Tuesday, February 28, 2017

Hit #130 Since 1964 - Cheerleader - OMI

"Cheerleader" is a song recorded by Jamaican singer Omi. The track was written and produced by OMI and Clifton Dillon, Mark Bradford, and Ryan Dillon. OMI first began developing the song in 2008, when he created its melody. It was refined over several years alongside famed Jamaican producer Clifton Dillon. It was first recorded with veteran session musicians Sly and Robbie and Dean Fraser. Released as a single on independent label Oufah, the song saw success in Jamaica, where it topped the charts, and also attracted airplay in Hawaii and Dubai. Ultra contacted two disc jockeys to produce remixed versions of the original song. The label and song's producers preferred one remix, produced by a young German DJ, Felix Jaehn, that eschewed much of the song's original instrumentation for a tropical-flavored deep house rendition, prominently featuring a trumpet, a conga beat, and piano. A remix extended play was released in May 2014 by Ultra, which began to first see commercial success that fall.
"Cheerleader" became a massive global success in 2015, when it reached number one in 20 countries including the United States, the United Kingdom, Australia, Canada, France, Mexico, Ireland, Sweden and Germany.

Background

OMI—the stage name of Omar Samuel Pasley—was born in the parish of Clarendon, Jamaica. He grew up with a love of American hip hop, but grew more interested in melody after listening to singers like John Legend, Nat King Cole, and Sam Cooke. He first developed "Cheerleader" in 2008, when he woke up humming its melody. "It was like a little Jamaican nursery rhyme, like ‘one, two, buckle my shoe,’ that kind of thing—‘ring game’ is what we’d call it. The rest of the song just fell into place like a jigsaw puzzle," he later recalled.The following year, he was discovered by producer Clifton "Specialist" Dillon, an influential figure in the Jamaican music industry, who subsequently became his manager and collaborator. He originally wrote only two verses for the song, imagining it as an interlude for an album. Dillon convinced him to create a third verse, and the song began to take shape. Prolific Jamaican rhythm section Sly and Robbie and veteran saxophonist Dean Fraser contributed to the original recording, which was first issued in 2011 on Oufah, an independent label in Kingston.

The following April, Patrick Moxey, president of U.S. electronic music label Ultra Music, discovered the song. According to Moxey, he was vacationing in Montreal when he first heard the song whilst listening to radio promoter showcase songs popular in the Caribbean. Meanwhile, Salaam Remi, an American hip hop producer that owned an imprint at Sony, was also interested in bringing the song to a wider audience. Ultra signed Pasley to a recording contract in late 2013. It soon began conversations with two disc jockeys—Brooklyn dancehall and hip-hop producer Ricky Blaze and German producer Felix Jaehn. They sent them "Cheerleader" and an a cappella version to build remixes. Jaehn enjoyed the song's vocals, but felt its instrumentation not attune to its "feel-good" essence; he hoped to craft a remix he deemed more "danceable." The Jaehn remix was completed in January 2014, and released that May on Ultra.
As of August 2015, both Omi and Jaehn had not physically met one another.

Composition[edit]

The remix version incorporates a house beat with additional trumpet, bongos and a "samba-like" piano part. It also speeds up Pasley's original vocal track, and eschews much of the original rhythm of the song with digital instrumentation. Fraser's saxophone is replaced by a sample of a trumpet. These attributes were considered more palatable for international audiences. Its genre has been variously described as representative of deep housereggae fusion, and electro-ska.
The song's lyrics center on the protagonist's joy at finding a "cheerleader"—a romantic companion that will be a support system for him, and is "always there when I need her." While the song's lyrics relate heavily to romance, Pasley considered it timeless: "It speaks to more than just a significant other. It's dedicated to anyone who is that support system."

Music videos

The song's original music video, directed by Tim Cash, was shot in Oregon on a small budget. A second video, directed by Scorpio 21, was shot at Red Bones CafĂ© in Saint Andrew in January 2015.

As the song began gaining worldwide success, a new music video for the Jaehn remix was commissioned. It was shot on location in Haulover Beach, Florida, which was designed to capture the song's essence, described by Pasley as a "constant warm sunshine-playful vibe." The clip was directed by Lenny Bass, who previously directed videos for Fantasia and Gavin DeGraw.

