Monday, August 26, 2013

1983 Nominees: Madonna, Bryan Adams, INXS, Def Leppard

Madonna


After stars reach a certain point, it's easy to forget what they became famous for and concentrate solely on their personas. Madonna is such a star. She rocketed to stardom so quickly in 1984 that it obscured most of her musical virtues. Appreciating her music became even more difficult as the decade wore on, as discussing her lifestyle became more common. However, one of Madonna's greatest achievements is how she has manipulated the media and the public with her music, her videos, her publicity, and her sexuality. Arguably, Madonna was the first female pop star to have complete control of her music and image.

She moved from her native Michigan to New York in 1977 with dreams of becoming a ballet dancer. She studied with choreographer Alvin Ailey and modeled. In 1979, she became part of the Patrick Hernandez Revue, a disco outfit that had the hit "Born to Be Alive." She traveled to Paris with Hernandez; it was there that she met Dan Gilroy, who would soon become her boyfriend. Upon returning to New York, the pair formed the Breakfast Club, a pop/dance group. Madonna originally played drums for the band, but she soon became the lead singer. In 1980, she left the band and formed Emmy with her former boyfriend, drummer Stephen Bray. Soon, Bray and Madonna broke off from the group and began working on some dance/disco-oriented tracks. A demo tape of these tracks worked its way to Mark Kamins, a New York-based DJ/producer. Kamins directed the tape to Sire Records, which signed the singer in 1982.

Kamins produced Madonna's first single, "Everybody," which became a club and dance hit at the end of 1982; her second single, 1983's "Physical Attraction," was another club hit. In June of 1983, she had her third club hit with the bubbly "Holiday," which was produced by Jellybean Benitez. Madonna's self-titled debut album was released in September of 1983; "Holiday" became her first Top 40 hit the following month. "Borderline" became her first Top Ten hit in March of 1984, beginning a remarkable string of 17 consecutive Top Ten hits. While "Lucky Star" was climbing to number four, Madonna began working on her first starring role in a feature film, Susan Seidelman's Desperately Seeking Susan.


Madonna's second album, the Nile Rodgers-produced Like a Virgin, was released at the end of 1984. The title track hit number one in December, staying at the top of the charts for six weeks; it was the start of a whirlwind year for the singer. During 1985, Madonna became an international celebrity, selling millions of records on the strength of her stylish, sexy videos and forceful personality. After "Material Girl" became a number two hit in March, Madonna began her first tour, supported by the Beastie Boys. "Crazy for You" became her second number one single in May. Desperately Seeking Susan was released in July, becoming a box office hit; it also prompted a planned video release of A Certain Sacrifice, a low-budget erotic drama she filmed in 1979. A Certain Sacrifice wasn't the only embarrassing skeleton in the closet dragged into the light during the summer of 1985 -- both Playboy and Penthouse published nude photos of Madonna that she posed for in 1977. Nevertheless, her popularity continued unabated, with thousands of teenage girls adopting her sexy appearance, being dubbed "Madonna wannabes." In August, she married actor Sean Penn.




Madonna began collaborating with Patrick Leonard at the beginning of 1986; Leonard would co-write most of her biggest hits in the '80s, including "Live to Tell," which hit number one in June of 1986. A more ambitious and accomplished record than her two previous albums, True Bluewas released the following month, to both more massive commercial success (it was a number one in both the U.S. and the U.K., selling over five million copies in America alone) and critical acclaim. "Papa Don't Preach" became her fourth number one hit in the U.S. While her musical career was thriving, her film career took a savage hit with the November release of Shanghai Surprise. Starring Madonna and Penn, the comedy received terrible reviews, which translated into disastrous box office returns.




At the beginning of 1987, she had her fifth number one single with "Open Your Heart," the third number one from True Bluealone. The title cut from the soundtrack of her third feature film, Who's That Girl?, was another chart-topping hit, although the film itself was another box office bomb. 1988 was a relatively quiet year for Madonna as she spent the first half of the year acting in David Mamet's Speed the Plow on Broadway. In the meantime, she released the remix album You Can Dance. After withdrawing the divorce papers she filed at the beginning of 1988, she divorced Penn at the beginning of 1989.




