The Drifters
Carole King
Neil Sedaka
Brenda Lee
Chubby Checker
The Shirelles
Smokey Robinson & The Miracles
Bobby Vinton
Gladys Knight & The Pips
Aretha Franklin
The Beach Boys
The Four Seasons
Stevie Wonder
Dionne Warwick
The Four Tops
The Temptations
Bob Dylan
The Supremes
Marvin Gaye
The Beatles
The Rolling Stones
Barbra Streisand
Simon & Garfunkel
Cher
Herman's Hermits
Neil Diamond
The Bee Gee's
The 5th Dimension
Glen Campbell
Kenny Rogers
Jefferson Airplane/Starship
Led Zeppelin
Linda Ronstadt
Creedence Clearwater Revival
Sly & The Family Stone
Chicago
The Jackson 5
Three Dog Night
John Lennon
Bob Seger
Elton John
Diana Ross
The Carpenters
Tony Orlando & Dawn
Eric Clapton
Santana
The Spinners
Michael Jackson
Paul McCartney
Olivia Newton-John
Rod Stewart
John Denver
Helen Reddy
Al Green
The Eagles
Kool & The Gang
David Bowie
Barry White
Billy Joel
Barry Manilow
The Commodores
Electric Light Orchestra
Earth, Wind & Fire
Donna Summer
Aerosmith
Bruce Springsteen
Fleetwood Mac
KC & The Sunshine Band
Queen
Styx
Daryl Hall & John Oates
Heart
Foreigner
Prince
John Mellencamp
Journey
The Police
Air Supply
Phil Collins
Lionel Richie
Steve Winwood
Huey Lewis & The News
Duran Duran
Madonna
Bryan Adams
Bon Jovi
U2
Cyndi Lauper
Whitney Houston
George Michael/Wham!
Gloria Estefan
Janet Jackson
Richard Marx
Michael Bolton
Paula Abdul
New Kids On The Block
Bobby Brown
Garth Brooks
Babyface
Mariah Carey
Boyz II Men
Celine Dion
Nirvana
R. Kelly
TLC
Mary J. Blige
Snoop Dogg
Shania Twain
Diddy(Puff Daddy)
Usher
Jay-Z
Destiny's Child
Backstreet Boys
Britney Spears
N'Sync
My rule is, the artist had to have had their first hit at least 15 years ago, so any artist who debuted in 1998 or earlier, is eligible. Next year, in 2014, artists who debuted in 1999 would be eligible. Among the artists from 1999:
Eminem
Christina Aguilera
Jennifer Lopez
2000 Artists:
3 Doors Down
Nelly
Pink
Kid Rock
2001 Artists:
Alicia Keys
Nelly Furtado
Nickelback
Shakira
2002 Artists:
Avril Lavigne
Justin Timberlake
Rihanna
Sean Paul
2003 Artists:
Beyonce
Black Eyed Peas
Maroon 5
Kanye West
Kelly Clarkson
Coldplay
50 Cent
Jason Mraz
2004 Artists:
Gwen Stefani
Pitbull
2005 Artists:
Carrie Underwood
Chris Brown
2006 Artists:
Fergie
Ne-Yo
Taylor Swift
2007 Artists:
Adele
Katy Perry
Miley Ctrus
Colbie Caillat
2008 Artists:
Lady Gaga
2009 Artists:
Justin Bieber
2010 Artists:
Nicki Minaj
We'll see what the future holds........
Friday, September 20, 2013
Wednesday, September 18, 2013
1998 Nominees: Britney Spears & N'Sync
Britney Spears
More than any other single artist, Britney Spears was the driving force behind the return of teen pop in the late '90s. The blockbuster success of the Spice Girls and Backstreet Boys certainly paved the way for her own commercial breakthrough, but Spears didn't just become a star -- she was a bona fide pop phenomenon. Not only did she sell millions of records, she was a media fixture regardless of what she was (or wasn't) doing; among female singers of the era (many of whom followed in her footsteps), her celebrity star power was rivaled only by Jennifer Lopez. From the outset, Spears' sex appeal was an important part of her image. The video for her debut single, "...Baby One More Time," outfitted her in full Catholic-school regalia and sent her well on the way to becoming an international sex symbol. Yet Spears' handlers seemed to be trying to have it both ways -- there was a definite tension between the wholesome innocenceSpears tried to project for her female audience, and the titillating sexuality that enticed so many male fans. Those marketing tactics made Spears a somewhat controversial figure, the subject of endless debates concerning appropriate role models for teenage girls. Early on, Spears tried to defuse the controversy by preaching abstinence until marriage, and even denied that she was consciously cultivating such a sexualized image. Of course, the more provocative and revealing her on-stage wardrobe became, the less plausible that claim seemed. But apart from her ability to tiptoe the line between virginal coquette and brazen tart, Spears had a secret weapon in Swedish pop mastermind Max Martin, who had a hand in the vast majority of her hits as a writer and/or producer. With Martin crafting the sort of contemporary dance-pop and sentimental ballads that made stars of the Backstreet Boys, Spears kept on delivering the goods commercially, as her first three albums all topped the charts.
Britney Jean Spears was born December 2, 1981, in the small town of Kentwood, LA, and began performing as a singer and dancer at a young age. With a nationally televised appearance on Star Search already under her belt, Spearsauditioned for the Disney Channel's The New Mickey Mouse Club at age eight. The producers turned her down as too young, but one of them took an interest and introduced her to an agent in New York. Spears spent the next three years studying at the Professional Performing Arts School, and also appeared in several television commercials and off-Broadway plays. At 11, she returned to The New Mickey Mouse Club for a second audition, and this time made the cut. Although her fellow Mouseketeers included an impressive array of future stars -- *NSYNC's Justin Timberlake and JC Chasez, Christina Aguilera, and Felicity actress Keri Russell -- the show was canceled after Spears' second season. She returned to New York at age 15 and set about auditioning for pop bands and recording demo tapes, one of which eventually landed her a deal with Jive Records.
Spears entered the studio with top writer/producers like Eric Foster White(Boyzone, Whitney Houston, Backstreet Boys) and Max Martin (Ace of Base,Backstreet Boys, *NSYNC). In late 1998, Jive released her debut single, theMartin-penned "...Baby One More Time." Powered by its video, in whichSpears and a troupe of dancers were dressed as Catholic-school jailbait, the single shot to the top of the Billboard charts. When Spears' debut album of the same title was released in early 1999, it entered the charts at number one and stayed there for six weeks. Once the ubiquitous lead single died down, the album kept spinning off hits: the Top Ten "(You Drive Me) Crazy," the near-Top 20 ballad "Sometimes," and the Top 20 "From the Bottom of My Broken Heart." By the end of 1999, ...Baby One More Time had sold ten million copies, and went on to sell a good three million more on top of that. Its success touched off a wave of young pop divas that included Christina Aguilera, P!nk, Jessica Simpson, and Mandy Moore. Spears was a superstar, drooled over in countless magazines, including a Rolling Stone cover that prompted immediate speculation about the still 17-year-old having received breast implants.
By the time ...Baby One More Time finally started to lose steam on the singles and album charts, Spears was ready to release her follow-up. Oops!...I Did It Again appeared in the spring of 2000, and the title track was an instant smash, racing into the Top Ten. The album itself entered the charts at number one and sold over a million copies in its first week of release, setting a new record for single-week sales by a female artist. Follow-up singles included "Lucky," the gold-selling "Stronger," and "Don't Let Me Be the Last to Know," which was co-written by country diva Shania Twain and her producer Mutt Lange. A year after its release, Oops!...I Did It Again had sold over nine million copies. Rumors that Spears was dating *NSYNC heartthrob (and fellow ex-Mouseketeer) Justin Timberlake were eventually confirmed, which only added to the media attention lavished on her.
For her next album, Spears looked ahead to a not-so-distant future when both she and much of her audience would be growing up. Released in late 2001,Britney tried to present the singer as a more mature young woman, and was accompanied by mild hints that her personal life wasn't always completely puritanical. It became her third straight album to debut at number one, although this time around the singles weren't as successful; "I'm a Slave 4 U," "I'm Not a Girl, Not Yet a Woman," and "Overprotected" all missed the Top Ten. In early 2002, Spears' feature-film debut, Crossroads, hit theaters, but its commercial performance was somewhat disappointing; moreover, her romance with Timberlake fizzled not long after. Spears next made a cameo appearance in Mike Myers' Austin Powers: Goldmember, and contributed a remix of "Boys" to the soundtrack. Meanwhile, sales of Britney stalled at four million copies, perhaps in part because a new breed of teenage female singer/songwriters, like Michelle Branch and Avril Lavigne, was emerging as an alternative to the highly packaged teen queens. Spears took a break from recording and performing for several months, and began work on a new album in early 2003. The results, In the Zone, reflected a wish to be taken seriously as a mature (though still highly sexualized) adult. Predictably, it topped the charts and launched several singles into orbit, including the musically adventurous "Toxic," "Everytime," and "Me Against the Music."
In the Zone hit number one on the Billboard 200, and "Toxic" snagged a Grammy for Best Dance Recording. But by 2004, there were no longer any illusions of Britney's personal life being all wholesome candy canes and kisses. First there was the star's bizarre two-day marriage to childhood friend Jason Alexander, followed by the controversial, highly sexualized Onyx Hotel tour, which was eventually canceled (allegedly because of a knee injury) despite positive financial numbers. Starbucks and cigarettes were Britney's constant accessories in the endless paparazzi photos, and the revelation of her relationship with former backup dancer Kevin Federline made the tabloids even more ravenous. Spearsand Federline married in September and were tabloid regulars in the months after the ceremony. (A photo of a barefootBritney leaving a dingy gas station bathroom made the Internet rounds.) The couple also starred in Chaotic, a UPN reality show consisting mostly of their own home videos that was met with howls from the critics and blogs.
The year 2005 was no less eventful for Spears. She released Greatest Hits: My Prerogative that January, but it was the announcement of her pregnancy that really garnered the headlines. Sean Preston Federline was born in September, and a bidding war ensued for first rights to the baby photos. As the hubbub surrounding Sean's birth continued, Britney released a remix album just in time for the holiday season. In 2006, Spears discovered she was pregnant again; shortly after the birth of her second son, Jayden James Federline, she divorced Federline, thus sparking a long string of custody battles that were eventually settled in Federline's favor. Following another headline-grabbing incident in early 2007 (in which Spears spontaneously shaved her head at a salon in Tarzana, California, much to the delight of nearby photographers), Spears sought help at Malibu's Promises Treatment Center. After leaving the center, she began working on her comeback album and performed a few small shows at House of Blues locations in Los Angeles, San Diego, Anaheim, and Las Vegas that May. Despite ongoing turmoil in her life that summer and fall -- including a disastrous performance at MTV's Video Music Awards -- Blackout arrived in October 2007. It proved to be her least successful album to date, charting three Top 40 hits but failing to achieve platinum certification within its first year of release.
Spears' public image was dealt more blows in early 2008 when she lost custody of her children, made several court appearances, and was placed on involuntary psychiatric hold two times in one month. Blackout nevertheless won several MTV-sponsored awards, including Album of the Year from the Europe Music Awards in November 2008. That same fall, the lead-off single from Spears' next record, "Womanizer," became her first number one single in nearly a decade. The full-length Circus arrived in December, featuring a mix of syrupy ballads and uptempo dance numbers that were designed to fuelSpears' comeback. In 2009, the single "3" followed "Womanizer" to the top, and appeared on her career-spanning compilation The Singles Collection. In 2011, Spears returned with the studio album Femme Fatale, featuring the single "Hold It Against Me," which became her fourth single to top the Billboard Hot 100. The second single, the Ke$haco-written "Till the World Ends," didn't top the charts but it was a bigger hit, going double platinum in the US.
Britney supported Femme Fatale with an international tour that ran until the end of 2011; at the end of the year, the home video Live: The Femme Fatale Tour was released. Spears made a splashy return to television in 2012 when she signed to be one of the celebrity judges on the second season of the U.S. version of Simon Cowell's The X Factor. The show returned in the fall of 2012.
Along with the Backstreet Boys and Britney Spears, *NSYNC dominated the teen pop explosion of the late '90s with a blend of group harmonies, gauzy ballads, and well-produced dance textures. Although the group emerged in 1996 in Orlando, FL, singers JC Chasez and Justin Timberlake had previously co-starred on The Mickey Mouse Club before relocating to Nashville, where they worked on solo projects with the same vocal coach and songwriters. Timberlake soon returned to Orlando, where he befriended Chris Kirkpatrick and Joey Fatone. Along with Chasez, the four agreed to form a boy band, and *NSYNC officially launched after the addition of bass singer Lance Bass.
The group recorded its self-titled debut LP with help from a series of producers, including Denniz Pop (whose protégé, Max Martin would later work with the band after Pop's death in 1998). The album was initially released by BMG Ariola Munich, and *NSYNC soon became an overnight success throughout much of Europe, where the singles "I Want You Back" and "Tearing Up My Heart" became sizable hits. The album was then released in America during the spring of 1998. Accompanied by a tour of the nation's roller rinks, it became immensely popular and eventually sold more than ten million copies, thus establishing the singers as teen pop titans. Home for Christmas followed later that same year and went double-platinum, while a similar version was released in Europe under the title The Winter Album.
Although already celebrated as one of pop music's biggest acts, *NSYNC rose to greater heights with the release of No Strings Attached in 2000. The album was originally slated to appear in 1999, but a series of legal battles with former manager Lou Pearlman delayed its arrival by several months. After successfully escaping from Pearlman's contract and signing with Jive Entertainment, *NSYNC happily watched as sales of No Strings Attachedtopped one million during its first day of release. Nearly two and a half million copies were sold by the end of the week, and three singles soon cracked the Top Five in America: "Bye Bye Bye" (which many viewed as a sendoff to the band's old management), "It's Gonna Be Me," and the ballad "This I Promise You." Supported by a 76-date American tour that grossed over $75 million, No Strings Attached proved to be the most popular album of 2000, selling nearly ten million copies.
*NSYNC returned to the road in early 2001, this time to promote the impending release of Celebrity. The album appeared that summer to continued fanfare, with first-week sales reaching nearly two million -- a feat that made Celebrity the second fastest-selling album of all time, bested only by No Strings Attached. The album featured a stronger debt to hip-hop and included several songs written by Timberlake and Chasez, an opportunity that may have whetted their desire to pursue respective solo careers.
Following an elaborate stadium tour, the group went on hiatus in mid-2002. Timberlake released his solo debut that same year, successfully making the jump from boy band vocalist to critically acclaimed solo artist, while Chasez found less success with his own record, 2004's Schizophrenic. Meanwhile, Joey Fatone launched a movie career and later performed on Broadway, Chris Kirkpatrick starred in the reality TV series Mission: Man Band, and Lance Bass became a certified cosmonaut in the hopes of making it to outer space. The group's website shut down in 2006, however, prompting increased speculation about *NSYNC's future. Responding to such rumors in 2007, Bass informed the Orlando Sentinel that the group had "definitely broken up" in light of Timberlake's desire to continue his solo career.
More than any other single artist, Britney Spears was the driving force behind the return of teen pop in the late '90s. The blockbuster success of the Spice Girls and Backstreet Boys certainly paved the way for her own commercial breakthrough, but Spears didn't just become a star -- she was a bona fide pop phenomenon. Not only did she sell millions of records, she was a media fixture regardless of what she was (or wasn't) doing; among female singers of the era (many of whom followed in her footsteps), her celebrity star power was rivaled only by Jennifer Lopez. From the outset, Spears' sex appeal was an important part of her image. The video for her debut single, "...Baby One More Time," outfitted her in full Catholic-school regalia and sent her well on the way to becoming an international sex symbol. Yet Spears' handlers seemed to be trying to have it both ways -- there was a definite tension between the wholesome innocenceSpears tried to project for her female audience, and the titillating sexuality that enticed so many male fans. Those marketing tactics made Spears a somewhat controversial figure, the subject of endless debates concerning appropriate role models for teenage girls. Early on, Spears tried to defuse the controversy by preaching abstinence until marriage, and even denied that she was consciously cultivating such a sexualized image. Of course, the more provocative and revealing her on-stage wardrobe became, the less plausible that claim seemed. But apart from her ability to tiptoe the line between virginal coquette and brazen tart, Spears had a secret weapon in Swedish pop mastermind Max Martin, who had a hand in the vast majority of her hits as a writer and/or producer. With Martin crafting the sort of contemporary dance-pop and sentimental ballads that made stars of the Backstreet Boys, Spears kept on delivering the goods commercially, as her first three albums all topped the charts.
Britney Jean Spears was born December 2, 1981, in the small town of Kentwood, LA, and began performing as a singer and dancer at a young age. With a nationally televised appearance on Star Search already under her belt, Spearsauditioned for the Disney Channel's The New Mickey Mouse Club at age eight. The producers turned her down as too young, but one of them took an interest and introduced her to an agent in New York. Spears spent the next three years studying at the Professional Performing Arts School, and also appeared in several television commercials and off-Broadway plays. At 11, she returned to The New Mickey Mouse Club for a second audition, and this time made the cut. Although her fellow Mouseketeers included an impressive array of future stars -- *NSYNC's Justin Timberlake and JC Chasez, Christina Aguilera, and Felicity actress Keri Russell -- the show was canceled after Spears' second season. She returned to New York at age 15 and set about auditioning for pop bands and recording demo tapes, one of which eventually landed her a deal with Jive Records.