Commercial performance

The remix of "Cheerleader" was a gradual global smash single; it first topped charts in European countries before making its way to the United States. The original track first placed on reggae charts in Hawaii and Dubai in 2011, after which it became a hit in his home country of Jamaica. Dillon "strategically planned" the song's rise to fame, having released the song to "community sound systems in Miami and disc jockeys that toured with [Italian reggae artist] Alborosie."

Upon its remix, the song began gaining traction in Swedish markets, first through the streaming service Spotify. It soon spread to Italy and France. In January 2015, Sony Music, the conglomerate that owns Columbia and Ultra, named it their "Song of the Month"; as a result, all subsidiaries of the company put forth additional promotion of the single. By that time, the song had peaked at number one in five European territories.
In March, a deal was signed with Syco Music, a label owned and operated by British music mogul Simon Cowell, to promote and distribute the song throughout the United Kingdom. The song's popularity on streaming media in the UK brought forth its official release date there to mid-April. It shortly thereafter debuted on the country's pop charts and was assisted by a viral video of Cowell singing the song. By early May, the song had topped the UK Singles Chart; four weeks in, it broke chart records as the longest-running single by a Jamaican artist.
The song debuted on the Billboard Hot 100 in the United States in early May, as the song peaked in the UK. The release of a revised music video to the song catapulted it to the top of music identification application Shazam's worldwide charts. Application data predicted that the song would top the Hot 100 at some point; the song eventually reached number one in the U.S. on 13 July. It remained on the top of the chart for six non-consecutive weeks, until finally being replaced by The Weeknd's "Can't Feel My Face". It was later named Billboard's Song of the Summer.
Much of the song's rise to prominence was attributed to its performance on streaming services. On Spotify, the song attracted over 450 million plays (as of October 2015). Outside of national charts, it peaked at number one on the iTunes Store in over 55 markets."Cheerleader" was the most streamed song of 2015 in the UK, racking up 71.7 million streams throughout the year.



Monday, February 27, 2017

Artist #130 Of The Rock Era - The Pointer Sisters

The Pointer Sisters were as chameleonic as David Bowie, if not more so. The sibling group backed Grace Slick and Boz Scaggs, made stops at Sesame Street and the Grand Ole Opry, won a country Grammy, and appeared in the movie Car Wash, all before scoring four consecutive Top Ten Billboard Hot 100 hits in the mid-‘80s. From their early ‘70s releases on Blue Thumb through their ‘80s commercial run on Planet and RCA, the Pointers moved through boogie-woogie, bebop, blues, country, funk, disco, soft rock, electro-pop, hard rock, and several other subgenres as if they were all second nature. The sisters covered Willie Dixon, were covered by Elvis Presley, and released 15 Top 40 Hot 100 singles while sustaining a steady presence on the R&B, club, and adult contemporary charts. 
RuthAnitaBonnie, and June Pointer grew up in Oakland, California, daughters of a mother and reverend father who encouraged gospel singing and forbade blues and rock & roll. They developed their love for various forms of secular music through visits and slumber parties at the homes of friends, where they could listen to music and watch programs like American Bandstand and The Ed Sullivan Show. The sisters’ public performances were limited to church, but once they were older, Bonnie and June formed a duo and were eventually joined by Anita; they provided background vocals for a number of artists, including Grace SlickBoz Scaggs, and Sylvester. While performing with Walter Bishop, they caught the eyes and ears of the Atlantic label, who released the Pointer Sisters' first two singles: 1971’s Honey Cone-like “Don’t Try to Take the Fifth” and the following year’s “Destination No More Heartaches.” Neither song charted, but the abundant potential was obvious. 
The Pointer Sisters
By the end of 1972, the group was a quartet that also featured Ruth. The Pointers left Atlantic for Blue Thumb, where they released five eclectic albums: The Pointer Sisters(1973), That’s a Plenty (1974), Live at the Opera House(1974), Steppin’ (1975), and Having a Party (1977). Among the hit singles from these releases were the empowering “Yes We Can Can” (written by Allen Toussaint), “How Long (Betcha Got a Chick on the Side)” (a Toussaint-flavored song written by Bonnie and Anita with David Rubinson), and “Going Down Slowly” (a grinding take on Toussaint's “Going Down”). The most successful song of all was “Fairtyale,” a Bonnie- and Anita-penned departure into country music that peaked at number 13 on the Hot 100. This enabled the Pointers to perform at the Grand Ole Opry -- as the first African-American vocal group to do so -- and the song also won the 1974 Grammy for Best Country Vocal Performance by a Duo or Group. It was covered by Elvis Presley. The same year Having a Party was issued, the popular children’s television program Sesame Street first aired a classic animated segment called Pinball Number Count, which featured vocals the Pointers recorded several years earlier. 
Energy
Between the release of Having a Party and the end of 1977, June and Bonnie departed from the group, with the latter initiating a solo career. Ruth and Anita signed a deal with producer Richard Perry's Elektra-affiliated Planet label, and June re-joined in time to record Energy (1978), which featured a cover of Sly & the Family Stone's “Everybody Is a Star” and the Toussaint-written “Happiness” (the group’s first single to hit the disco chart) but was otherwise rooted in rock, with interpretations of Steely DanBob Welch-era Fleetwood Mac, and the Doobie Brothers, along with the second released recording -- following a version by Robert Gordon -- of Bruce Springsteen's “Fire,” a song intended for Elvis Presley. The Pointers took it to number two on the Hot 100 chart. The rest of the group’s years with Perry and Planet were extremely successful, culminating with 1983’s Break Out, an album that went multi-platinum due to a string of four state-of-the-art dance-pop singles. “Automatic,” “Jump (For My Love),” a remix of 1982’s “I’m So Excited,” and “Neutron Dance” all peaked in the Hot 100’s Top Ten. The women won two additional Grammys. 
Contact
During the latter half of the ‘80s and the early ‘90s, the Pointer Sisters released five more albums on RCA, Motown, and SBK. 1985’s Contact, featuring the crossover hit “Dare Me,” was the group’s last album to go platinum. While they did not record any albums after 1993’s Only Sisters Can Do That, they continued to perform on an infrequent basis. IssaRuth’s daughter, provided backing vocals on the final album and joined as a full member when June left for health reasons. A victim of lung cancer, June passed away in 2006. The Pointer Sisters, however, continued performing throughout the rest of the decade.

Sunday, February 26, 2017

The Top 100 Hits Of 1973

1. Killing Me Softly With His Song - Roberta Flack
2. Tie A Yellow Ribbon Round The Ole Oak Tree - Tony Orlando & Dawn
3. You're So Vain - Carly Simon
4. My Love - Paul McCartney & Wings
5. Let's Get It On - Marvin Gaye
6. Me And Mrs. Jones - Billy Paul
7. Crocodile Rock - Elton John
8. Midnight Train To Georgia - Gladys Knight & The Pips
9. Keep On Truckin' - Eddie Kendricks
10. Half-Breed - Cher
11. Brother Louie - Stories
12. Bad, Bad Leroy Brown - Jim Croce
13. Will It Go Round In Circles - Billy Preston
14. I Am Woman - Helen Reddy
15. The Night The Lights Went Out In Georgia - Vicki Lawrence
16. Superstition - Stevie Wonder
17. Angie - Rolling Stones
18. Why Me - Kris Kristofferson
19. Touch Me In The Morning - Diana Ross
20. Playground In My Mind - Clint Holmes
21. Delta Dawn - Helen Reddy
22. Frankenstein - Edgar Winter Group
23. Drift Away - Dobie Gray
24. You Are The Sunshine Of My Life - Stevie Wonder
25. Little Willy - Sweet
26. We're An American Band - Grand Funk Railroad
27. That Lady - Isley Brothers
28. The Morning After - Maureen McGovern
29. Pillow Talk - Sylvia
30. Love Train - O'Jays
31. Right Place Wrong Time - Dr. John
32. Give Me Love(Give Me Peace On Earth) - George Harrison
33. Wildflower - Skylark
34. Papa Was A Rollin' Stone - Temptations
35. Loves Me Like A Rock - Paul Simon
36. Neither One Of Us(Wants To Be The First To Say Goodbye) - Gladys Knight & The Pips
37. Rocky Mountain High - John Denver
38. Daniel - Elton John
39. Stuck In The Middle With You - Stealers Wheel
40. The Cisco Kid - War
41. Shambala - Three Dog Night
42. Live And Let Die - Paul McCartney & Wings
43. I'm Gonna Love You Just A Little More Baby - Barry White
44. Dueling Banjos - Eric Weissberg & Steve Mandell
45. Say, Has Anybody Seen My Sweet Gypsy Rose - Tony Orlando & Dawn
46. Yesterday Once More - Carpenters
47. Danny's Song - Anne Murray
48. Clair - Gilbert O'Sullivan
49. Dancing In The Moonlight - King Harvest
50. Kodachrome - Paul Simon
51. Monster Mash - Bobby "Boris" Pickett & The Crypt-Kickers
52. Ramblin' Man - Allman Brothers Band
53. Natural High - Bloodstone
54. Also Sprach Zarathustra(2001) - Deodato
55. Diamond Girl - Seals & Crofts
56. Oh, Babe, What Would You Say? - Hurricane Smith
57. Long Tain Runnin' - Doobie Brothers
58. Sing - Carpenters
59. If You Want Me To Stay - Sly & The Family Stone
60. Last Song - Edward Bear
61. Daddy's Home - Jermaine Jackson
62. Why Can't We Live Together - Timmy Thomas
63. I'm Doin' Fine Now - New York City
64. Could It Be I'm Falling In Love - Spinners
65. Smoke On The Water - Deep Purple
66. The Cover Of The Rolling Stone - Dr. Hook & The Medicine Show
67. Your Mama Don't Dance - Loggins & Messina