Spears entered the studio with top writer/producers like Eric Foster White(Boyzone, Whitney Houston, Backstreet Boys) and Max Martin (Ace of Base,Backstreet Boys, *NSYNC). In late 1998, Jive released her debut single, theMartin-penned "...Baby One More Time." Powered by its video, in whichSpears and a troupe of dancers were dressed as Catholic-school jailbait, the single shot to the top of the Billboard charts. When Spears' debut album of the same title was released in early 1999, it entered the charts at number one and stayed there for six weeks. Once the ubiquitous lead single died down, the album kept spinning off hits: the Top Ten "(You Drive Me) Crazy," the near-Top 20 ballad "Sometimes," and the Top 20 "From the Bottom of My Broken Heart." By the end of 1999, ...Baby One More Time had sold ten million copies, and went on to sell a good three million more on top of that. Its success touched off a wave of young pop divas that included Christina Aguilera, P!nk, Jessica Simpson, and Mandy Moore. Spears was a superstar, drooled over in countless magazines, including a Rolling Stone cover that prompted immediate speculation about the still 17-year-old having received breast implants.By the time ...Baby One More Time finally started to lose steam on the singles and album charts, Spears was ready to release her follow-up. Oops!...I Did It Again appeared in the spring of 2000, and the title track was an instant smash, racing into the Top Ten. The album itself entered the charts at number one and sold over a million copies in its first week of release, setting a new record for single-week sales by a female artist. Follow-up singles included "Lucky," the gold-selling "Stronger," and "Don't Let Me Be the Last to Know," which was co-written by country diva Shania Twain and her producer Mutt Lange. A year after its release, Oops!...I Did It Again had sold over nine million copies. Rumors that Spears was dating *NSYNC heartthrob (and fellow ex-Mouseketeer) Justin Timberlake were eventually confirmed, which only added to the media attention lavished on her.For her next album, Spears looked ahead to a not-so-distant future when both she and much of her audience would be growing up. Released in late 2001,Britney tried to present the singer as a more mature young woman, and was accompanied by mild hints that her personal life wasn't always completely puritanical. It became her third straight album to debut at number one, although this time around the singles weren't as successful; "I'm a Slave 4 U," "I'm Not a Girl, Not Yet a Woman," and "Overprotected" all missed the Top Ten. In early 2002, Spears' feature-film debut, Crossroads, hit theaters, but its commercial performance was somewhat disappointing; moreover, her romance with Timberlake fizzled not long after. Spears next made a cameo appearance in Mike Myers' Austin Powers: Goldmember, and contributed a remix of "Boys" to the soundtrack. Meanwhile, sales of Britney stalled at four million copies, perhaps in part because a new breed of teenage female singer/songwriters, like Michelle Branch and Avril Lavigne, was emerging as an alternative to the highly packaged teen queens. Spears took a break from recording and performing for several months, and began work on a new album in early 2003. The results, In the Zone, reflected a wish to be taken seriously as a mature (though still highly sexualized) adult. Predictably, it topped the charts and launched several singles into orbit, including the musically adventurous "Toxic," "Everytime," and "Me Against the Music."In the Zone hit number one on the Billboard 200, and "Toxic" snagged a Grammy for Best Dance Recording. But by 2004, there were no longer any illusions of Britney's personal life being all wholesome candy canes and kisses. First there was the star's bizarre two-day marriage to childhood friend Jason Alexander, followed by the controversial, highly sexualized Onyx Hotel tour, which was eventually canceled (allegedly because of a knee injury) despite positive financial numbers. Starbucks and cigarettes were Britney's constant accessories in the endless paparazzi photos, and the revelation of her relationship with former backup dancer Kevin Federline made the tabloids even more ravenous. Spearsand Federline married in September and were tabloid regulars in the months after the ceremony. (A photo of a barefootBritney leaving a dingy gas station bathroom made the Internet rounds.) The couple also starred in Chaotic, a UPN reality show consisting mostly of their own home videos that was met with howls from the critics and blogs.
The year 2005 was no less eventful for Spears. She released Greatest Hits: My Prerogative that January, but it was the announcement of her pregnancy that really garnered the headlines. Sean Preston Federline was born in September, and a bidding war ensued for first rights to the baby photos. As the hubbub surrounding Sean's birth continued, Britney released a remix album just in time for the holiday season. In 2006, Spears discovered she was pregnant again; shortly after the birth of her second son, Jayden James Federline, she divorced Federline, thus sparking a long string of custody battles that were eventually settled in Federline's favor. Following another headline-grabbing incident in early 2007 (in which Spears spontaneously shaved her head at a salon in Tarzana, California, much to the delight of nearby photographers), Spears sought help at Malibu's Promises Treatment Center. After leaving the center, she began working on her comeback album and performed a few small shows at House of Blues locations in Los Angeles, San Diego, Anaheim, and Las Vegas that May. Despite ongoing turmoil in her life that summer and fall -- including a disastrous performance at MTV's Video Music Awards -- Blackout arrived in October 2007. It proved to be her least successful album to date, charting three Top 40 hits but failing to achieve platinum certification within its first year of release.Spears' public image was dealt more blows in early 2008 when she lost custody of her children, made several court appearances, and was placed on involuntary psychiatric hold two times in one month. Blackout nevertheless won several MTV-sponsored awards, including Album of the Year from the Europe Music Awards in November 2008. That same fall, the lead-off single from Spears' next record, "Womanizer," became her first number one single in nearly a decade. The full-length Circus arrived in December, featuring a mix of syrupy ballads and uptempo dance numbers that were designed to fuelSpears' comeback. In 2009, the single "3" followed "Womanizer" to the top, and appeared on her career-spanning compilation The Singles Collection. In 2011, Spears returned with the studio album Femme Fatale, featuring the single "Hold It Against Me," which became her fourth single to top the Billboard Hot 100. The second single, the Ke$haco-written "Till the World Ends," didn't top the charts but it was a bigger hit, going double platinum in the US.Britney supported Femme Fatale with an international tour that ran until the end of 2011; at the end of the year, the home video Live: The Femme Fatale Tour was released. Spears made a splashy return to television in 2012 when she signed to be one of the celebrity judges on the second season of the U.S. version of Simon Cowell's The X Factor. The show returned in the fall of 2012.
Decision: With 22 top 40 hits, 13 top 10's and 5 #1's, Britney Spears is a Pop Music Hall Of Famer.
N'Sync
The group recorded its self-titled debut LP with help from a series of producers, including Denniz Pop (whose protégé, Max Martin would later work with the band after Pop's death in 1998). The album was initially released by BMG Ariola Munich, and *NSYNC soon became an overnight success throughout much of Europe, where the singles "I Want You Back" and "Tearing Up My Heart" became sizable hits. The album was then released in America during the spring of 1998. Accompanied by a tour of the nation's roller rinks, it became immensely popular and eventually sold more than ten million copies, thus establishing the singers as teen pop titans. Home for Christmas followed later that same year and went double-platinum, while a similar version was released in Europe under the title The Winter Album.Although already celebrated as one of pop music's biggest acts, *NSYNC rose to greater heights with the release of No Strings Attached in 2000. The album was originally slated to appear in 1999, but a series of legal battles with former manager Lou Pearlman delayed its arrival by several months. After successfully escaping from Pearlman's contract and signing with Jive Entertainment, *NSYNC happily watched as sales of No Strings Attachedtopped one million during its first day of release. Nearly two and a half million copies were sold by the end of the week, and three singles soon cracked the Top Five in America: "Bye Bye Bye" (which many viewed as a sendoff to the band's old management), "It's Gonna Be Me," and the ballad "This I Promise You." Supported by a 76-date American tour that grossed over $75 million, No Strings Attached proved to be the most popular album of 2000, selling nearly ten million copies.*NSYNC returned to the road in early 2001, this time to promote the impending release of Celebrity. The album appeared that summer to continued fanfare, with first-week sales reaching nearly two million -- a feat that made Celebrity the second fastest-selling album of all time, bested only by No Strings Attached. The album featured a stronger debt to hip-hop and included several songs written by Timberlake and Chasez, an opportunity that may have whetted their desire to pursue respective solo careers.Following an elaborate stadium tour, the group went on hiatus in mid-2002. Timberlake released his solo debut that same year, successfully making the jump from boy band vocalist to critically acclaimed solo artist, while Chasez found less success with his own record, 2004's Schizophrenic. Meanwhile, Joey Fatone launched a movie career and later performed on Broadway, Chris Kirkpatrick starred in the reality TV series Mission: Man Band, and Lance Bass became a certified cosmonaut in the hopes of making it to outer space. The group's website shut down in 2006, however, prompting increased speculation about *NSYNC's future. Responding to such rumors in 2007, Bass informed the Orlando Sentinel that the group had "definitely broken up" in light of Timberlake's desire to continue his solo career.
Decision: With 7 top 10s and 1 #1 hit in just 4 years, N'Sync were a sensation, but they fall just short of the Pop Music HOF.....
Next: A review of all the Pop Music Hall Of Famers, and a list of the top candidates in the future. In 2014, artists who first hit the Top 40 in 1999 will be eligible......
Thursday, September 12, 2013
1997 Nominees: Usher, Jay-Z, Destiny's Child, Backstreet Boys
Usher
After Usher Raymond was spotted by a LaFace record executive at a talent show in his hometown of Atlanta, it took no time for his career to take off. The 14-year-old auditioned for LaFace co-founder L.A. Reid, who signed the gospel choir boy to a recording contract. Raymond was introduced to the world simply as "Usher," and released his debut album of the same name in 1994, which featured co-executive producer Sean "Puffy" Combs. The first single, "Think of You," gained Usher wide recognition and reached gold status. From that initial exposure, Usher was approached to do other projects. In 1995, he recorded a national holiday jingle for Coca-Cola. He also joined several top male R&B vocalists to form Black Men United for the single "You Will Know," featured on the Jason's Lyric soundtrack. He also teamed with teen singing sensation Monica for a duet remake of Latimore's "Let's Straighten It Out."
After graduating from high school, Usher released his sophomore album, My Way, in 1997. In an attempt to display his maturity and songwriting abilities, he co-wrote six of the nine songs and enlisted the help of producers Jermaine Dupri, Babyface, and, again, Combs. The album's first single, "You Make Me Wanna," reestablished Usher as one of R&B's hottest artists, and also made him a crossover sensation; it topped the R&B charts for 11 weeks, hit number two pop, and eventually went double platinum. Both of the follow-up singles, "Nice & Slow" and "My Way," also went platinum; the former stayed at number one on the R&B charts for eight weeks and became his first number one pop single. In the meantime, Usher launched an acting career, appearing in the 1998 horror spoof The Faculty and the 1999 urban high-school drama Light It Up.
To tide fans over, he issued a concert recording titled simply Live in 1999.Usher returned with his third proper album, All About U, toward the end of 2000. His third album, 8701 (2001), moved him from a teen pop star to a sultry R&B singer. In early 2004, Arista released the single "Yeah!" Produced by Lil Jon and guesting Ludacris, the addictive, lightly crunk cut fast became a club and radio favorite.
By the time the Usher full-length Confessions dropped later that March, "Yeah!" had hit the top of the Billboard charts. The album itself was Usher's most mature work to date and won the Grammy for Best Contemporary R&B Album in 2004, while "Yeah!" took home the best rapped/sung collaboration award. He starred in 2005's In the Mix and went back to music with 2008's Here I Stand, an album that topped the Billboard 200 and Hot R&B/Hip-Hop Albums charts.
Raymond V Raymond, inspired in part by the end of his marriage, was released in 2010 as three of its songs were climbing the charts. Its buzz single, "Papers," had already topped the Hot R&B/Hip-Hop Singles chart. An EP titled Versus followed later in the year. Led by Hot R&B/Hip Hop chart-topper "Climax" (co-produced by Diplo), Looking for Myself was issued in 2012.
Embodying the rags-to-riches rap dream, Jay-Z pulled himself up by his bootstraps as a youth to eventually become the reigning rapper of New York City and, in turn, a major-label executive following his short-lived retirement from music-making. In the wake of his 1996 debut, Reasonable Doubt, Jay-Z's albums sold millions upon millions with each release, and his endless parade of hits made him omnipresent on urban radio and video television. He retained a strongly devoted fan base and challenged whatever rivals attempted to oust him from atop the rap game, sparring most memorably with Nas. Jay-Zand his Roc-a-Fella associates greatly influenced the industry and established many of the trends that pervaded during the late '90s and early 2000s. He consistently worked with the hottest producers of the day (Clark Kent, DJ Premier, Teddy Riley, Trackmasters, Erick Sermon, Timbaland, Swizz Beatz), and if they weren't hot at the time, they likely would be afterward (the Neptunes, Kanye West, Just Blaze, 9th Wonder). He similarly collaborated with the hottest rappers in the industry, everyone from East Coast contemporaries like the Notorious B.I.G. ("Brooklyn's Finest") and DMX ("Cash, Money, Hoes"), to the best rappers from the South (Ludacris, Missy Elliott) and the West Coast (Snoop Dogg, Too Short). After his self-declared retirement from rapping in 2003, he assumed the presidency of the seminal rap label Def Jam and, as an industry executive, embarked on another phase in his illustrious career.
Born in 1969 and raised in the rough Marcy Projects of Brooklyn, New York, Jay-Z underwent some tough times after his father left his mother before the young rapper was even a teen. Without a man in the house, he became a self-supportive youth, turning to the streets, where he soon made a name for himself as a fledging rapper. Known as "Jazzy" in his neighborhood, he soon shortened his nickname to Jay-Z and did all he could to break into the rap game. As he vividly discusses in his lyrics, Jay-Z also became a street hustler around this time, doing what needed to be done to make money. For a while, he ran around with Jaz-O, aka Big Jaz, a small-time New York rapper with a record deal but few sales. From Jaz he learned how to navigate through the rap industry and what moves to make. He also participated in the group Original Flavor for a short time. Jay-Z subsequently decided to make an untraditional decision and start his own label rather than sign with an established label as Jaz had done. Together with friends Damon Dash and Kareem "Biggs" Burke, he created Roc-a-Fella Records, a risky strategy for cutting out the middleman and making money for himself. Once he found a reputable distributor, Priority Records (and then later Def Jam), Jay-Z finally had everything in place, including a debut album, Reasonable Doubt (1996).
Though Reasonable Doubt only reached number 23 on Billboard's album chart, Jay-Z's debut eventually became recognized as an undisputed classic among fans, many of whom consider it his crowning achievement. Led by the hit single "Ain't No Nigga," a duet featuring Foxy Brown, Reasonable Doubtslowly spread through New York; some listeners were drawn in because of big names like DJ Premier and the Notorious B.I.G., others by the gangsta motifs very much in style at the time, still others by Jay-Z himself. By the end of its steady run, Reasonable Doubt generated three more charting singles -- "Can't Knock the Hustle," which featured Mary J. Blige on the hook; "Dead Presidents," which featured a prominent sample of "The World Is Yours," a 1994 hit by Nas, and "Feelin' It" -- and set the stage for Jay-Z's follow-up, In My Lifetime, Vol. 1 (1997).
Peaking at number three on the Billboard album chart, In My Lifetime sold much more strongly than its predecessor. The album boasted pop-crossover producers such as Puff Daddy and Teddy Riley, and singles such as "Sunshine" and "The City Is Mine" indeed showcased a newfound embrace of pop crossover. Yet there were still plenty of hard-hitting songs, such as "Streets Is Watching" and "Rap Game/Crack Game" to lace In My Lifetime with gangsta rap as well as pop crossover. Jay-Z's next album, Vol. 2: Hard Knock Life (1998), released a year after In My Lifetime, was laden with hit singles: "Can I Get A..." and "Hard Knock Life (Ghetto Anthem)" broke the Top 20 of the Billboard Hot 100, while "Cash, Money, Hoes" and "Nigga What, Nigga Who" also charted. Vol. 2: Hard Knock Life ended up winning a Grammy for Best Rap Album.
Like clockwork, Jay-Z returned a year later with another album, Vol. 3: Life and Times of S. Carter (1999), which topped the Billboard 200 and spawned two hits: "Big Pimpin'" and "Do It Again (Put Ya Hands Up)." The album was Jay-Z's most collaborative to date, featuring ten guest vocalists and a roll call of in-demand producers such as Dr. Dre and Timbaland. Jay-Z then scaled back a bit for Dynasty Roc la Familia (2000), his fifth album in as many years. The album showcased Roc-a-Fella's in-house rappers: Beanie Sigel guests on seven of the 16 tracks, Memphis Bleek guests on six, and both Amir andFreeway also make guest appearances. On Dynasty Roc la Familia, Jay-Zalso began working with a few new producers: the Neptunes, Kanye West, and Just Blaze. The Neptunes-produced "I Just Wanna Love U (Give It 2 Me)" became a particularly huge hit single this go-round.
Jay-Z's next album, The Blueprint (2001), solidified his position atop the New York rap scene upon its release in September. Prior to the album's release, the rapper had caused a stir in New York following his headlining performance at Hot 97's Summer Jam 2001, where he debuted the song "Takeover." The song features a harsh verse ridiculing Prodigy of Mobb Deep, and Jay-Zaccentuated his verbal assault (including the lines "You's a ballerina/I seen ya") by showcasing gigantic photos of an adolescent Prodigy in a dance outfit. The version of "Takeover" that later appeared on The Blueprint includes a third verse, this one dissing Nas, who, in response to the Summer Jam performance, had called out Jay-Z, "the fake king of New York," in a freestyle known as "Stillmatic." As expected, "Takeover" ignited a sparring match with Nas, who responded with "Ether." Jay-Z accordingly returned with a comeback, "Super Ugly," where he rapped over the beats toNas' "Get Ur Self a..." on the first verse and Dr. Dre's "Bad Intentions" on the second. The back-and-forth bout created massive publicity for both Jay-Z and Nas. In addition to "Takeover," The Blueprint also featured "Izzo (H.O.V.A.)," one of the year's biggest hit songs, and the album topped many year-end best-of charts.
Jay-Z capitalized on the runaway success of The Blueprint with a number of follow-up projects. He collaborated with the Roots for the Unplugged album (2001) and with R. Kelly for Best of Both Worlds (2002). He then went on to record, over the course of the year, 40 or so new tracks, 25 of which appeared on his next record, the double album The Blueprint²: The Gift & the Curse(2002). Though billed as a sequel, The Blueprint² was considerably different from its predecessor. Whereas the first volume had been personal, considered, and focused, the second instead offered an unapologetically sprawling double-disc extravaganza showcasing remarkable scope. As usual, it spawned a stream of singles, led by his 2Pac cover "'03 Bonnie & Clyde" (featuring his glamorous then-future wife, Beyoncé Knowles from Destiny's Child). Furthermore, Jay-Z guested on a pair of summer 2003 hits: Beyoncé's chart-topping "Crazy in Love" and the Neptunes' Top Five hit "Frontin'."