68. Behind Closed Doors - Charlie Rich
69. Ain't No Woman(Like The One I've Got) - Four Tops
70. Feeling' Stronger Every Day - Chicago
71. Higher Ground - Stevie Wonder
72. I Believe In You(You Believe In Me) - Johnnie Taylor
73. Funny Face - Donna Fargo
74. Here I Am(Come And Take Me) - Al Green
75. Break Up To Make Up - Stylistics
76. My Maria - B.W. Stevenson
77. It Never Rains In Southern California - Albert Hammond
78. Superfly - Curtis Mayfield
79. Do It Again - Steely Dan
80. Get Down - Gilbert O'Sullivan
81. Reelin' In The Years - Steely Dan
82. Rockin' Pneumonia And The Boogie Woogie Flu - Johnny Rivers
83. Hocus Pocus - Focus
84. Masterpiece - Temptations
85. Boogie Woogie Bugle Boy - Bette Midler
86. Do You Wanna Dance? - Bette Midler
87. Don't Expect Me To Be Your Friend - Lobo
88. So Very Hard To Go - Tower Of Power
89. Gypsy Man - War
90. Peaceful - Helen Reddy
91. The World Is A Ghetto - War
92. One Of A Kind(Love Affair) - Spinners
93. The Twelfth Of Never - Donny Osmond
94. Funky Worm - Ohio Players
95. Yes We Can Can - Pointer Sisters
96. Jambalaya(On The Bayou) - Blue Ridge Rangers
97. Daisy A Day - Jud Strunk
98. Stir It Up - Johnny Nash
99. Money - Pink Floyd
100. Free Ride - Edgar Winter Group

Saturday, February 25, 2017

The Top 50 Artists Of The 1970s

1. Elton John
2. Paul McCartney
3. Bee Gees
4. Carpenters
5. Chicago
6. The Jackson 5/Jacksons
7. Stevie Wonder
8. James Brown
9. Neil Diamond
10. Olivia Newton-John
11. Elvis Presley
12. John Denver
13. Diana Ross
14. Three Dog Night
15. Gladys Knight & The Pips
16. Donna Summer
17. Tony Orlando & Dawn
18. Helen Reddy
19. Earth, Wind & Fire
20. Eagles
21. Marvin Gaye
22. Rod Stewart
23. Barry Manilow
24. Linda Ronstadt
25. Aretha Franklin
26. Spinners
27. Barbra Streisand
28. Al Green
29. The Temptations
30. The Doobie Brothers
31. The Rolling Stones
32. James Taylor
33. War
34. Electric Light Orchestra
35. Commodores
36. Glen Campbell
37. The Stylistics
38. Grand Funk Railroad
39. Carly Simon
40. KC & The Sunshine Band
41. Bread
42. The O'Jays
43. The 5th Dimension
44. The Guess Who
45. Donny Osmond
46. America
47. Anne Murray
48. ABBA
49. Roberta Flack
50. Barry White

Friday, February 24, 2017

Hit #131 Since 1964 - Whoomp! There It Is - Tag Team

"Whoomp! (There It Is)" is a number two Billboard Hot 100 single by the Miami bass group Tag Team. The song reached #2 on the Billboard Hot 100 charts in 1993. The song's critical reception has been mixed, appearing on both best and worst of all time lists. It is frequently parodied and has also become a staple of sporting events. Tag Team tried to prolong the success of "Whoomp! (There It Is)" with Addams Family and Disneyversions, but none of those cracked the Top 40 and the group is considered a one-hit wonder.