It was then that Jay-Z announced his imminent retirement after the release of one more album. That LP, The Black Album (2003), was rush-released by Def Jam and soared to the top spot in the album charts at the end of the year. As always, it spawned a couple big hits -- "Dirt Off Your Shoulder" and "99 Problems" -- and inspired a popular mash-up bootleg, The Grey Album, byDanger Mouse. The subsequent year (2004) was a whirlwind for the retiringJay-Z. He embarked on a farewell tour that was topped off by an extravagant Madison Square Garden performance documented on the Fade to Black DVD, and he also embarked on an ill-fated arena tour with the embattled R. Kellythat resulted in an exchange of ugly multi-million-dollar lawsuits.
With his final album behind him and his reputation bigger than ever, Jay-Zaccepted an offer to assume the role of president at Def Jam Records. The seminal rap label was struggling and needed someone to guide it through a rocky transitional phase. Jay-Z accepted the challenge and took over the company begun by Russell Simmons and Rick Rubin roughly 20 years earlier. (As part of its deal with Jay-Z, Def Jam's parent company, Universal, bought Roc-a-Fella, which resulted in some bitterness among certain associates upset by the buyout.) Considerable fanfare met the presidential inauguration, as Jay-Z became one of the few African-American major-label executives in the business, and he also became one of the few rappers to transition into that side of the business. Numerous rappers owned or operated their own boutique labels, but none had ever risen to such major-label heights. And the rapper-turned-president didn't take his job lightly, either, at least judging by his initial year at the helm. Within months of assuming his position, he fostered a string of newfound talents -- Young Jeezy, Teairra Marí, Rihanna, andBobby V., all of whom enjoyed considerable commercial success -- and only had a few setbacks (disappointing returns on albums by Memphis Bleek and Young Gunz).
In 2005, Jay-Z came out of retirement for the I Declare War concert in New York City. The ambitious show featured a parade of high-profile guest stars, including Diddy, T.I., Kanye West, and in a peacemaking move, Nas. With this longstanding beef squashed, Jay-Z announced he was coming out of retirement for good. He made it official when Kingdom Come hit the shelves in late 2006. Less than a year later, Jay-Z returned with another post-retirement album, American Gangster (2007), this one inspired by the concurrent film of the same name. Two years later, after he left Def Jam and established Roc Nation -- a label, music publisher, and talent agency through Live Nation -- he released a third installment in the Blueprint series, The Blueprint 3. Announced with the single "D.O.A. (Death of Auto-Tune)," the album featured productions from Kanye West and Timbaland, plus guest features for West, Rihanna, Young Jeezy, and Alicia Keys. Proof of the MC's enduring relevance, the album topped the Billboard 200. The Hits Collection, Vol. 1 followed in 2010. At various points during 2010 and early 2011, Jay-Z worked on Watch the Throne with partner Kanye West and numerous producers and songwriters. After taking several shapes, the album was released in August 2011 and debuted at number one on the Billboard 200.
On January 7, 2012, Beyoncé gave birth to Blue Ivy Carter. Jay-Z quickly released "Glory," featuring his daughter as B.I.C.; she became the youngest person to appear on a Billboard-charting single. High profile television ads in June 2013 announced Jay-Z's 12th solo album, Magna Carta...Holy Grail. That July 4, the album was made available via an app downloadable through certain models of Samsung smartphones. Digital downloads, physical copies, and streams through other outlets followed days later. Most of its tracks featured production from Timbaland and partner Jerome "J. Roc" Harmon, while its lead song involved Justin Timberlake, with whom Jay-Z toured that summer.
Destiny's Child rose to become one of the most popular female R&B groups of the late '90s, eventually rivaling even TLC in terms of blockbuster commercial success. Their accomplishments came in spite of several abrupt personnel changes, which were accompanied by heated, well-publicized feuds in the media and the courts. In fact, for a time, Destiny's Child were known for that drama just as much as their music. Once the group stabilized again, though, they emerged with even more hitmaking power than ever before.
Destiny's Child were formed in Houston, Texas, in 1990, when original members Beyoncé Knowles and LaTavia Roberson were just nine years old; the two met at an audition and became friends, and Knowles' father Mathew set about developing an act based on their singing and rapping, taking their name from a passage in the Book of Isaiah.Beyoncé's cousin Kelendria "Kelly" Rowland joined the group in 1992, and shortly thereafter they landed an appearance on Star Search, where they performed a rap song. The quartet's lineup was finalized (for the time being) whenLeToya Luckett joined in 1993, and they spent the next few years working their way up from the Houston club scene, eventually opening for artists like SWV, Dru Hill, and Immature. Finally, in 1997, Destiny's Child were offered a recording contract by Columbia.
The group made its recorded debut on 1997's "Killing Time," a song included on the soundtrack of the blockbuster Men in Black. Their self-titled debut album was released in early 1998, featuring production by Wyclef Jean andJermaine Dupri, among others. Its lead single, the Jean-produced "No No No," was a smash hit, selling over a million copies and topping the R&B charts. The follow-up singles -- "With Me" and "Get on the Bus," the latter of which was taken from the soundtrack of Why Do Fools Fall in Love? -- didn't quite duplicate the success of "No No No," although Destiny's Child would eventually go platinum (after the group's later success). Destiny's Childreentered the studio quickly, bringing in producer Kevin "She'kspere" Briggsto handle the majority of their next record. Lead single "Bills, Bills, Bills" became the group's first number one pop hit (and second R&B number one) in the summer of 1999 and, paced by its success, the accompanying album, The Writing's on the Wall, entered the charts at number six upon its release.
That was just the beginning of the group's breakout success. The second single, "Bug a Boo," didn't perform as well, but the third single, "Say My Name," was another massive hit, their biggest so far; it hit number one on both the pop and R&B charts for three weeks apiece in early 2000, and made Destiny's Child a pop-cultural phenomenon. However, at the peak of "Say My Name"'s popularity, the group splintered. In December 1999, Roberson and Luckett attempted to split with manager Mathew Knowles, charging that he kept a disproportionate share of the band's profits, attempted to exert too much control, and unfairly favored his daughter and niece. While they never intended to leave the group, relations naturally grew strained, and when the video for "Say My Name" premiered in February 2000, many fans (not to mentionRoberson and Luckett) were surprised to find two new members -- Michelle Williams and Farrah Franklin -- joining Knowles and Rowland. Infuriated, Roberson and Luckett took legal action in March, suing both Knowles and their former bandmates for breach of partnership and fiduciary duties. A war of words followed in the press; meanwhile, the next Destiny's Child single, "Jumpin' Jumpin'," hit the Top Ten, and The Writing's on the Wall went on to sell a whopping eight million copies.
The personnel-turnover drama still wasn't over; in July 2000, just five months after joining, Farrah Franklin split with the group. The official reason was that Franklin missed several promotional appearances and concert gigs, although in later interviews she spoke of too much negativity and too little control in the group environment. Now reduced to a trio, Destiny's Child was tapped to record the theme song for the film version of Charlie's Angels; released as a single in October, "Independent Women, Pt. 1" raced up the charts and spent an astounding 11 weeks at number one. Destiny's Child were now indisputable superstars, the biggest female R&B group on the scene, and they quickly began work on a new album to capitalize. In the meantime, toward the end of 2000, Roberson and Luckett dropped the portion of their lawsuit aimed at Rowland and Knowles in exchange for a settlement, though they continued to pursue action againstKnowles' father; as part of the agreement, both sides were prohibited from ripping each other publicly.
Beyoncé had long since emerged as the group's focal point, and on the third Destiny's Child album, she assumed more control than ever before, taking a greater hand in writing the material and even producing some of the record herself. While recording sessions were going on, Rowland released the first Destiny's Child solo track; "Angel" appeared on the soundtrack of Chris Rock's Down to Earth. Former members Roberson and Luckett also announced the formation of a trio called, coincidentally, Angel, and Farrah Franklin set about starting a solo career.
Survivor -- whose title was reportedly inspired by a DJ's crack about Destiny's Child members voting one another off the island, much like the popular CBS reality series -- hit stores in the spring of 2001, and entered the charts at number one. The first two singles, "Survivor" and "Bootylicious," were predictably huge hits, with the latter becoming the group's fourth number one pop single. A cover of Samantha Sang's "Emotion" was also successful, albeit less so, and Survivor sold well -- over four million copies -- but not as well as its predecessor. Toward the end of the year, the group released a holiday album, 8 Days of Christmas, and announced plans for a series of side projects, including solo albums from all three members (to be staggered over the next year and a half, so as to avoid competition). In early 2002, shortly after This Is the Remix was released to tide fans over, Roberson and Luckett sued the group again, claiming that some of the lyrics in "Survivor" made reference to them (in violation of the earlier lawsuit settlement).
The first Destiny's Child solo album, Michelle Williams' all-gospel projectHeart to Yours, was released in April and featured a duet with gospel legend Shirley Caesar. Meanwhile, Beyoncé won a leading role opposite Mike Myersin the third Austin Powers film, Goldmember, playing blaxploitation-style heroine Foxy Cleopatra; her first solo single, the Neptunes-produced "Work It Out," appeared on the soundtrack, and her full solo album, Dangerously in Love, became a huge hit upon release in mid-2003. Despite much critical speculation, the trio reunited the following year and released Destiny Fulfilled in November 2004. In October 2005, the #1's compilation was issued, followed by the Live in Atlanta DVD and CD sets in 2006 and 2007. The members continued solo careers. Rowland had considerable success with Ms. Kelly and Here I Am, both of which reached the Top Ten. Meanwhile, Beyoncé, who married Jay-Z in 2008, solidified her status as the planet's biggest pop star with the platinum albums B'day, I Am...Sasha Fierce, and 4. The group reunited in 2012 to record a new song, the Pharrell-produced "Nuclear," for the Love Songs compilation, which was released in January 2013 -- just prior to their halftime performance at Super Bowl XLVII.
The Backstreet Boys were, in many ways, a contradictory band. Comprised entirely of white middle-class Americans, the group sang a hybrid of new jack balladry, hip-hop, R&B, and dance club pop that originally found its greatest success in Canada and Europe, with their 1996 debut album charting in the Top Ten in nearly every country on the Continent. Ironically, success in their native land did not follow until nearly two years later, when teen pop enjoyed a commercial explosion in America. Along with such artists as *NSYNC and Britney Spears, The Backstreet Boys rose to the forefront of popular music during the turn of the 21st century, with albums like Backstreet's Back, Millennium, and Black & Blue enjoying worldwide success.
The core of The Backstreet Boys was comprised of cousins Kevin Richardson and Brian Littrell, both of whom hailed from Lexington, Kentucky. The two began singing in local church choirs and festivals while they were children, performing doo wop and R&B songs in the style of Boyz II Men. Two of the group's other members, Howie Dorough and A.J. McLean, were natives of Orlando, Florida, who met each other -- as well as transplanted New Yorker Nick Carter -- through auditions for local commercials, theater, and television. At one audition, the three discovered that they shared an affection for classic soul and could harmonize well together. Inspired, they formed a vocal trio. Shortly thereafter, Richardson moved to Orlando, where he became a tour guide at Disney World and concentrated on music at night. Eventually, he met Dorough, Carter, and McLean through a co-worker, and the four decided to form a group, naming themselves after an Orlando flea market. Littrell was later invited to join, thus turning the group into a quintet.
With the help of Louis J. Pearlman (who would later rise to mogul status on the strength of his teen pop acts), The Backstreet Boys secured management from Donna and Johnny Wright, the latter of whom had managed New Kids on the Block during the 1980s. The Wrights put the group out on the road and enlisted several A&R reps to attend the performances, which eventually resulted in a contract with Jive Records in 1994. Jive set The Backstreet Boys up with producers Veit Renn and Tim Allen, who helped shape the group's eponymous album. Released throughout Europe in late 1995, the record enjoyed considerable success, spending several weeks in the Top Ten in most Continental countries where it charted. In the U.K., The Backstreet Boys were named Best Newcomers of 1995 at the Smash Hits Awards thanks to their international hit single "We've Got It Goin' On." After scoring another European hit with "I'll Never Break Your Heart," the group released its album in Canada. Despite The Backstreet Boys' popularity in Europe and Canada, "We've Got It Goin' On" stalled in the lower reaches of the U.S. charts in 1995.
Combining their international singles with new tracks (which also formed the centerpiece of that year's European-only album Backstreet's Back), the American version of Backstreet Boys finally jump-started the group's success at home. "Quit Playin' Games (With My Heart)" and "As Long as You Love Me" proved to be popular singles, with the former track climbing to platinum status. The album continued to spin off hits well into 1999, with "Everybody (Backstreet's Back)," "I'll Never Break Your Heart," and "All I Have to Give" all landing on the charts. Both the former and the latter were platinum Top Five hits, and the album eventually sold an astounding 14 million copies in America alone.
In the meantime, the group saw its share of turmoil as Littrell underwent surgery in early 1998 to correct a congenital heart defect. Additionally, the Boys became embroiled in lawsuits againstPearlman and the rest of their management over royalties. When the dust settled, Pearlman remained the group's manager -- though the rest of the team was fired -- and the Boys began work on their follow-up album. Millennium was released in the summer of 1999 and debuted at number one, with first-week sales topping one million copies. Buoyed by songs like "I Want It That Way," "Larger Than Life," "Show Me the Meaning of Being Lonely," and "The One," Millenniumshattered a number of records, including the highest amount of shipments in one year and the most copies sold during an album's inaugural week. The group released its Christmas Album before the end of the year, by which timeMillennium was well on its way to sales of 12 million copies in the U.S. On an international level, the album eventually sold more than 40 million units.
Once again, the group struck immediately after its previous album stopped producing hits, issuing Black & Blue in fall 2000. More Top 40 singles followed, including "The Call" and "Shape of My Heart," and Black & Bluefollowed its predecessor by selling over one million copies during its first week. A popular tour supported the album, but after seven years of nonstop touring and recording, the band agreed it was time for a break. Brian Littrell became a father while Kevin Richardson tried his hand at Broadway and took a starring role in the musical Chicago. Nick Carter released his solo album Now or Never in 2002, Howie Dorough did charity work for the Dorough Lupus Foundation in honor of the sister he had lost to the disease, and A.J. McLeanmade headlines with his stint in rehab.
In 2004, The Backstreet Boys re-formed and began work on a new album. The result, Never Gone, was released in June 2005 to platinum sales, followed byUnbreakable in 2007. The latter was the first album not to feature all five original members, as Kevin Richardson had quietly exited the group in 2006. It was also the group's first album not to go platinum, a fact that seemingly cemented the end of The Backstreet Boys' heyday. Accordingly, the singers enlisted some serious star power for their next album, soliciting help from the likes of Ryan Tedder, Max Martin (who had penned "I Want It That Way" ten years prior), Dr. Luke, and T-Pain. When songs from their recording sessions were leaked online, the group took the setback in stride, using their fans' feedback to help steer the remainder of the recording process. This Is Us was ultimately finished in mid-2009 and released in that October. The Boys supported the album with an extensive tour.
The Backstreet Boys split from Jive Records in 2011, then embarked on a co-headlining tour with New Kids on the Block. The tour was dubbed NKOTBSB, as was the joint Backstreet Boys/New Kids greatest-hits collection released that year. In 2012, Richardson rejoined The Backstreet Boys -- he had been performing live gigs with them on occasion -- and as the group worked on a new album, they released a holiday single called "It's Christmas Time Again" that November. The Backstreet Boys intended to celebrate their 20th anniversary in grand fashion in 2013, releasing a new album called In a World Like This -- their first to feature Kevin Richardson since 2005's Never Gone -- which was then supported by an international tour and a documentary scheduled for release in 2014. This wasn't the only silver-screen appearance for the anniversary-minded Backstreet Boys; they also appeared in Seth Rogen's 2013 summer comedy This Is the End.
After Usher Raymond was spotted by a LaFace record executive at a talent show in his hometown of Atlanta, it took no time for his career to take off. The 14-year-old auditioned for LaFace co-founder L.A. Reid, who signed the gospel choir boy to a recording contract. Raymond was introduced to the world simply as "Usher," and released his debut album of the same name in 1994, which featured co-executive producer Sean "Puffy" Combs. The first single, "Think of You," gained Usher wide recognition and reached gold status. From that initial exposure, Usher was approached to do other projects. In 1995, he recorded a national holiday jingle for Coca-Cola. He also joined several top male R&B vocalists to form Black Men United for the single "You Will Know," featured on the Jason's Lyric soundtrack. He also teamed with teen singing sensation Monica for a duet remake of Latimore's "Let's Straighten It Out."
After graduating from high school, Usher released his sophomore album, My Way, in 1997. In an attempt to display his maturity and songwriting abilities, he co-wrote six of the nine songs and enlisted the help of producers Jermaine Dupri, Babyface, and, again, Combs. The album's first single, "You Make Me Wanna," reestablished Usher as one of R&B's hottest artists, and also made him a crossover sensation; it topped the R&B charts for 11 weeks, hit number two pop, and eventually went double platinum. Both of the follow-up singles, "Nice & Slow" and "My Way," also went platinum; the former stayed at number one on the R&B charts for eight weeks and became his first number one pop single. In the meantime, Usher launched an acting career, appearing in the 1998 horror spoof The Faculty and the 1999 urban high-school drama Light It Up.To tide fans over, he issued a concert recording titled simply Live in 1999.Usher returned with his third proper album, All About U, toward the end of 2000. His third album, 8701 (2001), moved him from a teen pop star to a sultry R&B singer. In early 2004, Arista released the single "Yeah!" Produced by Lil Jon and guesting Ludacris, the addictive, lightly crunk cut fast became a club and radio favorite.By the time the Usher full-length Confessions dropped later that March, "Yeah!" had hit the top of the Billboard charts. The album itself was Usher's most mature work to date and won the Grammy for Best Contemporary R&B Album in 2004, while "Yeah!" took home the best rapped/sung collaboration award. He starred in 2005's In the Mix and went back to music with 2008's Here I Stand, an album that topped the Billboard 200 and Hot R&B/Hip-Hop Albums charts.Raymond V Raymond, inspired in part by the end of his marriage, was released in 2010 as three of its songs were climbing the charts. Its buzz single, "Papers," had already topped the Hot R&B/Hip-Hop Singles chart. An EP titled Versus followed later in the year. Led by Hot R&B/Hip Hop chart-topper "Climax" (co-produced by Diplo), Looking for Myself was issued in 2012.