Background

The song sampled a beginning synthesizer line from the 1980 Italo disco hit "I'm Ready" by Kano. The chorus is almost the same as the song "Whoot, There It Is" released by fellow Miami-based 95 South a month earlier, but the verse lyrics are much different. Both songs charted on the Billboard chart at the same time, but "Whoot, There It Is" peaked at #11 and "Whoomp! (There It Is)" peaked at #2 on the Billboard Hot 100 chart.

Members of 95 South claim that Tag Team copied their work. "Whoot, There It Is" was released in March 1993, two months before "Whoomp! (There It Is)". Both singles were recorded in Atlanta. Tag Team member DC claimed that the phrase, 'Whoomp! There It Is' was coined by strippers from Florida working in Atlanta. DC was a DJ at an adult entertainment establishment in Georgia during that time. 95 South, however, were Miami based, which led most to believe DC was either simply lying and knew about the track, or he was actually unaware that the phrase the Florida strippers were repeating in Georgia was from an already released track. It seemed highly unlikely, if not impossible, for a professional DJ to be unaware of such a widely played track, especially considering that the Florida strippers he DJ-ed for requested their own music to dance to.

Critical reception

"Whoomp! (There It Is)" was rated #97 in VH1's 100 Greatest One-Hit Wonders. The song listed at #58 on "Billboard's Greatest Songs of all time".

Music video

The video for the song features a large outdoor party. It was filmed at an Atlanta fairground. Extras were recruited by word-of-mouth and also by an announcement on a local radio station. More than a thousand extras showed up for the shoot.

Barack Obama rumor

In 2010, the song became the subject of media scrutiny when Gawker posted an item asking whether United States President Barack Obama appears as an extra in the song's video. A similarity was noted between Obama, who was 31 and working as an attorney in Chicago at the time the video was shot, and an Atlanta-hired extra who appears at the 1:01 mark in the clip. However, no one involved in the making of the video was able to remember the extra's name. The Gawker writer came to the conclusion that it was not Obama. Politifact rated the claim that Obama was in the video as "Pants on Fire". In an interview with Gawker, members DC The Brain Supreme and Steve Roll'N of the now-defunct Tag Team confirmed that the extra's true identity was rapper 'LA Sno' Brown, a member of the Miami bass duo Duice.

Popular culture

The song has been featured in many facets of popular culture since its release. A commercial for chocolate potato chip brand Swoopsran commercials parodying the song, changing the lyric to "Swoops! There it is". A 2011 commercial for Luvs diapers features animated infants dancing to "Poop! There it is". Additionally, a 2011 AT&T commercial for the iPhone 4 features two men on a phone call debating the year of the song's release; this article's infobox is shown on the phone's screen toward the end of the commercial. A 2014 Google commercial for Android, part of the “Be together. Not the same” campaign, features animated characters based on the Android robot on a recreational vehicle, dancing to the song. It was featured in a 2016 commercial to promote Gain Detergent.

The song was used extensively during the Philadelphia Phillies run to the 1993 World Series.
The song was also featured in a 2015 Pepsi commercial "The 92nd Floor" to promote the relaunch of Crystal Pepsi, whose original run was from 1992-93.
The song has also been featured in several films, such as Shark TaleBeverly Hills Chihuahua and Rio and Elf. DC did not realize that Elf had used the song until he saw the scene, where Will Ferrell dances to the song on top of a mailroom table, until he saw it in theaters.
Derek Dorsett of the Vancouver Canucks used the song as his goal song for the 2015-16 NHL season, as the organization had begun to use specific goal songs for each of its main-stay players.

Alternate, cover and remix versions

Within a year of the release of Whoomp! (There It Is), Tag Team re-mixed the backing music with a version of the theme song from the original Addams Family television series to create the song Addams Family (Whoomp!) for the film Addams Family Values. Actors Christina Ricci and Jimmy Workman reprised their film roles as Wednesday Addams and Pugsley Addams (respectively) for the song's music video. Addams Family (Whoomp!) won the 1994 Razzie Award (Worst Original Song) for its writers (Ralph Sall, Stephen Gibson and Cecil Glenn).

  • In 1994, when the Houston Rockets won their first NBA Championship, Tag Team re-mixed their song yet again. This was titled Hoop! (There It Is). It was released on a CD honoring the team by Houston radio station 97.9 The Box and Mobile One.
  • In 1995, Tag Team made an alternate version of the song called Whoomp! (There It Went) together with several Disney characters. It is basically the same song, but with several of its profane lyrics altered for children to depict Donald Duck's party in this version rather than a generic one in the original.
  • British dance band Clock released a cover of the track in July 1995, with the slightly altered title of "Whoomph! (There It Is)".
  • In 1998 by Triple S.
  • The song was again covered in 2005 by Crazy Frog for the album Crazy Frog Presents Crazy Hits.
  • Association Football team Santos Futebol Clube fans have the tradition to sing the chorus everytime after Santos scores a goal.

Chart performance

The hit song spent one week at #1 on the US R&B chart in 1993. On the Hot 100 chart dated July 10th, "Whoomp! (There It Is)" reached a new peak at number three, sandwiched between Janet Jackson's "That's the Way Love Goes" above and UB40's "Can't Help Falling in Love" beneath - all three songs ended up next to each other at the Year-End edition of the chart, occupying exactly the same positions, albeit in slightly different orders. It eventually spent seven weeks at #2 in September through October, 1993 on the Billboard Hot 100, but was kept out of the top slot by "Can't Help Falling in Love" and Mariah Carey's "Dreamlover". The single is certified 4× Platinum in the US for shipments of over 4,000,000 copies and, despite never reaching number one on the pop chart, was the second top song of 1993, behind Whitney Houston's "I Will Always Love You". It has sold over 3.5 million copies in the United States.