Decision: Usher has had an incredible career run on the charts, 30 Top 40 hits, 19 of which reached the top 10 and 10 #1's. Usher is a Pop Music Hall Of Famer..
Jay-Z
Embodying the rags-to-riches rap dream, Jay-Z pulled himself up by his bootstraps as a youth to eventually become the reigning rapper of New York City and, in turn, a major-label executive following his short-lived retirement from music-making. In the wake of his 1996 debut, Reasonable Doubt, Jay-Z's albums sold millions upon millions with each release, and his endless parade of hits made him omnipresent on urban radio and video television. He retained a strongly devoted fan base and challenged whatever rivals attempted to oust him from atop the rap game, sparring most memorably with Nas. Jay-Zand his Roc-a-Fella associates greatly influenced the industry and established many of the trends that pervaded during the late '90s and early 2000s. He consistently worked with the hottest producers of the day (Clark Kent, DJ Premier, Teddy Riley, Trackmasters, Erick Sermon, Timbaland, Swizz Beatz), and if they weren't hot at the time, they likely would be afterward (the Neptunes, Kanye West, Just Blaze, 9th Wonder). He similarly collaborated with the hottest rappers in the industry, everyone from East Coast contemporaries like the Notorious B.I.G. ("Brooklyn's Finest") and DMX ("Cash, Money, Hoes"), to the best rappers from the South (Ludacris, Missy Elliott) and the West Coast (Snoop Dogg, Too Short). After his self-declared retirement from rapping in 2003, he assumed the presidency of the seminal rap label Def Jam and, as an industry executive, embarked on another phase in his illustrious career.Born in 1969 and raised in the rough Marcy Projects of Brooklyn, New York, Jay-Z underwent some tough times after his father left his mother before the young rapper was even a teen. Without a man in the house, he became a self-supportive youth, turning to the streets, where he soon made a name for himself as a fledging rapper. Known as "Jazzy" in his neighborhood, he soon shortened his nickname to Jay-Z and did all he could to break into the rap game. As he vividly discusses in his lyrics, Jay-Z also became a street hustler around this time, doing what needed to be done to make money. For a while, he ran around with Jaz-O, aka Big Jaz, a small-time New York rapper with a record deal but few sales. From Jaz he learned how to navigate through the rap industry and what moves to make. He also participated in the group Original Flavor for a short time. Jay-Z subsequently decided to make an untraditional decision and start his own label rather than sign with an established label as Jaz had done. Together with friends Damon Dash and Kareem "Biggs" Burke, he created Roc-a-Fella Records, a risky strategy for cutting out the middleman and making money for himself. Once he found a reputable distributor, Priority Records (and then later Def Jam), Jay-Z finally had everything in place, including a debut album, Reasonable Doubt (1996).
Though Reasonable Doubt only reached number 23 on Billboard's album chart, Jay-Z's debut eventually became recognized as an undisputed classic among fans, many of whom consider it his crowning achievement. Led by the hit single "Ain't No Nigga," a duet featuring Foxy Brown, Reasonable Doubtslowly spread through New York; some listeners were drawn in because of big names like DJ Premier and the Notorious B.I.G., others by the gangsta motifs very much in style at the time, still others by Jay-Z himself. By the end of its steady run, Reasonable Doubt generated three more charting singles -- "Can't Knock the Hustle," which featured Mary J. Blige on the hook; "Dead Presidents," which featured a prominent sample of "The World Is Yours," a 1994 hit by Nas, and "Feelin' It" -- and set the stage for Jay-Z's follow-up, In My Lifetime, Vol. 1 (1997).Peaking at number three on the Billboard album chart, In My Lifetime sold much more strongly than its predecessor. The album boasted pop-crossover producers such as Puff Daddy and Teddy Riley, and singles such as "Sunshine" and "The City Is Mine" indeed showcased a newfound embrace of pop crossover. Yet there were still plenty of hard-hitting songs, such as "Streets Is Watching" and "Rap Game/Crack Game" to lace In My Lifetime with gangsta rap as well as pop crossover. Jay-Z's next album, Vol. 2: Hard Knock Life (1998), released a year after In My Lifetime, was laden with hit singles: "Can I Get A..." and "Hard Knock Life (Ghetto Anthem)" broke the Top 20 of the Billboard Hot 100, while "Cash, Money, Hoes" and "Nigga What, Nigga Who" also charted. Vol. 2: Hard Knock Life ended up winning a Grammy for Best Rap Album.Like clockwork, Jay-Z returned a year later with another album, Vol. 3: Life and Times of S. Carter (1999), which topped the Billboard 200 and spawned two hits: "Big Pimpin'" and "Do It Again (Put Ya Hands Up)." The album was Jay-Z's most collaborative to date, featuring ten guest vocalists and a roll call of in-demand producers such as Dr. Dre and Timbaland. Jay-Z then scaled back a bit for Dynasty Roc la Familia (2000), his fifth album in as many years. The album showcased Roc-a-Fella's in-house rappers: Beanie Sigel guests on seven of the 16 tracks, Memphis Bleek guests on six, and both Amir andFreeway also make guest appearances. On Dynasty Roc la Familia, Jay-Zalso began working with a few new producers: the Neptunes, Kanye West, and Just Blaze. The Neptunes-produced "I Just Wanna Love U (Give It 2 Me)" became a particularly huge hit single this go-round.Jay-Z's next album, The Blueprint (2001), solidified his position atop the New York rap scene upon its release in September. Prior to the album's release, the rapper had caused a stir in New York following his headlining performance at Hot 97's Summer Jam 2001, where he debuted the song "Takeover." The song features a harsh verse ridiculing Prodigy of Mobb Deep, and Jay-Zaccentuated his verbal assault (including the lines "You's a ballerina/I seen ya") by showcasing gigantic photos of an adolescent Prodigy in a dance outfit. The version of "Takeover" that later appeared on The Blueprint includes a third verse, this one dissing Nas, who, in response to the Summer Jam performance, had called out Jay-Z, "the fake king of New York," in a freestyle known as "Stillmatic." As expected, "Takeover" ignited a sparring match with Nas, who responded with "Ether." Jay-Z accordingly returned with a comeback, "Super Ugly," where he rapped over the beats toNas' "Get Ur Self a..." on the first verse and Dr. Dre's "Bad Intentions" on the second. The back-and-forth bout created massive publicity for both Jay-Z and Nas. In addition to "Takeover," The Blueprint also featured "Izzo (H.O.V.A.)," one of the year's biggest hit songs, and the album topped many year-end best-of charts.Jay-Z capitalized on the runaway success of The Blueprint with a number of follow-up projects. He collaborated with the Roots for the Unplugged album (2001) and with R. Kelly for Best of Both Worlds (2002). He then went on to record, over the course of the year, 40 or so new tracks, 25 of which appeared on his next record, the double album The Blueprint²: The Gift & the Curse(2002). Though billed as a sequel, The Blueprint² was considerably different from its predecessor. Whereas the first volume had been personal, considered, and focused, the second instead offered an unapologetically sprawling double-disc extravaganza showcasing remarkable scope. As usual, it spawned a stream of singles, led by his 2Pac cover "'03 Bonnie & Clyde" (featuring his glamorous then-future wife, Beyoncé Knowles from Destiny's Child). Furthermore, Jay-Z guested on a pair of summer 2003 hits: Beyoncé's chart-topping "Crazy in Love" and the Neptunes' Top Five hit "Frontin'."It was then that Jay-Z announced his imminent retirement after the release of one more album. That LP, The Black Album (2003), was rush-released by Def Jam and soared to the top spot in the album charts at the end of the year. As always, it spawned a couple big hits -- "Dirt Off Your Shoulder" and "99 Problems" -- and inspired a popular mash-up bootleg, The Grey Album, byDanger Mouse. The subsequent year (2004) was a whirlwind for the retiringJay-Z. He embarked on a farewell tour that was topped off by an extravagant Madison Square Garden performance documented on the Fade to Black DVD, and he also embarked on an ill-fated arena tour with the embattled R. Kellythat resulted in an exchange of ugly multi-million-dollar lawsuits.With his final album behind him and his reputation bigger than ever, Jay-Zaccepted an offer to assume the role of president at Def Jam Records. The seminal rap label was struggling and needed someone to guide it through a rocky transitional phase. Jay-Z accepted the challenge and took over the company begun by Russell Simmons and Rick Rubin roughly 20 years earlier. (As part of its deal with Jay-Z, Def Jam's parent company, Universal, bought Roc-a-Fella, which resulted in some bitterness among certain associates upset by the buyout.) Considerable fanfare met the presidential inauguration, as Jay-Z became one of the few African-American major-label executives in the business, and he also became one of the few rappers to transition into that side of the business. Numerous rappers owned or operated their own boutique labels, but none had ever risen to such major-label heights. And the rapper-turned-president didn't take his job lightly, either, at least judging by his initial year at the helm. Within months of assuming his position, he fostered a string of newfound talents -- Young Jeezy, Teairra Marí, Rihanna, andBobby V., all of whom enjoyed considerable commercial success -- and only had a few setbacks (disappointing returns on albums by Memphis Bleek and Young Gunz).
In 2005, Jay-Z came out of retirement for the I Declare War concert in New York City. The ambitious show featured a parade of high-profile guest stars, including Diddy, T.I., Kanye West, and in a peacemaking move, Nas. With this longstanding beef squashed, Jay-Z announced he was coming out of retirement for good. He made it official when Kingdom Come hit the shelves in late 2006. Less than a year later, Jay-Z returned with another post-retirement album, American Gangster (2007), this one inspired by the concurrent film of the same name. Two years later, after he left Def Jam and established Roc Nation -- a label, music publisher, and talent agency through Live Nation -- he released a third installment in the Blueprint series, The Blueprint 3. Announced with the single "D.O.A. (Death of Auto-Tune)," the album featured productions from Kanye West and Timbaland, plus guest features for West, Rihanna, Young Jeezy, and Alicia Keys. Proof of the MC's enduring relevance, the album topped the Billboard 200. The Hits Collection, Vol. 1 followed in 2010. At various points during 2010 and early 2011, Jay-Z worked on Watch the Throne with partner Kanye West and numerous producers and songwriters. After taking several shapes, the album was released in August 2011 and debuted at number one on the Billboard 200.On January 7, 2012, Beyoncé gave birth to Blue Ivy Carter. Jay-Z quickly released "Glory," featuring his daughter as B.I.C.; she became the youngest person to appear on a Billboard-charting single. High profile television ads in June 2013 announced Jay-Z's 12th solo album, Magna Carta...Holy Grail. That July 4, the album was made available via an app downloadable through certain models of Samsung smartphones. Digital downloads, physical copies, and streams through other outlets followed days later. Most of its tracks featured production from Timbaland and partner Jerome "J. Roc" Harmon, while its lead song involved Justin Timberlake, with whom Jay-Z toured that summer.
Decision: With 44 top 40 hits, 19 top 10's and 5 #1s, Jay-Z is a Pop HOFer...
Destiny's Child
Destiny's Child rose to become one of the most popular female R&B groups of the late '90s, eventually rivaling even TLC in terms of blockbuster commercial success. Their accomplishments came in spite of several abrupt personnel changes, which were accompanied by heated, well-publicized feuds in the media and the courts. In fact, for a time, Destiny's Child were known for that drama just as much as their music. Once the group stabilized again, though, they emerged with even more hitmaking power than ever before.
Destiny's Child were formed in Houston, Texas, in 1990, when original members Beyoncé Knowles and LaTavia Roberson were just nine years old; the two met at an audition and became friends, and Knowles' father Mathew set about developing an act based on their singing and rapping, taking their name from a passage in the Book of Isaiah.Beyoncé's cousin Kelendria "Kelly" Rowland joined the group in 1992, and shortly thereafter they landed an appearance on Star Search, where they performed a rap song. The quartet's lineup was finalized (for the time being) whenLeToya Luckett joined in 1993, and they spent the next few years working their way up from the Houston club scene, eventually opening for artists like SWV, Dru Hill, and Immature. Finally, in 1997, Destiny's Child were offered a recording contract by Columbia.
The group made its recorded debut on 1997's "Killing Time," a song included on the soundtrack of the blockbuster Men in Black. Their self-titled debut album was released in early 1998, featuring production by Wyclef Jean andJermaine Dupri, among others. Its lead single, the Jean-produced "No No No," was a smash hit, selling over a million copies and topping the R&B charts. The follow-up singles -- "With Me" and "Get on the Bus," the latter of which was taken from the soundtrack of Why Do Fools Fall in Love? -- didn't quite duplicate the success of "No No No," although Destiny's Child would eventually go platinum (after the group's later success). Destiny's Childreentered the studio quickly, bringing in producer Kevin "She'kspere" Briggsto handle the majority of their next record. Lead single "Bills, Bills, Bills" became the group's first number one pop hit (and second R&B number one) in the summer of 1999 and, paced by its success, the accompanying album, The Writing's on the Wall, entered the charts at number six upon its release.That was just the beginning of the group's breakout success. The second single, "Bug a Boo," didn't perform as well, but the third single, "Say My Name," was another massive hit, their biggest so far; it hit number one on both the pop and R&B charts for three weeks apiece in early 2000, and made Destiny's Child a pop-cultural phenomenon. However, at the peak of "Say My Name"'s popularity, the group splintered. In December 1999, Roberson and Luckett attempted to split with manager Mathew Knowles, charging that he kept a disproportionate share of the band's profits, attempted to exert too much control, and unfairly favored his daughter and niece. While they never intended to leave the group, relations naturally grew strained, and when the video for "Say My Name" premiered in February 2000, many fans (not to mentionRoberson and Luckett) were surprised to find two new members -- Michelle Williams and Farrah Franklin -- joining Knowles and Rowland. Infuriated, Roberson and Luckett took legal action in March, suing both Knowles and their former bandmates for breach of partnership and fiduciary duties. A war of words followed in the press; meanwhile, the next Destiny's Child single, "Jumpin' Jumpin'," hit the Top Ten, and The Writing's on the Wall went on to sell a whopping eight million copies.
The personnel-turnover drama still wasn't over; in July 2000, just five months after joining, Farrah Franklin split with the group. The official reason was that Franklin missed several promotional appearances and concert gigs, although in later interviews she spoke of too much negativity and too little control in the group environment. Now reduced to a trio, Destiny's Child was tapped to record the theme song for the film version of Charlie's Angels; released as a single in October, "Independent Women, Pt. 1" raced up the charts and spent an astounding 11 weeks at number one. Destiny's Child were now indisputable superstars, the biggest female R&B group on the scene, and they quickly began work on a new album to capitalize. In the meantime, toward the end of 2000, Roberson and Luckett dropped the portion of their lawsuit aimed at Rowland and Knowles in exchange for a settlement, though they continued to pursue action againstKnowles' father; as part of the agreement, both sides were prohibited from ripping each other publicly.
Beyoncé had long since emerged as the group's focal point, and on the third Destiny's Child album, she assumed more control than ever before, taking a greater hand in writing the material and even producing some of the record herself. While recording sessions were going on, Rowland released the first Destiny's Child solo track; "Angel" appeared on the soundtrack of Chris Rock's Down to Earth. Former members Roberson and Luckett also announced the formation of a trio called, coincidentally, Angel, and Farrah Franklin set about starting a solo career.
Survivor -- whose title was reportedly inspired by a DJ's crack about Destiny's Child members voting one another off the island, much like the popular CBS reality series -- hit stores in the spring of 2001, and entered the charts at number one. The first two singles, "Survivor" and "Bootylicious," were predictably huge hits, with the latter becoming the group's fourth number one pop single. A cover of Samantha Sang's "Emotion" was also successful, albeit less so, and Survivor sold well -- over four million copies -- but not as well as its predecessor. Toward the end of the year, the group released a holiday album, 8 Days of Christmas, and announced plans for a series of side projects, including solo albums from all three members (to be staggered over the next year and a half, so as to avoid competition). In early 2002, shortly after This Is the Remix was released to tide fans over, Roberson and Luckett sued the group again, claiming that some of the lyrics in "Survivor" made reference to them (in violation of the earlier lawsuit settlement).The first Destiny's Child solo album, Michelle Williams' all-gospel projectHeart to Yours, was released in April and featured a duet with gospel legend Shirley Caesar. Meanwhile, Beyoncé won a leading role opposite Mike Myersin the third Austin Powers film, Goldmember, playing blaxploitation-style heroine Foxy Cleopatra; her first solo single, the Neptunes-produced "Work It Out," appeared on the soundtrack, and her full solo album, Dangerously in Love, became a huge hit upon release in mid-2003. Despite much critical speculation, the trio reunited the following year and released Destiny Fulfilled in November 2004. In October 2005, the #1's compilation was issued, followed by the Live in Atlanta DVD and CD sets in 2006 and 2007. The members continued solo careers. Rowland had considerable success with Ms. Kelly and Here I Am, both of which reached the Top Ten. Meanwhile, Beyoncé, who married Jay-Z in 2008, solidified her status as the planet's biggest pop star with the platinum albums B'day, I Am...Sasha Fierce, and 4. The group reunited in 2012 to record a new song, the Pharrell-produced "Nuclear," for the Love Songs compilation, which was released in January 2013 -- just prior to their halftime performance at Super Bowl XLVII.
Decision: With 9 top 10 hits, and 3 #1's between 1997-2002, Destiny's Child earned a place in the Pop Music Hall Of Fame.
Backstreet Boys
The core of The Backstreet Boys was comprised of cousins Kevin Richardson and Brian Littrell, both of whom hailed from Lexington, Kentucky. The two began singing in local church choirs and festivals while they were children, performing doo wop and R&B songs in the style of Boyz II Men. Two of the group's other members, Howie Dorough and A.J. McLean, were natives of Orlando, Florida, who met each other -- as well as transplanted New Yorker Nick Carter -- through auditions for local commercials, theater, and television. At one audition, the three discovered that they shared an affection for classic soul and could harmonize well together. Inspired, they formed a vocal trio. Shortly thereafter, Richardson moved to Orlando, where he became a tour guide at Disney World and concentrated on music at night. Eventually, he met Dorough, Carter, and McLean through a co-worker, and the four decided to form a group, naming themselves after an Orlando flea market. Littrell was later invited to join, thus turning the group into a quintet.