Thursday, February 23, 2017

Artist #131 Of The Rock Era - Fleetwood Mac

While most bands undergo a number of changes over the course of their careers, few groups experienced such radical stylistic changes as Fleetwood Mac. Initially conceived as a hard-edged British blues combo in the late '60s, the band gradually evolved into a polished pop/rock act over the course of a decade. Throughout all of their incarnations, the only consistent members of Fleetwood Mac were drummer Mick Fleetwood and bassist John McVie -- the rhythm section that provided the band with its name. Ironically, they had the least influence over the musical direction of the band. Originally, guitarists Peter Green and Jeremy Spencerprovided the band with its gutsy, neo-psychedelic blues-rock sound, but as both guitarists descended into mental illness, the group began moving toward pop/rock with the songwriting of pianist Christine McVie. By the mid-'70s, Fleetwood Mac had relocated to California, where they added the soft rock duo of Lindsey Buckingham and Stevie Nicks to their lineup. Obsessed with the meticulously arranged pop of the Beach Boys and the BeatlesBuckingham helped the band become one of the most popular groups of the late '70s. Combining soft rock with the confessional introspection of singer/songwriters, Fleetwood Mac created a slick but emotional sound that helped 1977's Rumoursbecome one of the biggest-selling albums of all time. The band retained its popularity through the early '80s, when BuckinghamNicks, and Christine McVie all began pursuing solo careers. The band reunited for one album, 1987's Tango in the Night, before splintering in the late '80s. Buckingham left the group initially, but the band decided to soldier on, releasing one other album before Nicks and McVie left the band in the early '90s, hastening the group's commercial decline. 
Fleetwood Mac
The roots of Fleetwood Mac lie in John Mayall's legendary British blues outfit, the Bluesbreakers. Bassist John McViewas one of the charter members of the Bluesbreakers, joining the group in 1963. In 1966 Peter Green replaced Eric Clapton, and a year later drummer Mick Fleetwood joined. Inspired by the success of Creamthe Yardbirds, and Jimi Hendrix, the trio decided to break away from Mayall in 1967. At their debut at the British Jazz and Blues Festival in August, Bob Brunning was playing bass in the group, since McViewas still under contract to Mayall. He joined the band a few weeks after their debut; by that time, slide guitarist Jeremy Spencer had joined the band. Fleetwood Mac soon signed with Blue Horizon, releasing their eponymous debut the following year. Fleetwood Mac was an enormous hit in the U.K., spending over a year in the Top Ten. Despite its British success, the album was virtually ignored in America. During 1968, the band added guitarist Danny Kirwan. The following year, they recorded Fleetwood Mac in Chicagowith a variety of bluesmen, including Willie Dixon and Otis Spann. The set was released later that year, after the band had left Blue Horizon for a one-album deal with Immediate Records; in the U.S., they signed with Reprise/Warner Bros., and by 1970, Warner began releasing the band's British records as well. 
English Rose
Fleetwood Mac released English Rose and Then Play Onduring 1969, which both indicated that the band was expanding its music, moving away from its blues purist roots. That year, Peter Green's "Man of the World" and "Oh Well" were number two hits. Though his music was providing the backbone of the group, Green was growing increasingly disturbed due to his large ingestion of hallucinogenic drugs. After announcing that he was planning to give all of his earnings away, Green suddenly left the band in the spring of 1970; he released two solo albums over the course of the '70s, but he rarely performed after leaving Fleetwood Mac. The band replaced him with Christine Perfect, a vocalist/pianist who had earned a small but loyal following in the U.K. by singing with Spencer Davis and the Chicken Shack. She had already performed uncredited on Then Play On. Contractual difficulties prevented her from becoming a full-fledged member of Fleetwood Mac until 1971; by that time she had married John McVie
Kiln House
Christine McVie didn't appear on 1970's Kiln House, the first album the band recorded without Peter Green. For that album, Jeremy Spencer dominated the band's musical direction, but he had also been undergoing mental problems due to heavy drug use. During the band's American tour in early 1971, Spencer disappeared; it was later discovered that he left the band to join the religious cult the Children of God. Fleetwood Mac had already been trying to determine the direction of their music, but Spencer's departure sent the band into disarray. Christine McVie and Danny Kirwanbegan to move the band towards mainstream rock on 1971's Future Games, but new guitarist Bob Welch exerted a heavy influence on 1972's Bare TreesKirwanwas fired after Bare Trees and was replaced by guitarists Bob Weston and Dave Walker, who appeared on 1973's PenguinWalker left after that album, and Weston departed after making its follow-up, Mystery to Me (1973). In 1974, the group's manager, Clifford Davis, formed a bogus Fleetwood Mac and had the band tour the U.S. The real Fleetwood Mac filed and won a lawsuit against the imposters -- after losing, they began performing under the name Stretch -- but the lawsuit kept the band off the road for most of the year. In the interim, they released Heroes Are Hard to Find. Late in 1974, Fleetwood Mac moved to California, with hopes of restarting their career. Welch left the band shortly after the move to form Paris
Buckingham Nicks
Early in 1975, Fleetwood and McVie were auditioning engineers for the band's new album when they heard Buckingham-Nicks, an album recorded by the soft rock duo Lindsey Buckingham and Stevie Nicks. The pair were asked to join the group and their addition revived the band's musical and commercial fortunes. Not only did Buckingham and Nicks write songs, but they brought distinctive talents the band had been lacking. Buckingham was a skilled pop craftsman, capable of arranging a commercial song while keeping it musically adventurous. Nicks had a husky voice and a sexy, hippie gypsy stage persona that gave the band a charismatic frontwoman. The new lineup of Fleetwood Mac released their eponymous debut in 1975 and it slowly became a huge hit, reaching number one in 1976 on the strength of the singles "Over My Head," "Rhiannon," and "Say You Love Me." The album would eventually sell over five million copies in the U.S. alone. 