With the help of Louis J. Pearlman (who would later rise to mogul status on the strength of his teen pop acts), The Backstreet Boys secured management from Donna and Johnny Wright, the latter of whom had managed New Kids on the Block during the 1980s. The Wrights put the group out on the road and enlisted several A&R reps to attend the performances, which eventually resulted in a contract with Jive Records in 1994. Jive set The Backstreet Boys up with producers Veit Renn and Tim Allen, who helped shape the group's eponymous album. Released throughout Europe in late 1995, the record enjoyed considerable success, spending several weeks in the Top Ten in most Continental countries where it charted. In the U.K., The Backstreet Boys were named Best Newcomers of 1995 at the Smash Hits Awards thanks to their international hit single "We've Got It Goin' On." After scoring another European hit with "I'll Never Break Your Heart," the group released its album in Canada. Despite The Backstreet Boys' popularity in Europe and Canada, "We've Got It Goin' On" stalled in the lower reaches of the U.S. charts in 1995.
Combining their international singles with new tracks (which also formed the centerpiece of that year's European-only album Backstreet's Back), the American version of Backstreet Boys finally jump-started the group's success at home. "Quit Playin' Games (With My Heart)" and "As Long as You Love Me" proved to be popular singles, with the former track climbing to platinum status. The album continued to spin off hits well into 1999, with "Everybody (Backstreet's Back)," "I'll Never Break Your Heart," and "All I Have to Give" all landing on the charts. Both the former and the latter were platinum Top Five hits, and the album eventually sold an astounding 14 million copies in America alone.In the meantime, the group saw its share of turmoil as Littrell underwent surgery in early 1998 to correct a congenital heart defect. Additionally, the Boys became embroiled in lawsuits againstPearlman and the rest of their management over royalties. When the dust settled, Pearlman remained the group's manager -- though the rest of the team was fired -- and the Boys began work on their follow-up album. Millennium was released in the summer of 1999 and debuted at number one, with first-week sales topping one million copies. Buoyed by songs like "I Want It That Way," "Larger Than Life," "Show Me the Meaning of Being Lonely," and "The One," Millenniumshattered a number of records, including the highest amount of shipments in one year and the most copies sold during an album's inaugural week. The group released its Christmas Album before the end of the year, by which timeMillennium was well on its way to sales of 12 million copies in the U.S. On an international level, the album eventually sold more than 40 million units.
Once again, the group struck immediately after its previous album stopped producing hits, issuing Black & Blue in fall 2000. More Top 40 singles followed, including "The Call" and "Shape of My Heart," and Black & Bluefollowed its predecessor by selling over one million copies during its first week. A popular tour supported the album, but after seven years of nonstop touring and recording, the band agreed it was time for a break. Brian Littrell became a father while Kevin Richardson tried his hand at Broadway and took a starring role in the musical Chicago. Nick Carter released his solo album Now or Never in 2002, Howie Dorough did charity work for the Dorough Lupus Foundation in honor of the sister he had lost to the disease, and A.J. McLeanmade headlines with his stint in rehab.In 2004, The Backstreet Boys re-formed and began work on a new album. The result, Never Gone, was released in June 2005 to platinum sales, followed byUnbreakable in 2007. The latter was the first album not to feature all five original members, as Kevin Richardson had quietly exited the group in 2006. It was also the group's first album not to go platinum, a fact that seemingly cemented the end of The Backstreet Boys' heyday. Accordingly, the singers enlisted some serious star power for their next album, soliciting help from the likes of Ryan Tedder, Max Martin (who had penned "I Want It That Way" ten years prior), Dr. Luke, and T-Pain. When songs from their recording sessions were leaked online, the group took the setback in stride, using their fans' feedback to help steer the remainder of the recording process. This Is Us was ultimately finished in mid-2009 and released in that October. The Boys supported the album with an extensive tour.The Backstreet Boys split from Jive Records in 2011, then embarked on a co-headlining tour with New Kids on the Block. The tour was dubbed NKOTBSB, as was the joint Backstreet Boys/New Kids greatest-hits collection released that year. In 2012, Richardson rejoined The Backstreet Boys -- he had been performing live gigs with them on occasion -- and as the group worked on a new album, they released a holiday single called "It's Christmas Time Again" that November. The Backstreet Boys intended to celebrate their 20th anniversary in grand fashion in 2013, releasing a new album called In a World Like This -- their first to feature Kevin Richardson since 2005's Never Gone -- which was then supported by an international tour and a documentary scheduled for release in 2014. This wasn't the only silver-screen appearance for the anniversary-minded Backstreet Boys; they also appeared in Seth Rogen's 2013 summer comedy This Is the End.
Decision: The Backstreet Boys had 6 top 10 hits between 1997-2002, and were known as the leaders of the Boy Band Era, along with N'Sync. They are Pop Music HOFers...
Next: 1998 Nominees: Britney Spears & N'Sync
Wednesday, September 11, 2013
1996 Nominees: Diddy(Puff Daddy)
Diddy(Puff Daddy)
The biggest hip-hop impresario of the mid-'90s, Sean Combs -- known as Puff Daddy until his professional name change to P. Diddy, then just Diddy -- created a multi-million-dollar industry around Bad Boy Entertainment, with recordings by the Notorious B.I.G., Craig Mack, Faith Evans, 112, and Total all produced and masterminded by Combshimself. Responsible for over $100 million in total record sales and named ASCAP's 1996 Songwriter of the Year, Combs was, on the other hand, criticized by many in the hip-hop community for watering down the sound of the underground and also for a perceived over-reliance on samples as practically the sole basis for many of his hits. A very successful A&R executive at Uptown Records during the early '90s responsible for sizable hit records by Father MC, Mary J. Blige, and Jodeci, Combs formed his own Bad Boy label, signed B.I.G., Evans, and Mack, and earned enough hits to cement an alliance with Arista Records. A highly publicized feud with Death Row Records (in which Tupac Shakurand label head Suge Knight served as West Coast/Dark Side equivalents to the Notorious B.I.G. and Combs) was summarily ended in late 1996, when Shakur was murdered and Knight jailed. Six months later, the Notorious B.I.G. was dead as well, and after Combs mourned his friend's death, he hit the pop charts in a big way during his biggest year, 1997.
Born in Harlem in 1969, Sean Combs spent much of his childhood in nearby Mt. Vernon, NY. Already a shrewd businessman through his two paper routes,Combs applied to Howard University in Washington, D.C., and while attending, convinced childhood friend Heavy D to sign him up as an intern at the label for which he recorded, Uptown Records. Several months later, he was an A&R executive with his sights set on the vice presidency, serving as the executive producer for Father MC's 1990 album Father's Day, which became a hit. Successful albums followed for Mary J. Blige (What's the 411?) andHeavy D & the Boyz (Blue Funk) during 1992, though Combs was fired from Uptown by the following year (probably because he was a bit too ambitious).
He worked as a remixer during 1993 and set up Bad Boy Entertainment as his own venture, running the label out of his apartment during long hours with only several employees. After more than a year of hard work, he finally signed two hit artists: former EPMD roadie Craig Mack and the Notorious B.I.G. Mack hit the big time in mid-1994, when a remix of his "Flava in Ya Ear" single (featuring LL Cool J, Busta Rhymes,Rampage, and the Notorious B.I.G.) hit the Top Ten and became the first platinum record for Bad Boy. At the beginning of 1995, B.I.G. notched the second, when his own second hit, "Big Poppa," reached number six on the pop charts. Mack's album Project: Funk da World eventually went gold and the Notorious B.I.G.'s Ready to Die was certified double platinum.
Sean "Puffy" Combs began branching out with Bad Boy during 1995, adding platinum R&B acts Faith Evans and Total(both of whom were connected to B.I.G., Evans as his wife and Total as his former backing vocal group) plus another platinum seller, 112, in 1996. He also produced for many outside artists (including Aretha Franklin, Boyz II Men, Mariah Carey, TLC, SWV, and Lil' Kim) and added two straight-ahead hip-hop acts, Mase and the LOX. By that time, however,Combs and B.I.G. were embroiled in a feud with Death Row Records' head, Suge Knight, and star, Tupac Shakur.Shakur accused Combs of involvement in his 1994 shooting, mocked B.I.G. by saying he had slept with Faith Evans, and threatened the two in the lyrics to his hit song "Hit 'Em Up." (The video for the track featured two characters, P.I.G. and Buffy, who are humiliated in various ways.)
In September 1996, however, Shakur was shot and killed by unknown assailants; just six months later, in March of 1997, B.I.G. himself was killed in the same fashion. Just three weeks later, his second album debuted at number one and was eventually certified six times platinum. The single "Hypnotize" also hit number one and stayed on the charts for months after B.I.G. was killed. Though Combs had been preparing his own solo debut, under the name Puff Daddy, he quit working for several months out of grief for his longtime friend. When he returned in mid-1997, it was with a vengeance, as the single "Can't Nobody Hold Me Down" held the top spot on the singles charts for almost two months. Following quickly behind was another monster number one hit, "I'll Be Missing You," a tender tribute to B.I.G. with Evans providing background vocals.
Combs' subsequent LP as Puff Daddy, No Way Out, shot straight to number one and was certified platinum several times over; in 1998 it won the Grammy Award for Best Rap Album and "I'll Be Missing You" won the award for Best Rap Performance by a Duo or Group. Forever followed in 1999, but the rushed release and lack of any new ideas disappointed fans and dampened sales. On top of that, on April 15 of that year he was accused of severely beating Interscope Records exec Steve Stoute and was brought to court for the incident. Puffy managed to get his sentence trimmed down to second-degree harassment when he finally reached the courts in September, much to his detractors' dismay.
More controversy started brewing when his relationship with singer/actressJennifer Lopez was made public around the same time. Engagement rumors haunted them for a few months, but the real problems began when they were present at a shooting in a New York City club that December. The couple was brought in for questioning and eventually both faced charges for illegal possession of a firearm. Meanwhile, rapper Shyne was indicted for the incident, but Puffy was not dismissed because of the weapons charge. His trial date for the club shooting was finally set, while October found two new lawsuits facing the rapper. First, his driver sued for three million dollars due to personal injury and stress, followed by a $1.8 million suit from the club owner stemming from poor business following the shooting. Though Lopez initially supported Puffy, she broke off their relationship on Valentine's Day 2001.
A planned gospel album was pushed back to a summer release during the mess, but by March some good news finally hit the Bad Boy camp. Puffy was acquitted of all charges stemming from the club incident, which also snuffed out the civil suits revolving around his involvement in the club situation. In a move sure to spark comparisons with Prince (and not the good kind of comparisons), he announced that he was changing his professional name to P. Diddy at the end of the month, and also predicted a new direction for himself and his label. He recorded a gospel album, Thank You, as well as a new solo album, The Saga Continues, but the former was never released. "Bad Boy for Life" became his biggest hit in years late in the summer, and a collaboration with David Bowie appeared on the Training Day movie soundtrack.
Combs took a serious blow in the spring of 2002 when Arista stopped distributing Bad Boy and took Evans with them. A collection of Bad Boy remixes entitled We Invented the Remix became his last album for Arista. 112attempted to also jump ship to Def Jam, but a restraining order was filed before the group could make a clean break. It was around this time that Diddy broke into reality television by becoming the focal point of Making the Band 2, and subsequently Making the Band 3 (which birthed the group Danity Kane),Making the Band 4, and Making His Band. Bad Boy was revived during the summer of 2006 through the success of both Yung Joc's "It's Going Down" and Cassie's "Me&U," which helped set the stage for his own star-studdedPress Play, released that October. After numerous holdups, Diddy issued his fifth album in December 2010. Co-billed to Dirty Money, his group featuring Kalenna Harper and Danity Kane's Dawn Richard, Last Train to Paris was as heavy on high-profile guest collaborators as the previous Diddy release.
The biggest hip-hop impresario of the mid-'90s, Sean Combs -- known as Puff Daddy until his professional name change to P. Diddy, then just Diddy -- created a multi-million-dollar industry around Bad Boy Entertainment, with recordings by the Notorious B.I.G., Craig Mack, Faith Evans, 112, and Total all produced and masterminded by Combshimself. Responsible for over $100 million in total record sales and named ASCAP's 1996 Songwriter of the Year, Combs was, on the other hand, criticized by many in the hip-hop community for watering down the sound of the underground and also for a perceived over-reliance on samples as practically the sole basis for many of his hits. A very successful A&R executive at Uptown Records during the early '90s responsible for sizable hit records by Father MC, Mary J. Blige, and Jodeci, Combs formed his own Bad Boy label, signed B.I.G., Evans, and Mack, and earned enough hits to cement an alliance with Arista Records. A highly publicized feud with Death Row Records (in which Tupac Shakurand label head Suge Knight served as West Coast/Dark Side equivalents to the Notorious B.I.G. and Combs) was summarily ended in late 1996, when Shakur was murdered and Knight jailed. Six months later, the Notorious B.I.G. was dead as well, and after Combs mourned his friend's death, he hit the pop charts in a big way during his biggest year, 1997.
Born in Harlem in 1969, Sean Combs spent much of his childhood in nearby Mt. Vernon, NY. Already a shrewd businessman through his two paper routes,Combs applied to Howard University in Washington, D.C., and while attending, convinced childhood friend Heavy D to sign him up as an intern at the label for which he recorded, Uptown Records. Several months later, he was an A&R executive with his sights set on the vice presidency, serving as the executive producer for Father MC's 1990 album Father's Day, which became a hit. Successful albums followed for Mary J. Blige (What's the 411?) andHeavy D & the Boyz (Blue Funk) during 1992, though Combs was fired from Uptown by the following year (probably because he was a bit too ambitious).
He worked as a remixer during 1993 and set up Bad Boy Entertainment as his own venture, running the label out of his apartment during long hours with only several employees. After more than a year of hard work, he finally signed two hit artists: former EPMD roadie Craig Mack and the Notorious B.I.G. Mack hit the big time in mid-1994, when a remix of his "Flava in Ya Ear" single (featuring LL Cool J, Busta Rhymes,Rampage, and the Notorious B.I.G.) hit the Top Ten and became the first platinum record for Bad Boy. At the beginning of 1995, B.I.G. notched the second, when his own second hit, "Big Poppa," reached number six on the pop charts. Mack's album Project: Funk da World eventually went gold and the Notorious B.I.G.'s Ready to Die was certified double platinum.Sean "Puffy" Combs began branching out with Bad Boy during 1995, adding platinum R&B acts Faith Evans and Total(both of whom were connected to B.I.G., Evans as his wife and Total as his former backing vocal group) plus another platinum seller, 112, in 1996. He also produced for many outside artists (including Aretha Franklin, Boyz II Men, Mariah Carey, TLC, SWV, and Lil' Kim) and added two straight-ahead hip-hop acts, Mase and the LOX. By that time, however,Combs and B.I.G. were embroiled in a feud with Death Row Records' head, Suge Knight, and star, Tupac Shakur.Shakur accused Combs of involvement in his 1994 shooting, mocked B.I.G. by saying he had slept with Faith Evans, and threatened the two in the lyrics to his hit song "Hit 'Em Up." (The video for the track featured two characters, P.I.G. and Buffy, who are humiliated in various ways.)
In September 1996, however, Shakur was shot and killed by unknown assailants; just six months later, in March of 1997, B.I.G. himself was killed in the same fashion. Just three weeks later, his second album debuted at number one and was eventually certified six times platinum. The single "Hypnotize" also hit number one and stayed on the charts for months after B.I.G. was killed. Though Combs had been preparing his own solo debut, under the name Puff Daddy, he quit working for several months out of grief for his longtime friend. When he returned in mid-1997, it was with a vengeance, as the single "Can't Nobody Hold Me Down" held the top spot on the singles charts for almost two months. Following quickly behind was another monster number one hit, "I'll Be Missing You," a tender tribute to B.I.G. with Evans providing background vocals.
Combs' subsequent LP as Puff Daddy, No Way Out, shot straight to number one and was certified platinum several times over; in 1998 it won the Grammy Award for Best Rap Album and "I'll Be Missing You" won the award for Best Rap Performance by a Duo or Group. Forever followed in 1999, but the rushed release and lack of any new ideas disappointed fans and dampened sales. On top of that, on April 15 of that year he was accused of severely beating Interscope Records exec Steve Stoute and was brought to court for the incident. Puffy managed to get his sentence trimmed down to second-degree harassment when he finally reached the courts in September, much to his detractors' dismay.More controversy started brewing when his relationship with singer/actressJennifer Lopez was made public around the same time. Engagement rumors haunted them for a few months, but the real problems began when they were present at a shooting in a New York City club that December. The couple was brought in for questioning and eventually both faced charges for illegal possession of a firearm. Meanwhile, rapper Shyne was indicted for the incident, but Puffy was not dismissed because of the weapons charge. His trial date for the club shooting was finally set, while October found two new lawsuits facing the rapper. First, his driver sued for three million dollars due to personal injury and stress, followed by a $1.8 million suit from the club owner stemming from poor business following the shooting. Though Lopez initially supported Puffy, she broke off their relationship on Valentine's Day 2001.
A planned gospel album was pushed back to a summer release during the mess, but by March some good news finally hit the Bad Boy camp. Puffy was acquitted of all charges stemming from the club incident, which also snuffed out the civil suits revolving around his involvement in the club situation. In a move sure to spark comparisons with Prince (and not the good kind of comparisons), he announced that he was changing his professional name to P. Diddy at the end of the month, and also predicted a new direction for himself and his label. He recorded a gospel album, Thank You, as well as a new solo album, The Saga Continues, but the former was never released. "Bad Boy for Life" became his biggest hit in years late in the summer, and a collaboration with David Bowie appeared on the Training Day movie soundtrack.Combs took a serious blow in the spring of 2002 when Arista stopped distributing Bad Boy and took Evans with them. A collection of Bad Boy remixes entitled We Invented the Remix became his last album for Arista. 112attempted to also jump ship to Def Jam, but a restraining order was filed before the group could make a clean break. It was around this time that Diddy broke into reality television by becoming the focal point of Making the Band 2, and subsequently Making the Band 3 (which birthed the group Danity Kane),Making the Band 4, and Making His Band. Bad Boy was revived during the summer of 2006 through the success of both Yung Joc's "It's Going Down" and Cassie's "Me&U," which helped set the stage for his own star-studdedPress Play, released that October. After numerous holdups, Diddy issued his fifth album in December 2010. Co-billed to Dirty Money, his group featuring Kalenna Harper and Danity Kane's Dawn Richard, Last Train to Paris was as heavy on high-profile guest collaborators as the previous Diddy release.
Decision: Diddy had 10 top 10 Pop hits and 4 #1s. He's a Pop Music HOFer.
Next: 1997 Nominees: Usher, Jay-Z, Destiny's Child, Backstreet Boys
Monday, September 9, 2013
1995 Nominees: Shania Twain
Shania Twain
Emerging in the mid-'90s, Shania Twain became the most popular country music artist since Garth Brooks. Skillfully fusing mainstream, AOR rock production with country-pop, Twain and her producer/husband, Robert John "Mutt" Lange, created a commercial juggernaut with her second album, The Woman in Me. The record became a multi-platinum phenomenon, peaking at number five on the pop charts and eventually selling over nine million copies in America alone. Twain might have sold a lot of records, but like other mega-selling acts before her, she earned few good reviews -- most critics accused her of diluting country with bland, anthemic hard rock techniques and shamelessly selling her records with sexy videos. Fans ignored such complaints, mainly because her audience was comprised of many listeners who had grown accustomed to such marketing strategies by constant exposure to MTV. And Twain, in many ways, was the first country artist to fully exploit MTV's style. She created a sexy, video-oriented image -- she didn't even tour during the year when The Woman in Me was on the top of the country charts -- that appealed not only to the country audience, but also to pop fans. In turn, she became a country music phenomenon.
Twain was born in Windsor, Ontario, and raised in the small, rural town of Timmins, Ontario. As a child, she learned to play guitar at an early age and would spend much of her time singing, writing, and playing. Early on in her musical development, her parents pushed her on-stage, making her perform frequently around their little town; often, she would be pulled out of bed around one in the morning to sing at local bars, since as a child she could only appear in the clubs after they had stopped serving alcohol. In addition to bars, she sang on local radio and television stations and community events. When she was 21 years old, both of her parents died in a car crash, forcing her to take responsibility for her four siblings. In order to pay the bills and keep food on the table, she took a job singing at a resort in Deerhurst. With the money she earned at the resort, she bought a house and had the family settle down.
At the resort, she sang show tunes, from George Gershwin to Andrew Lloyd Webber, as well as a little country. Twain stayed there for three years, at the end of which all of her siblings had begun lives of their own. When she was finally independent again, she assembled a demo tape of her songs, and her manager set up a showcase concert in Canada.Twain caught the attention of a few insiders with the concert, and within a few months Mercury Nashville had signed her to their roster. Her eponymous debut album was released in 1993, and although it wasn't a major hit, it performed respectably in the United States, launching two minor hit singles, "What Made You Say That" and "Dance with the One That Brought You"; in Europe, the album was more successful and Country Music Television Europe named her Rising Video Star of the Year.
Shortly after the release of Shania Twain, the singer met and fell in love with Robert John "Mutt" Lange, a hard rock producer known for his work with AC/DC, Def Leppard, Foreigner, and the Cars. Lange had been wanting to move into country music for a while, and after hearing Twain's debut album, he decided to get in contact with her with the intention of working on an album. By the end of the year, the pair had married and begun working on her second record. The two either wrote or co-wrote the material that eventually formed The Woman in Me.
The Woman in Me was released in the spring of 1995. Its first single, "Whose Bed Have Your Boots Been Under?," went to number 11 early in the year, quickly followed by "Any Man of Mine," which became her first number one single in the spring. The album's title track went to number 14 in the fall, while the fourth single, "(If You're Not in It for Love) I'm Outta Here!," rocketed to number one toward the end of the year; early in 1996 "No One Needs to Know" became her third number one hit. By the beginning of 1996, The Woman in Me had sold over six million copies and broken the record for the most weeks spent at number one on the country charts. During the course of 1996, it would rack another three million in sales. Come on Over followed in 1997. She spent the next two years touring the globe in support of the album; by the end of 1999, Come on Over had sold 36 million copies.
Twain took a sabbatical and returned to her Swiss home for some down time with her husband. The next summer, she and Lange welcomed their first child. A son, whom they named Eja, arrived August 21, 2001. During this time, Twain brainstormed for a fourth album. While balancing a domestic life and a career, the end result was Up!, which appeared in November 2002.
Up! was released to considerable fanfare - not only was it accompanied by a huge publicity blitz but it appeared in three different mixes, designed to appeal to country, pop and international audiences - and it initially was a big success, selling over 870,000 copies in the US upon its first week and debuting at number one in the Billboard charts, but despite such hits as “I'm Gonna Getcha Good!” and “Forever and For Always,” it failed to have the same kind of staying power as The Woman in Me or Come on Over. Those two albums sold over 10 million copies a piece in the US, whereas Up! sold 5.5 million -- an impressive number that only pales when compared to her track record. As Up! worked its way down the charts, Shania released a Greatest Hits album in the holiday season of 2004; the compilation was a great success, going triple platinum in the US, where it peaked at number two on the Billboard charts. In the wake of Greatest Hits, Twain spent the next few years quietly, working on several non-music related projects and appearing only on soundtracks. As of 2007, she was still working on her follow-up to Up!.
Emerging in the mid-'90s, Shania Twain became the most popular country music artist since Garth Brooks. Skillfully fusing mainstream, AOR rock production with country-pop, Twain and her producer/husband, Robert John "Mutt" Lange, created a commercial juggernaut with her second album, The Woman in Me. The record became a multi-platinum phenomenon, peaking at number five on the pop charts and eventually selling over nine million copies in America alone. Twain might have sold a lot of records, but like other mega-selling acts before her, she earned few good reviews -- most critics accused her of diluting country with bland, anthemic hard rock techniques and shamelessly selling her records with sexy videos. Fans ignored such complaints, mainly because her audience was comprised of many listeners who had grown accustomed to such marketing strategies by constant exposure to MTV. And Twain, in many ways, was the first country artist to fully exploit MTV's style. She created a sexy, video-oriented image -- she didn't even tour during the year when The Woman in Me was on the top of the country charts -- that appealed not only to the country audience, but also to pop fans. In turn, she became a country music phenomenon.
Twain was born in Windsor, Ontario, and raised in the small, rural town of Timmins, Ontario. As a child, she learned to play guitar at an early age and would spend much of her time singing, writing, and playing. Early on in her musical development, her parents pushed her on-stage, making her perform frequently around their little town; often, she would be pulled out of bed around one in the morning to sing at local bars, since as a child she could only appear in the clubs after they had stopped serving alcohol. In addition to bars, she sang on local radio and television stations and community events. When she was 21 years old, both of her parents died in a car crash, forcing her to take responsibility for her four siblings. In order to pay the bills and keep food on the table, she took a job singing at a resort in Deerhurst. With the money she earned at the resort, she bought a house and had the family settle down.
At the resort, she sang show tunes, from George Gershwin to Andrew Lloyd Webber, as well as a little country. Twain stayed there for three years, at the end of which all of her siblings had begun lives of their own. When she was finally independent again, she assembled a demo tape of her songs, and her manager set up a showcase concert in Canada.Twain caught the attention of a few insiders with the concert, and within a few months Mercury Nashville had signed her to their roster. Her eponymous debut album was released in 1993, and although it wasn't a major hit, it performed respectably in the United States, launching two minor hit singles, "What Made You Say That" and "Dance with the One That Brought You"; in Europe, the album was more successful and Country Music Television Europe named her Rising Video Star of the Year.
Shortly after the release of Shania Twain, the singer met and fell in love with Robert John "Mutt" Lange, a hard rock producer known for his work with AC/DC, Def Leppard, Foreigner, and the Cars. Lange had been wanting to move into country music for a while, and after hearing Twain's debut album, he decided to get in contact with her with the intention of working on an album. By the end of the year, the pair had married and begun working on her second record. The two either wrote or co-wrote the material that eventually formed The Woman in Me.The Woman in Me was released in the spring of 1995. Its first single, "Whose Bed Have Your Boots Been Under?," went to number 11 early in the year, quickly followed by "Any Man of Mine," which became her first number one single in the spring. The album's title track went to number 14 in the fall, while the fourth single, "(If You're Not in It for Love) I'm Outta Here!," rocketed to number one toward the end of the year; early in 1996 "No One Needs to Know" became her third number one hit. By the beginning of 1996, The Woman in Me had sold over six million copies and broken the record for the most weeks spent at number one on the country charts. During the course of 1996, it would rack another three million in sales. Come on Over followed in 1997. She spent the next two years touring the globe in support of the album; by the end of 1999, Come on Over had sold 36 million copies.Twain took a sabbatical and returned to her Swiss home for some down time with her husband. The next summer, she and Lange welcomed their first child. A son, whom they named Eja, arrived August 21, 2001. During this time, Twain brainstormed for a fourth album. While balancing a domestic life and a career, the end result was Up!, which appeared in November 2002.Up! was released to considerable fanfare - not only was it accompanied by a huge publicity blitz but it appeared in three different mixes, designed to appeal to country, pop and international audiences - and it initially was a big success, selling over 870,000 copies in the US upon its first week and debuting at number one in the Billboard charts, but despite such hits as “I'm Gonna Getcha Good!” and “Forever and For Always,” it failed to have the same kind of staying power as The Woman in Me or Come on Over. Those two albums sold over 10 million copies a piece in the US, whereas Up! sold 5.5 million -- an impressive number that only pales when compared to her track record. As Up! worked its way down the charts, Shania released a Greatest Hits album in the holiday season of 2004; the compilation was a great success, going triple platinum in the US, where it peaked at number two on the Billboard charts. In the wake of Greatest Hits, Twain spent the next few years quietly, working on several non-music related projects and appearing only on soundtracks. As of 2007, she was still working on her follow-up to Up!.
Decision: With one of the biggest selling records of all time,"Come On Over", and 6 #1's on the Country chart, 3 #1s on the AC chart, and 3 top 10 Pop hits, Shania Twain is a Pop Music HOFer..
Next: 1996 Nominees: Diddy(Puff Daddy)
Sunday, September 8, 2013
1994 Nominees: Notorious B.I.G., Brandy, Aaliyah & Outkast
Notorious B.I.G.
In just a few short years, the Notorious B.I.G. went from a Brooklyn street hustler to the savior of East Coast hip-hop to a tragic victim of the culture of violence he depicted so realistically on his records. His all-too-brief odyssey almost immediately took on mythic proportions, especially since his murder followed the shooting of rival Tupac Shakur by only six months. In death, the man also known as Biggie Smalls became a symbol of the senseless violence that plagued inner-city America in the waning years of the 20th century. Whether or not his death was really the result of a much-publicized feud between the East and West Coast hip-hop scenes, it did mark the point where both sides stepped back from a rivalry that had gone too far. Hip-hop's self-image would never be quite the same, and neither would public perception. The aura of martyrdom that surrounds the Notorious B.I.G. sometimes threatens to overshadow his musical legacy, which was actually quite significant. Helped by Sean "Puffy" Combs' radio-friendly sensibility, Biggie re-established East Coast rap's viability by leading it into the post-Dr. Dre gangsta age. Where fellow East Coasters the Wu-Tang Clan slowly built an underground following, Biggie crashed onto the charts and became a star right out of the box. In the process, he helped Combs' Bad Boy label supplant Death Row as the biggest hip-hop imprint in America, and also paved the way to popular success for other East Coast talents like Jay-Z and Nas. Biggie was a gifted storyteller with a sense of humor and an eye for detail, and his narratives about the often violent life of the streets were rarely romanticized; instead, they were told with a gritty, objective realism that won him enormous respect and credibility. The general consensus in the rap community was that when his life was cut short, sadly, Biggie was just getting started.
the Notorious B.I.G. was born Christopher Wallace on May 21, 1972, and grew up in Brooklyn's Bedford-Stuyvesant neighborhood. He was interested in rap from a young age, performing with local groups like the Old Gold Brothers and the Techniques, the latter of whom brought the teenaged Wallace his first trip to a recording studio. He had already adopted the name Biggie Smalls at this point, a reference to his ample frame, which would grow to be over six feet tall and nearly 400 pounds. Although he was a good student, he dropped out of high school at age 17 to live his life on the streets. Attracted by the money and flashy style of local drug dealers, he started selling crack for a living. He got busted on a trip to North Carolina and spent nine months in jail, and upon his release, he made some demo recordings on a friend's four-track. The resulting tape fell into the hands of Mister Cee, a DJ working with Big Daddy Kane; Cee in turn passed the tape on to hip-hop magazine The Source, which gave Biggie a positive write-up in a regular feature on unsigned artists. Thanks to the publicity, Biggie caught the attention of Uptown Records producer Sean "Puffy" Combs, who signed him immediately. With his new daughter in need of immediate financial support, Biggie kept dealing drugs for a short time until Combs found out and laid down the law. Not long after Biggie's signing, Combs split from Uptown to form his own label, Bad Boy, and took Biggie with him.
Changing his primary stage name from Biggie Smalls to the Notorious B.I.G., the newly committed rapper made his recording debut on a 1993 remix of Mary J. Blige's single "Real Love." He soon guested on another Blige remix, "What's the 411?," and contributed his first solo cut, "Party and Bullshit," to the soundtrack of the film Who's the Man? Now with a considerable underground buzz behind him, the Notorious B.I.G. delivered his debut album, Ready to Die, in September 1994. Its lead single, "Juicy," went gold, and the follow-up smash, "Big Poppa," achieved platinum sales and went Top Ten on the pop and R&B charts. Biggie's third single, "One More Chance," tied Michael Jackson's "Scream" for the highest debut ever on the pop charts; it entered at number five en route to an eventual peak at number two, and went all the way to number one on the R&B side. By the time the dust settled, Ready to Die had sold over four million copies and turned the Notorious B.I.G. into a hip-hop sensation -- the first major star the East Coast had produced since the rise of Dr. Dre's West Coast G-funk.
Not long after Ready to Die was released, Biggie married R&B singer and Bad Boy labelmate Faith Evans. In November 1994, West Coast gangsta star Tupac Shakur was shot several times in the lobby of a New York recording studio and robbed of thousands of dollars in jewelry. Shakur survived and accused Combs and his onetime friend Biggie of planning the attack, a charge both of them fervently denied. The ill will gradually snowballed into a heated rivalry between West and East Coast camps, with upstart Bad Boy now challenging Suge Knight's Death Row empire for hip-hop supremacy. Meanwhile, Biggie turned his energies elsewhere. He shepherded the career of Junior M.A.F.I.A., a group consisting of some of his childhood rap partners, and guested on their singles "Player's Anthem" and "Get Money." He also boosted several singles by his labelmates, such as Total's "Can't You See" and 112's "Only You," and worked with superstars like Michael Jackson (HIStory) and R. Kelly ("[You to Be] Happy," from R. Kelly). With the singles from Ready to Die still burning up the airwaves as well, Biggie ended 1995 as not only the top-selling rap artist, but also the biggest solo male act on both the pop and R&B charts. He also ran into trouble with the law on more than one occasion. A concert promoter accused Biggie and members of his entourage of assaulting him when he refused to pay the promised fee after a concert cancellation. Later in the year, Biggie pled guilty to criminal mischief after attacking two harassing autograph seekers with a baseball bat.
1996 proved to be an even more tumultuous year. More legal problems ensued after police found marijuana and weapons in a raid on Biggie's home in Teaneck, NJ. Meanwhile, Junior M.A.F.I.A. member Lil' Kim released her first solo album under Biggie's direction, and the two made little effort to disguise their concurrent love affair. 2Pac, still nursing a grudge against Biggie and Combs, recorded a vicious slam on the East Coast scene called "Hit 'Em Up," in which he taunted Biggie about having slept with Faith Evans (who was by now estranged from her husband). What was more, during the recording sessions for Biggie's second album, he suffered rather serious injuries in a car accident and was confined to a wheelchair for a time. Finally, in September 1996, Tupac Shakur was murdered in a drive-by shooting on the Las Vegas strip. Given their very public feud, it didn't take long for rumors of Biggie's involvement to start swirling, although none were substantiated. Biggie was also criticized for not attending an anti-violence hip-hop summit held in Harlem in the wake of Shakur's death.
Observers hoped that Shakur's murder would serve as a wake-up call for gangsta rap in general, that on-record boasting had gotten out of hand and spilled into reality. Sadly, it would take another tragedy to drive that point home. In the early morning hours of March 9, 1997, the Notorious B.I.G. was leaving a party at the Petersen Automotive Museum in Los Angeles, thrown by Vibe magazine in celebration of the Soul Train Music Awards. He sat in the passenger side of his SUV, with his bodyguard in the driver's seat and Junior M.A.F.I.A. member Lil' Cease in the back. According to most witnesses, another vehicle pulled up on the right side of the SUV while it was stopped at a red light, and six to ten shots were fired. Biggie's bodyguard rushed him to the nearby Cedars-Sinai Medical Center, but it was already too late. As much as Shakur was mourned, Biggie's death was perhaps even more shocking; it meant that Shakur's death was not an isolated incident, and that hip-hop's highest-profile talents might be caught in the middle of an escalating war. Naturally, speculation ran rampant that Biggie's killers were retaliating for Shakur's death, and since the case remains unsolved, the world may never know for sure.
In the aftermath of the tragedy, the release of the Notorious B.I.G.'s second album went ahead as planned at the end of March. The eerily titled Life After Death was a sprawling, guest-laden double-disc set that seemed designed to compete with 2Pac's All Eyez on Me in terms of ambition and epic scope. Unsurprisingly, it entered the charts at number one, selling nearly 700,000 copies in its first week of release and spending a total of four weeks on top. The first single, "Hypnotize," went platinum and hit number one on the pop chart, and its follow-up, "Mo Money Mo Problems," duplicated both feats, making the Notorious B.I.G. the first artist ever to score two posthumous number one hits. A third single, "Sky's the Limit," went gold, and Life After Death was certified ten times platinum approximately two years after its release. Plus, Combs -- now rechristened Puff Daddy -- and Faith Evans scored one of 1997's biggest singles with their tribute, "I'll Be Missing You." In 1999, an album of previously unreleased B.I.G. material, Born Again, was released and entered the charts at number one. It eventually went double platinum. Six years later, Duets: The Final Chapter (studio scraps paired with new verses from several MCs and vocalists) surfaced and reached number three on the album chart.