Tusk
While Fleetwood Mac had finally attained their long-desired commercial success, the band was fraying apart behind the scenes. The McVies divorced in 1976, and Buckingham and Nicks' romance ended shortly afterward. The internal tensions formed the basis for the songs on their next album, Rumours. Released in the spring of 1977, Rumours became a blockbuster success, topping the American and British charts and generating the Top Ten singles "Go Your Own Way," "Dreams," "Don't Stop," and "You Make Loving Fun." It would eventually sell over 17 million copies in the U.S. alone, making it the second biggest-selling album of all time. Fleetwood Mac supported the album with an exhaustive, lucrative tour and then retired to the studio to record their follow-up to Rumours. A wildly experimental double album conceived largely by Buckingham, 1979's Tusk didn't duplicate the enormous success of Rumours, yet it did go multi-platinum and featured the Top Ten singles "Sara" and "Tusk." In 1980, they released the double album Live
Bella Donna
Following the Tusk tour, FleetwoodBuckingham, and Nicksall recorded solo albums. Of the solo projects, Stevie NicksBella Donna (1981) was the most successful, peaking at number one and featuring the hit singles "Stop Draggin' My Heart Around," "Leather and Lace," and "Edge of Seventeen." Buckingham's Law and Order (1981) was a moderate success, spawning the Top Ten "Trouble." Fleetwood, for his part, made a world music album called The VisitorFleetwood Mac reconvened in 1982 for Mirage. More conventional and accessible than TuskMirage reached number one and featured the hit singles "Hold Me" and "Gypsy." 
The Wild Heart
After MirageBuckinghamNicks, and Christine McVie all worked on solo albums. The hiatus was due to a variety of reasons. Each member had his or her own manager, Nickswas becoming the group's breakaway star, Buckingham was obsessive in the studio, and each member was suffering from various substance addictions. Nicks was able to maintain her popularity, with The Wild Heart (1983) and Rock a Little(1985) both reaching the Top 15. Christine McVie also had a Top Ten hit with "Got a Hold on Me" in 1984. Buckinghamreceived the strongest reviews of all, but his 1984 album Go Insane failed to generate a hit. Fleetwood Mac reunited to record a new album in 1985. Buckingham, who had grown increasingly frustrated with the musical limitations of the band, decided to make it his last Fleetwood Mac project. When the resulting album, Tango in the Night, was finally released in 1987, it was greeted with mixed reviews but strong sales, reaching the Top Ten and generating the Top 20 hits "Little Lies," "Seven Wonders," and "Everywhere." 
Behind the Mask
Buckingham decided to leave Fleetwood Mac after completing Tango in the Night, and the group replaced him with guitarists Billy Burnette and Rick Vito. The new lineup of the band recorded their first album, Behind the Mask, in 1990. It became the band's first album since 1975 to not go gold. Following its supporting tour, Nicks and Christine McVie announced they would continue to record with the group, but not tour. Vito left the band in 1991, and the group released the box set 25 Years -- The Chain the following year. The classic Fleetwood Mac lineup of Fleetwood, the McVies, Buckingham, and Nicks reunited to play President Bill Clinton's inauguration in early 1993, but the concert did not lead to a full-fledged reunion. Later that year, Nicks left the band and was replaced by Bekka Bramlett and Dave MasonChristine McVie left the group shortly afterward. The new lineup of Fleetwood Mac began touring in 1994, releasing Timethe following year to little attention. While the new version of Fleetwood Mac wasn't commercially successful, neither were the solo careers of BuckinghamNicks, and McVie, prompting speculation of a full-fledged reunion in 1997. Soon these whispers proved to be true, as the classic Rumours quintet reunited for a live performance that became the 1997 album The Dance. The album performed well, debuting at number one on Billboard and generating an adult contemporary hit in the new version of "Landslide." Fleetwood Mac supported The Dance with a tour that lasted throughout the year and, early in 1998, the band was inducted into the Rock & Roll Hall of Fame. Not long afterward, Christine McVie announced she was leaving the band. 
Say You Will
Her departure may have slowed the speed of Fleetwood Mac's reunion, but the remaining quartet set to work writing and recording a new album. The resulting Say You Willappeared in April of 2003; it was their first studio album in eight years and the first in 16 to feature Buckingham and NicksSay You Will performed well -- it went gold in the U.S., U.K., and Canada, with the singles "Peacekeeper" and "Say You Will" reaching the U.S. Adult Contemporary Top 20 -- and the accompanying international tour was a success. After a few quiet years where Buckingham resumed his solo career and the group unsuccessfully courted Sheryl Crow as a replacement for Christine McVie, they reconvened for a tour in 2009. Four years later, the group celebrated the 35th anniversary of Rumours with a new deluxe box reissue accompanied by a tour. As the tour got underway in April, the band unexpectedly released a four-track Extended Play of new material; it received good notices and entered the U.S. charts at 48. 
During a three-night stint at London's O2 in September 2013, Christine McVie appeared with Fleetwood Mac for the first time in 15 years. In January of 2014, the band announced that Christinewas rejoining the group and they started recording a new album. The progress on the new album was slow and steady, partially due to individual solo projects, partially due to interruptions caused by the band's ongoing world tour; they played international dates in both 2014 and 2015. As the group continued to chip away at their new record, they released a super deluxe reissue of Tusk in time for the holidays of 2015, which was followed the subsequent fall by a deluxe reissue of Mirage.