In the years following Christopher Wallace's death, little official progress was made in the LAPD's murder investigation, and it began to look as if the responsible parties would never be brought to justice. The 2Pac retaliation theory still holds sway in many quarters, and it has also been speculated that members of the Crips gang murdered Wallace in a dispute over money owed for security services. In an article for Rolling Stone, and later a full book titled Labyrinth, journalist Randall Sullivan argued that Suge Knight hired onetime LAPD officer David Mack -- a convicted bank robber with ties to the Bloods -- to arrange a hit on Wallace, and that the gunman was a hitman and mortgage broker named Amir Muhammad. Sullivan further argued that when it became clear how many corrupt LAPD officers were involved with Death Row Records, the department hushed up as much as it could and all but abandoned detective Russell Poole's investigation recommendations.
Documentary filmmaker Nick Broomfield used Labyrinth as a basis for 2002's Biggie and Tupac, which featured interviews with Poole and Knight, among others. In April 2002, Faith Evans and Voletta Wallace (Biggie's mother) filed a civil suit against the LAPD alleging wrongful death, among other charges. In September of that year, the L.A. Times published a report alleging that the Notorious B.I.G. had paid members of the Crips one million dollars to murder 2Pac, and even supplied the gun used. Several of Biggie's relatives and friends stepped forward to say that the rapper had been recording in New Jersey, not masterminding a hit in Las Vegas; the report was also roundly criticized in the hip-hop community, which was anxious to avoid reopening old wounds.
Whether she was singing pop-friendly urban soul or acting in her own family-oriented sitcom, Brandy's winningly wholesome persona helped catapult her to stardom during her teenage years. She scored the longest-running number one female duet in chart history (teamed with Monica on "The Boy Is Mine"), a testament to her mainstream appeal, and she spent several years as the title character on Moesha, the top-rated series on the fledgling UPN network during the late '90s. As she grew older, her music increasingly mined the middle ground between urban R&B and soft adult contemporary pop, and thanks to her consistent exposure in other arenas, it became more popular than ever.
Brandy Rayana Norwood was born February 11, 1979, in McComb, MS, and began singing in church at age two. When she was four, her father was hired as music director at a church in Carson, CA, and after singing a few years later, she decided to pursue a professional singing career, inspired by Whitney Houston. With the help of her family, she began hunting for a record contract, and in 1992 began singing backup for the kiddie R&B group Immature; after enrolling in the Hollywood High Performing Arts Center, she also launched an acting career, appearing in films like Arachnophobia and Demolition Man. She eventually landed a record deal at the mere age of 14 after performing at an Atlantic Records talent showcase; around the same time, she won a supporting role on the short-lived ABC sitcom Thea. In 1994, Brandy released her self-titled debut album, which immediately produced Billboard Hot 100 Top Ten smashes in "I Wanna Be Down" and "Baby," both of which hit number one on the R&B chart; "Brokenhearted" and "Best Friend" went on to smaller successes, and Brandy went on to sell over four million copies during the next several years. She toured with Boyz II Men in 1995, and for a time dated group member Wanya Morris.
In 1996, Brandy scored her biggest hit yet with "Sittin' up in My Room," a song she recorded for the Waiting to Exhale soundtrack; it hit number two pop and number one R&B. Early that year, she also debuted on UPN as the star of Moesha, parlaying her musical success into a concurrent acting career. In fact, she took a lengthy hiatus from recording to concentrate on Moesha; apart from "Sittin' up in My Room," her only real activity over the next couple of years was the Set It Off soundtrack single "Missing You," on which she teamed withChaka Khan, Gladys Knight, and Tamia. In 1997, she branched out by taking the title role in Disney's made-for-TV version of Cinderella, appearing alongside her idol Whitney Houston; the film's star power and integrated cast made it a significant ratings success. Finally, Brandy set about recording her second album. Never Say Never was released in the summer of 1998, and its first single, the Monica duet "The Boy Is Mine," was a mammoth hit, topping the Hot 100 for a staggering 13 weeks. In its wake, "Top of the World" (featuring guest rapper Mase) and "Have You Ever?" were both substantial hits as well, with the latter becoming Brandy's first solo number one Hot 100 hit. Never Say Never spun off an additional three singles -- "Almost Doesn't Count," "Angel in Disguise," and "U Don't Know Me (Like U Used To)" -- on its way to sales of over five million copies.
Meanwhile, Brandy's acting career continued to blossom; in 1998, she landed her first major theatrical film role in I Still Know What You Did Last Summer, and the following year, she appeared in another TV movie with Diana Ross called Double Platinum. After being hospitalized for dehydration in late 1999, she cut back her schedule somewhat, concentrating mostly on Moesha until the show was canceled in the spring of 2001. The same year, she voiced a character in the animated film Osmosis Jones, and secretly married producer/songwriter Robert Smith. In early 2002, Brandy released her third album, Full Moon, which entered the Billboard 200 chart at number two and spun off an immediate hit in "What About Us?." That summer, Brandy gave birth to her first child, and her pregnancy became the subject of an MTV documentary series.
The singer's fourth album, Afrodisiac, was released in 2004. Its lead single, "Talk About Our Love," was produced by Kanye West and peaked at number 36 on the Hot 100. Although the reviews were positive overall, the album didn't sell as well as any of her previous releases and the singer subsequently split from her longtime label. In December 2006, while driving on the San Diego Freeway, Brandy hit the car in front of her -- an accident that killed the driver and caused a four-car chain reaction. She recorded her fifth album, Human, an adult contemporary R&B leaning set that was released in December 2008 and peaked at number 15 on the Billboard 200. It was her lone release for Epic. A couple years later, she starred beside her brother and parents in the reality television series, Brandy & Ray J: A Family Business. A soundtrack of sorts was released in 2011. She teamed up with Monica once more for the single "It All Belongs to Me" prior to the collaboration-heavy Two Eleven, released in 2012.
A star in the R&B world before she was even out of her teens, Aaliyah's promising career was tragically cut short by her death in a plane crash at age 22. Even with only three albums under her belt, she'd already earned a place as a talented trendsetter among the R&B elite. Following a successful transition to a more mature image, Aaliyah played a major role in popularizing the stuttering, futuristic production style that consumed hip-hop and urban soul in the late '90s. Her work with Timbaland, especially, was some of the most forward-looking R&B of its time, even while the competing neo-soul movement was gaining prominence. Aaliyah's death came on the heels of her third and most accomplished album, making it especially unfortunate that she was robbed of a chance to continue her creative development.
Aaliyah Dana Haughton was born January 16, 1979, in Brooklyn, and named after a Swahili word meaning "most exalted one." Her uncle, Barry Hankerson, was a manager and entertainment lawyer who was married to Gladys Knight for a time, and her mother, also a singer, enrolled Aaliyah in voice lessons before she'd even started school. Still very young, she moved with her family to Detroit, where she sang in several school plays. At age nine, she successfully auditioned for the TV show Star Search, where she performed "My Funny Valentine" (and lost). Two years later, thanks to her uncleHankerson's connections, she spent five nights in Las Vegas performing as part of Gladys Knight's revue. In addition to his niece, Hankerson was also managing a rising R&B star named R. Kelly, and introduced the two in 1992. Kelly soon took Aaliyah under his wing and began writing and producing songs for her.
Aaliyah's debut album, Age Ain't Nothing but a Number, was released in the summer of 1994 and quickly became a platinum-selling hit on the strength of two smash singles, "Back & Forth" and "At Your Best (You Are Love)" (the latter an Isley Brothers cover). Both songs hit the pop Top Ten and went gold, and "Back & Forth" went all the way to number one on the R&B charts, while "At Your Best" fell one spot short. Late in the year, Aaliyah found herself at the center of controversy when rumors spread that the 15-year-old singer had married Kelly, who was more than ten years her senior. Although both camps were resolutely tight-lipped, documents later confirmed that the two had wed in the state of Illinois that August and gotten an annulment shortly thereafter. By the time the media buzz died down, the two had parted ways both personally and creatively.
In 1996, Aaliyah released her follow-up album, One in a Million, which signaled a newly emerging maturity. She worked with several different producers, most notably Timbaland, who co-wrote several tracks with his songwriting partner, Missy "Misdemeanor" Elliott (soon to become a solo star in her own right). Several of these -- "If Your Girl Only Knew," "One in a Million," "4 Page Letter" -- became hits, with "If Your Girl Only Knew" going all the way to the top of the R&B charts. The Diane Warren-penned ballad "The One I Gave My Heart To" was also a Top Ten R&B hit, and One in a Millionwound up going double platinum. In the meantime, Aaliyah graduated from high school (in 1997) and contributed several songs to film soundtracks. "Journey to the Past," from Anastasia, was nominated for an Oscar, and in early 1998 she had a major hit with "Are You That Somebody?" from Eddie Murphy's Dr. Dolittle (in which she also made a cameo appearance).
Aaliyah took her time recording a follow-up, and put the process completely on hold to start an acting career. She co-starred with martial-arts master Jet Li and rapper DMX in 2000's urban Shakespeare adaptation Romeo Must Die, and her accompanying soundtrack single, "Try Again," became her first number one hit on the pop charts that summer. Aaliyah subsequently completed filming on the Anne Rice vampire flick Queen of the Damned, playing the title role as a vampire queen, and was cast in a prominent role in the two sequels to The Matrix. Plus, she finally finished her long-awaited third album, withTimbaland again handling the most prominent tracks. Released in the summer of 2001, Aaliyah completed the singer's image overhaul into a sensual yet sensitive adult. The record received excellent reviews, and the first single, "We Need a Resolution," was a Top 20 R&B hit.
About a month after the album's release, Aaliyah traveled to the Bahamas to film a video for its second single, "Rock the Boat." On August 25, she and several members of the crew boarded a small twin-engine Cessna plane returning to the mainland. The plane crashed shortly after takeoff, exploding on impact; Aaliyah and seven other passengers were killed instantly, and the ninth later died at a Nassau hospital. Investigations into the crash showed that the plane had been loaded far past its weight capacity, and that pilot Luis Morales had recently been arrested for crack cocaine possession (traces of which, along with alcohol, were found in his system); furthermore, the charter company, Blackhawk International Airways, had not authorized him to pilot the craft in question. Naturally, the R&B community reacted with an outpouring of shock and sorrow, and Aaliyah became the singer's only chart-topping album, eventually going double platinum. "Rock the Boat" and "More Than a Woman" were both posthumous Top Ten hits on the R&B chart, and Queen of the Damned was a commercial success upon its release in early 2002, topping the box office in its first week. As details continued to emerge from the plane crash investigation, Aaliyah's parents filed suit against Blackhawk Airways, Virgin Records, and several other companies. At the end of 2002, the posthumous album I Care 4 U entered the charts at number three; it mixed some of the singer's biggest hits with a selection of unreleased material. The title track was a Top 20 pop hit, and "Miss You" topped the R&B charts early the next year.
OutKast's blend of gritty Southern soul, fluid raps, and the low-slung funk of their Organized Noize production crew epitomized the Atlanta wing of hip-hop's rising force, the Dirty South, during the mid to late '90s. Along with Goodie Mob, OutKast took Southern hip-hop in bold and innovative directions: less reliance on aggression, more positivity and melody, thicker arrangements, and intricate lyrics. After Dré and Big Boi hit number one on the rap charts with their first single, "Player's Ball," the duo embarked on a run of platinum albums spiked with several hit singles, enjoying numerous critical accolades in addition to their commercial success.
André Benjamin (Dré) and Antwan Patton (Big Boi) attended the same high school in the Atlanta borough of East Point, and several lyrical battles made each gain respect for the other's skills. They formed OutKast and were pursued by Organized Noize Productions, hitmakers for TLC and Xscape. Signed to Antonio "L.A." Reid and Babyface's local LaFace label just after high school, OutKast recorded and released "Player's Ball," then watched the single rise to number one on the rap chart. It slipped from the top spot only after six weeks, was certified gold, and created a buzz for a full-length release. That album, Southernplayalisticadillacmuzik, hit the Top 20 in 1994 and was certified platinum by the end of the year. Dré and Big Boi also won Best New Rap Group of the Year at the 1995 Source Awards.
OutKast returned with a new album in 1996, releasing ATLiens that August; it hit number two and went platinum with help from the gold-selling single "Elevators (Me & You)" (number 12 pop, number one rap), as well as the Top 40 title track. Aquemini followed in 1998, also hitting number two and going double platinum. There were no huge hit singles this time around, but critics lavishly praised the album's unified, progressive vision, hailing it as a great leap forward and including it on many year-end polls. Unfortunately, in a somewhat bizarre turn of events, OutKast was sued over the album's lead single, "Rosa Parks," by none other than the civil rights pioneer herself, who claimed that the group had unlawfully appropriated her name to promote their music, also objecting to some of the song's language. The initial court decision dismissed the suit in late 1999. (The Supreme Court later allowed the lawsuit to proceed; the two parties eventually reached a settlement.)
Dré modified his name to André 3000 before the group issued its hotly anticipated fourth album, Stankonia, in late 2000. Riding the momentum of uniformly excellent reviews and the stellar singles "B.O.B." and "Ms. Jackson,"Stankonia debuted at number two and went triple platinum in just a few months; meanwhile, "Ms. Jackson" became their first number one pop single the following February. Both of those major singles and most of the album material -- all but three contributions from Organized Noize, in fact -- were produced by a trio dubbed Earthtone III (aka André 3000, Big Boi, and David "Mr. DJ" Sheats).
2003's Speakerboxxx/The Love Below, a double album, debuted at number one and spawned a pair of number one singles: the Dré-fronted "Hey Ya" and the Big Boi-fronted "The Way You Move." Speakerboxxx, more true toOutKast's past, could have been issued as a Big Boi solo album, while The Love Below, a diverse and playful affair, could have been an André 3000release. Regardless of its dual nature, the set won the 2004 Grammy for Album of the Year. As breakup rumors continued to swirl, the duo returned with the feature film Idlewild -- a musical set in the Prohibition-era South -- and an extremely eclectic soundtrack billed as a proper OutKast album. Big Boi issued a solo album, Sir Lucious Left Foot: The Son of Chico Dusty in 2010, whileAndré 3000 produced and/or appeared on a series of tracks by the likes of John Legend ("Green Light"), Beyoncé ("Party"), Lloyd ("Dedication to My Ex [Miss That])," and Young Jeezy ("I Do").
In just a few short years, the Notorious B.I.G. went from a Brooklyn street hustler to the savior of East Coast hip-hop to a tragic victim of the culture of violence he depicted so realistically on his records. His all-too-brief odyssey almost immediately took on mythic proportions, especially since his murder followed the shooting of rival Tupac Shakur by only six months. In death, the man also known as Biggie Smalls became a symbol of the senseless violence that plagued inner-city America in the waning years of the 20th century. Whether or not his death was really the result of a much-publicized feud between the East and West Coast hip-hop scenes, it did mark the point where both sides stepped back from a rivalry that had gone too far. Hip-hop's self-image would never be quite the same, and neither would public perception. The aura of martyrdom that surrounds the Notorious B.I.G. sometimes threatens to overshadow his musical legacy, which was actually quite significant. Helped by Sean "Puffy" Combs' radio-friendly sensibility, Biggie re-established East Coast rap's viability by leading it into the post-Dr. Dre gangsta age. Where fellow East Coasters the Wu-Tang Clan slowly built an underground following, Biggie crashed onto the charts and became a star right out of the box. In the process, he helped Combs' Bad Boy label supplant Death Row as the biggest hip-hop imprint in America, and also paved the way to popular success for other East Coast talents like Jay-Z and Nas. Biggie was a gifted storyteller with a sense of humor and an eye for detail, and his narratives about the often violent life of the streets were rarely romanticized; instead, they were told with a gritty, objective realism that won him enormous respect and credibility. The general consensus in the rap community was that when his life was cut short, sadly, Biggie was just getting started.
the Notorious B.I.G. was born Christopher Wallace on May 21, 1972, and grew up in Brooklyn's Bedford-Stuyvesant neighborhood. He was interested in rap from a young age, performing with local groups like the Old Gold Brothers and the Techniques, the latter of whom brought the teenaged Wallace his first trip to a recording studio. He had already adopted the name Biggie Smalls at this point, a reference to his ample frame, which would grow to be over six feet tall and nearly 400 pounds. Although he was a good student, he dropped out of high school at age 17 to live his life on the streets. Attracted by the money and flashy style of local drug dealers, he started selling crack for a living. He got busted on a trip to North Carolina and spent nine months in jail, and upon his release, he made some demo recordings on a friend's four-track. The resulting tape fell into the hands of Mister Cee, a DJ working with Big Daddy Kane; Cee in turn passed the tape on to hip-hop magazine The Source, which gave Biggie a positive write-up in a regular feature on unsigned artists. Thanks to the publicity, Biggie caught the attention of Uptown Records producer Sean "Puffy" Combs, who signed him immediately. With his new daughter in need of immediate financial support, Biggie kept dealing drugs for a short time until Combs found out and laid down the law. Not long after Biggie's signing, Combs split from Uptown to form his own label, Bad Boy, and took Biggie with him.
Changing his primary stage name from Biggie Smalls to the Notorious B.I.G., the newly committed rapper made his recording debut on a 1993 remix of Mary J. Blige's single "Real Love." He soon guested on another Blige remix, "What's the 411?," and contributed his first solo cut, "Party and Bullshit," to the soundtrack of the film Who's the Man? Now with a considerable underground buzz behind him, the Notorious B.I.G. delivered his debut album, Ready to Die, in September 1994. Its lead single, "Juicy," went gold, and the follow-up smash, "Big Poppa," achieved platinum sales and went Top Ten on the pop and R&B charts. Biggie's third single, "One More Chance," tied Michael Jackson's "Scream" for the highest debut ever on the pop charts; it entered at number five en route to an eventual peak at number two, and went all the way to number one on the R&B side. By the time the dust settled, Ready to Die had sold over four million copies and turned the Notorious B.I.G. into a hip-hop sensation -- the first major star the East Coast had produced since the rise of Dr. Dre's West Coast G-funk.Not long after Ready to Die was released, Biggie married R&B singer and Bad Boy labelmate Faith Evans. In November 1994, West Coast gangsta star Tupac Shakur was shot several times in the lobby of a New York recording studio and robbed of thousands of dollars in jewelry. Shakur survived and accused Combs and his onetime friend Biggie of planning the attack, a charge both of them fervently denied. The ill will gradually snowballed into a heated rivalry between West and East Coast camps, with upstart Bad Boy now challenging Suge Knight's Death Row empire for hip-hop supremacy. Meanwhile, Biggie turned his energies elsewhere. He shepherded the career of Junior M.A.F.I.A., a group consisting of some of his childhood rap partners, and guested on their singles "Player's Anthem" and "Get Money." He also boosted several singles by his labelmates, such as Total's "Can't You See" and 112's "Only You," and worked with superstars like Michael Jackson (HIStory) and R. Kelly ("[You to Be] Happy," from R. Kelly). With the singles from Ready to Die still burning up the airwaves as well, Biggie ended 1995 as not only the top-selling rap artist, but also the biggest solo male act on both the pop and R&B charts. He also ran into trouble with the law on more than one occasion. A concert promoter accused Biggie and members of his entourage of assaulting him when he refused to pay the promised fee after a concert cancellation. Later in the year, Biggie pled guilty to criminal mischief after attacking two harassing autograph seekers with a baseball bat.1996 proved to be an even more tumultuous year. More legal problems ensued after police found marijuana and weapons in a raid on Biggie's home in Teaneck, NJ. Meanwhile, Junior M.A.F.I.A. member Lil' Kim released her first solo album under Biggie's direction, and the two made little effort to disguise their concurrent love affair. 2Pac, still nursing a grudge against Biggie and Combs, recorded a vicious slam on the East Coast scene called "Hit 'Em Up," in which he taunted Biggie about having slept with Faith Evans (who was by now estranged from her husband). What was more, during the recording sessions for Biggie's second album, he suffered rather serious injuries in a car accident and was confined to a wheelchair for a time. Finally, in September 1996, Tupac Shakur was murdered in a drive-by shooting on the Las Vegas strip. Given their very public feud, it didn't take long for rumors of Biggie's involvement to start swirling, although none were substantiated. Biggie was also criticized for not attending an anti-violence hip-hop summit held in Harlem in the wake of Shakur's death.
Observers hoped that Shakur's murder would serve as a wake-up call for gangsta rap in general, that on-record boasting had gotten out of hand and spilled into reality. Sadly, it would take another tragedy to drive that point home. In the early morning hours of March 9, 1997, the Notorious B.I.G. was leaving a party at the Petersen Automotive Museum in Los Angeles, thrown by Vibe magazine in celebration of the Soul Train Music Awards. He sat in the passenger side of his SUV, with his bodyguard in the driver's seat and Junior M.A.F.I.A. member Lil' Cease in the back. According to most witnesses, another vehicle pulled up on the right side of the SUV while it was stopped at a red light, and six to ten shots were fired. Biggie's bodyguard rushed him to the nearby Cedars-Sinai Medical Center, but it was already too late. As much as Shakur was mourned, Biggie's death was perhaps even more shocking; it meant that Shakur's death was not an isolated incident, and that hip-hop's highest-profile talents might be caught in the middle of an escalating war. Naturally, speculation ran rampant that Biggie's killers were retaliating for Shakur's death, and since the case remains unsolved, the world may never know for sure.
In the aftermath of the tragedy, the release of the Notorious B.I.G.'s second album went ahead as planned at the end of March. The eerily titled Life After Death was a sprawling, guest-laden double-disc set that seemed designed to compete with 2Pac's All Eyez on Me in terms of ambition and epic scope. Unsurprisingly, it entered the charts at number one, selling nearly 700,000 copies in its first week of release and spending a total of four weeks on top. The first single, "Hypnotize," went platinum and hit number one on the pop chart, and its follow-up, "Mo Money Mo Problems," duplicated both feats, making the Notorious B.I.G. the first artist ever to score two posthumous number one hits. A third single, "Sky's the Limit," went gold, and Life After Death was certified ten times platinum approximately two years after its release. Plus, Combs -- now rechristened Puff Daddy -- and Faith Evans scored one of 1997's biggest singles with their tribute, "I'll Be Missing You." In 1999, an album of previously unreleased B.I.G. material, Born Again, was released and entered the charts at number one. It eventually went double platinum. Six years later, Duets: The Final Chapter (studio scraps paired with new verses from several MCs and vocalists) surfaced and reached number three on the album chart.In the years following Christopher Wallace's death, little official progress was made in the LAPD's murder investigation, and it began to look as if the responsible parties would never be brought to justice. The 2Pac retaliation theory still holds sway in many quarters, and it has also been speculated that members of the Crips gang murdered Wallace in a dispute over money owed for security services. In an article for Rolling Stone, and later a full book titled Labyrinth, journalist Randall Sullivan argued that Suge Knight hired onetime LAPD officer David Mack -- a convicted bank robber with ties to the Bloods -- to arrange a hit on Wallace, and that the gunman was a hitman and mortgage broker named Amir Muhammad. Sullivan further argued that when it became clear how many corrupt LAPD officers were involved with Death Row Records, the department hushed up as much as it could and all but abandoned detective Russell Poole's investigation recommendations.
Documentary filmmaker Nick Broomfield used Labyrinth as a basis for 2002's Biggie and Tupac, which featured interviews with Poole and Knight, among others. In April 2002, Faith Evans and Voletta Wallace (Biggie's mother) filed a civil suit against the LAPD alleging wrongful death, among other charges. In September of that year, the L.A. Times published a report alleging that the Notorious B.I.G. had paid members of the Crips one million dollars to murder 2Pac, and even supplied the gun used. Several of Biggie's relatives and friends stepped forward to say that the rapper had been recording in New Jersey, not masterminding a hit in Las Vegas; the report was also roundly criticized in the hip-hop community, which was anxious to avoid reopening old wounds.
Decision: Biggie had 2 #1s and 2 #2s on the Pop chart, along with 2 other top 10 hits. It's a shame that his life was cut short, he would probably have had many more hits. He'll always be thought of as a legendary rapper, but according to my point system, he just misses the Pop HOF.
Brandy
Brandy Rayana Norwood was born February 11, 1979, in McComb, MS, and began singing in church at age two. When she was four, her father was hired as music director at a church in Carson, CA, and after singing a few years later, she decided to pursue a professional singing career, inspired by Whitney Houston. With the help of her family, she began hunting for a record contract, and in 1992 began singing backup for the kiddie R&B group Immature; after enrolling in the Hollywood High Performing Arts Center, she also launched an acting career, appearing in films like Arachnophobia and Demolition Man. She eventually landed a record deal at the mere age of 14 after performing at an Atlantic Records talent showcase; around the same time, she won a supporting role on the short-lived ABC sitcom Thea. In 1994, Brandy released her self-titled debut album, which immediately produced Billboard Hot 100 Top Ten smashes in "I Wanna Be Down" and "Baby," both of which hit number one on the R&B chart; "Brokenhearted" and "Best Friend" went on to smaller successes, and Brandy went on to sell over four million copies during the next several years. She toured with Boyz II Men in 1995, and for a time dated group member Wanya Morris.In 1996, Brandy scored her biggest hit yet with "Sittin' up in My Room," a song she recorded for the Waiting to Exhale soundtrack; it hit number two pop and number one R&B. Early that year, she also debuted on UPN as the star of Moesha, parlaying her musical success into a concurrent acting career. In fact, she took a lengthy hiatus from recording to concentrate on Moesha; apart from "Sittin' up in My Room," her only real activity over the next couple of years was the Set It Off soundtrack single "Missing You," on which she teamed withChaka Khan, Gladys Knight, and Tamia. In 1997, she branched out by taking the title role in Disney's made-for-TV version of Cinderella, appearing alongside her idol Whitney Houston; the film's star power and integrated cast made it a significant ratings success. Finally, Brandy set about recording her second album. Never Say Never was released in the summer of 1998, and its first single, the Monica duet "The Boy Is Mine," was a mammoth hit, topping the Hot 100 for a staggering 13 weeks. In its wake, "Top of the World" (featuring guest rapper Mase) and "Have You Ever?" were both substantial hits as well, with the latter becoming Brandy's first solo number one Hot 100 hit. Never Say Never spun off an additional three singles -- "Almost Doesn't Count," "Angel in Disguise," and "U Don't Know Me (Like U Used To)" -- on its way to sales of over five million copies.Meanwhile, Brandy's acting career continued to blossom; in 1998, she landed her first major theatrical film role in I Still Know What You Did Last Summer, and the following year, she appeared in another TV movie with Diana Ross called Double Platinum. After being hospitalized for dehydration in late 1999, she cut back her schedule somewhat, concentrating mostly on Moesha until the show was canceled in the spring of 2001. The same year, she voiced a character in the animated film Osmosis Jones, and secretly married producer/songwriter Robert Smith. In early 2002, Brandy released her third album, Full Moon, which entered the Billboard 200 chart at number two and spun off an immediate hit in "What About Us?." That summer, Brandy gave birth to her first child, and her pregnancy became the subject of an MTV documentary series.The singer's fourth album, Afrodisiac, was released in 2004. Its lead single, "Talk About Our Love," was produced by Kanye West and peaked at number 36 on the Hot 100. Although the reviews were positive overall, the album didn't sell as well as any of her previous releases and the singer subsequently split from her longtime label. In December 2006, while driving on the San Diego Freeway, Brandy hit the car in front of her -- an accident that killed the driver and caused a four-car chain reaction. She recorded her fifth album, Human, an adult contemporary R&B leaning set that was released in December 2008 and peaked at number 15 on the Billboard 200. It was her lone release for Epic. A couple years later, she starred beside her brother and parents in the reality television series, Brandy & Ray J: A Family Business. A soundtrack of sorts was released in 2011. She teamed up with Monica once more for the single "It All Belongs to Me" prior to the collaboration-heavy Two Eleven, released in 2012.
Decision: Brandy had 14 top 40 hits, 7 top 10s and 2 #1s. Another just miss, for the Pop HOF.
Aaliyah
Aaliyah Dana Haughton was born January 16, 1979, in Brooklyn, and named after a Swahili word meaning "most exalted one." Her uncle, Barry Hankerson, was a manager and entertainment lawyer who was married to Gladys Knight for a time, and her mother, also a singer, enrolled Aaliyah in voice lessons before she'd even started school. Still very young, she moved with her family to Detroit, where she sang in several school plays. At age nine, she successfully auditioned for the TV show Star Search, where she performed "My Funny Valentine" (and lost). Two years later, thanks to her uncleHankerson's connections, she spent five nights in Las Vegas performing as part of Gladys Knight's revue. In addition to his niece, Hankerson was also managing a rising R&B star named R. Kelly, and introduced the two in 1992. Kelly soon took Aaliyah under his wing and began writing and producing songs for her.
Aaliyah's debut album, Age Ain't Nothing but a Number, was released in the summer of 1994 and quickly became a platinum-selling hit on the strength of two smash singles, "Back & Forth" and "At Your Best (You Are Love)" (the latter an Isley Brothers cover). Both songs hit the pop Top Ten and went gold, and "Back & Forth" went all the way to number one on the R&B charts, while "At Your Best" fell one spot short. Late in the year, Aaliyah found herself at the center of controversy when rumors spread that the 15-year-old singer had married Kelly, who was more than ten years her senior. Although both camps were resolutely tight-lipped, documents later confirmed that the two had wed in the state of Illinois that August and gotten an annulment shortly thereafter. By the time the media buzz died down, the two had parted ways both personally and creatively.In 1996, Aaliyah released her follow-up album, One in a Million, which signaled a newly emerging maturity. She worked with several different producers, most notably Timbaland, who co-wrote several tracks with his songwriting partner, Missy "Misdemeanor" Elliott (soon to become a solo star in her own right). Several of these -- "If Your Girl Only Knew," "One in a Million," "4 Page Letter" -- became hits, with "If Your Girl Only Knew" going all the way to the top of the R&B charts. The Diane Warren-penned ballad "The One I Gave My Heart To" was also a Top Ten R&B hit, and One in a Millionwound up going double platinum. In the meantime, Aaliyah graduated from high school (in 1997) and contributed several songs to film soundtracks. "Journey to the Past," from Anastasia, was nominated for an Oscar, and in early 1998 she had a major hit with "Are You That Somebody?" from Eddie Murphy's Dr. Dolittle (in which she also made a cameo appearance).Aaliyah took her time recording a follow-up, and put the process completely on hold to start an acting career. She co-starred with martial-arts master Jet Li and rapper DMX in 2000's urban Shakespeare adaptation Romeo Must Die, and her accompanying soundtrack single, "Try Again," became her first number one hit on the pop charts that summer. Aaliyah subsequently completed filming on the Anne Rice vampire flick Queen of the Damned, playing the title role as a vampire queen, and was cast in a prominent role in the two sequels to The Matrix. Plus, she finally finished her long-awaited third album, withTimbaland again handling the most prominent tracks. Released in the summer of 2001, Aaliyah completed the singer's image overhaul into a sensual yet sensitive adult. The record received excellent reviews, and the first single, "We Need a Resolution," was a Top 20 R&B hit.About a month after the album's release, Aaliyah traveled to the Bahamas to film a video for its second single, "Rock the Boat." On August 25, she and several members of the crew boarded a small twin-engine Cessna plane returning to the mainland. The plane crashed shortly after takeoff, exploding on impact; Aaliyah and seven other passengers were killed instantly, and the ninth later died at a Nassau hospital. Investigations into the crash showed that the plane had been loaded far past its weight capacity, and that pilot Luis Morales had recently been arrested for crack cocaine possession (traces of which, along with alcohol, were found in his system); furthermore, the charter company, Blackhawk International Airways, had not authorized him to pilot the craft in question. Naturally, the R&B community reacted with an outpouring of shock and sorrow, and Aaliyah became the singer's only chart-topping album, eventually going double platinum. "Rock the Boat" and "More Than a Woman" were both posthumous Top Ten hits on the R&B chart, and Queen of the Damned was a commercial success upon its release in early 2002, topping the box office in its first week. As details continued to emerge from the plane crash investigation, Aaliyah's parents filed suit against Blackhawk Airways, Virgin Records, and several other companies. At the end of 2002, the posthumous album I Care 4 U entered the charts at number three; it mixed some of the singer's biggest hits with a selection of unreleased material. The title track was a Top 20 pop hit, and "Miss You" topped the R&B charts early the next year.
Decision: Another artist that makes us wonder what might have been. She had 13 top 40 hits, and 6 top 10s, along with 1 #1 hit, and 5 R&B #1s, before her tragic death. Not a Pop HOFer...
Outkast
OutKast's blend of gritty Southern soul, fluid raps, and the low-slung funk of their Organized Noize production crew epitomized the Atlanta wing of hip-hop's rising force, the Dirty South, during the mid to late '90s. Along with Goodie Mob, OutKast took Southern hip-hop in bold and innovative directions: less reliance on aggression, more positivity and melody, thicker arrangements, and intricate lyrics. After Dré and Big Boi hit number one on the rap charts with their first single, "Player's Ball," the duo embarked on a run of platinum albums spiked with several hit singles, enjoying numerous critical accolades in addition to their commercial success.
André Benjamin (Dré) and Antwan Patton (Big Boi) attended the same high school in the Atlanta borough of East Point, and several lyrical battles made each gain respect for the other's skills. They formed OutKast and were pursued by Organized Noize Productions, hitmakers for TLC and Xscape. Signed to Antonio "L.A." Reid and Babyface's local LaFace label just after high school, OutKast recorded and released "Player's Ball," then watched the single rise to number one on the rap chart. It slipped from the top spot only after six weeks, was certified gold, and created a buzz for a full-length release. That album, Southernplayalisticadillacmuzik, hit the Top 20 in 1994 and was certified platinum by the end of the year. Dré and Big Boi also won Best New Rap Group of the Year at the 1995 Source Awards.OutKast returned with a new album in 1996, releasing ATLiens that August; it hit number two and went platinum with help from the gold-selling single "Elevators (Me & You)" (number 12 pop, number one rap), as well as the Top 40 title track. Aquemini followed in 1998, also hitting number two and going double platinum. There were no huge hit singles this time around, but critics lavishly praised the album's unified, progressive vision, hailing it as a great leap forward and including it on many year-end polls. Unfortunately, in a somewhat bizarre turn of events, OutKast was sued over the album's lead single, "Rosa Parks," by none other than the civil rights pioneer herself, who claimed that the group had unlawfully appropriated her name to promote their music, also objecting to some of the song's language. The initial court decision dismissed the suit in late 1999. (The Supreme Court later allowed the lawsuit to proceed; the two parties eventually reached a settlement.)Dré modified his name to André 3000 before the group issued its hotly anticipated fourth album, Stankonia, in late 2000. Riding the momentum of uniformly excellent reviews and the stellar singles "B.O.B." and "Ms. Jackson,"Stankonia debuted at number two and went triple platinum in just a few months; meanwhile, "Ms. Jackson" became their first number one pop single the following February. Both of those major singles and most of the album material -- all but three contributions from Organized Noize, in fact -- were produced by a trio dubbed Earthtone III (aka André 3000, Big Boi, and David "Mr. DJ" Sheats).2003's Speakerboxxx/The Love Below, a double album, debuted at number one and spawned a pair of number one singles: the Dré-fronted "Hey Ya" and the Big Boi-fronted "The Way You Move." Speakerboxxx, more true toOutKast's past, could have been issued as a Big Boi solo album, while The Love Below, a diverse and playful affair, could have been an André 3000release. Regardless of its dual nature, the set won the 2004 Grammy for Album of the Year. As breakup rumors continued to swirl, the duo returned with the feature film Idlewild -- a musical set in the Prohibition-era South -- and an extremely eclectic soundtrack billed as a proper OutKast album. Big Boi issued a solo album, Sir Lucious Left Foot: The Son of Chico Dusty in 2010, whileAndré 3000 produced and/or appeared on a series of tracks by the likes of John Legend ("Green Light"), Beyoncé ("Party"), Lloyd ("Dedication to My Ex [Miss That])," and Young Jeezy ("I Do").
Decision: With 3 #1 singles, including the huge hits "Hey Ya" and "The Way You Move", Outkast was hugely successful, but they have not had any other top 10 hits, and split up at their peak. Probably Rap Hall Of Famers, but not Pop.
Next: 1995 Nominees: Shania Twain
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