Like a Prayer, released in the spring of 1989, was her most ambitious and far-reaching album, incorporating elements of pop, rock, and dance. It was another number one hit and launched the number one title track as well as "Express Yourself," "Cherish," and "Keep It Together," three more Top Ten hits. In April 1990, she began her massive Blonde Ambition tour, which ran throughout the entire year. "Vogue" became a number one hit in May, setting the stage for her co-starring role in Warren Beatty's Dick Tracy; it was her most successful film appearance since Desperately Seeking Susan.Madonna released a greatest-hits album, The Immaculate Collection, at the end of the year. It featured two new songs, including the number one single "Justify My Love," which sparked another controversy with its sexy video; the second new song, "Rescue Me," became the highest-debuting single by a female artist in U.S. chart history, entering the charts at number 15. Truth or Dare, a documentary of the Blonde Ambition tour, was released to positive reviews and strong ticket sales during the spring of 1991.




Madonna returned to the charts in the summer of 1992 with the number one "This Used to Be My Playground," a single featured in the film A League of Their Own, which featured the singer in a small part. Later that year, Madonna released Sex, an expensive, steel-bound soft-core pornographic book that featured hundreds of erotic photographs of herself, several models, and other celebrities -- including Isabella Rossellini,Big Daddy Kane, Naomi Campbell, and Vanilla Ice -- as well as selected prose. Sex received scathing reviews and enormous negative publicity, yet that didn't stop the accompanying album, Erotica, from selling over two million copies. Bedtime Stories, released two years later, was a more subdued affair than Erotica. Initially, it didn't chart as impressively, prompting some critics to label her a has-been, yet the album spawned her biggest hit, "Take a Bow," which spent seven weeks at number one. It also featured the Björk-penned "Bedtime Stories," which became her first single not to make the Top 40; its follow-up, "Human Nature," also failed to crack the Top 40. Nevertheless, Bedtime Stories marked her seventh album to go multi-platinum.




Beginning in 1995, Madonna began one of her most subtle image makeovers as she lobbied for the title role in the film adaptation of Andrew Lloyd Webber's Evita. Backing away from the overt sexuality of Erotica and Bedtime Stories, Madonna recast herself as an upscale sophisticate, and the compilation Something to Remember fit into the plan nicely. Released in the fall of 1995, around the same time she won the coveted role of Evita Peron, the album was comprised entirely of ballads, designed to appeal to the mature audience that would also be the target of Evita. As the filming completed, Madonna announced she was pregnant and her daughter, Lourdes, was born late in 1996, just as Evita was scheduled for release. The movie was greeted with generally positive reviews and Madonna began a campaign for an Oscar nomination that resulted in her winning the Golden Globe for Best Actress (Musical or Comedy), but not the coveted Academy Award nomination. The soundtrack for Evita, however, was a modest hit, with a dance remix of "Don't Cry for Me Argentina" and the newly written "You Must Love Me" both becoming hits.




During 1997, she worked with producer William Orbit on her first album of new material since 1994's Bedtime Stories. The resulting release, Ray of Light, was heavily influenced by electronica, techno, and trip-hop, thereby updating her classic dance-pop sound for the late '90s. Ray of Light received uniformly excellent reviews upon its March 1998 release and debuted at number two on the charts. Within a month, the record was shaping up to be her biggest album since Like a Prayer. Two years later she returned with Music, which reunited her with Orbit and also featured production work from Mark "Spike" Stent and Mirwais, a French electro-pop producer/musician in the vein of Daft Punk and Air.




The year 2000 also saw the birth of Madonna's second child, Rocco, whom she had with filmmaker Guy Ritchie; the two married at the very end of the year. With Ritchie as director and Madonna as star, the pair released a remake of the film Swept Away in 2002. It tanked at the box office, failing to crack seven digits, making it one of the least profitable films of the year. Her sober 2003 album, American Life, fared slightly better but was hardly a huge success; despite going platinum, it was her lowest-selling album to date. That same year also saw the release of Madonna's successful children's book, The English Roses, which was followed by several more novels in future years.




Confessions on a Dance Floor marked her return to music, specifically to the dance-oriented material that had made her a star. Released in late 2005, the album topped the Billboard 200 chart and was accompanied by a world-wide tour in 2006, the same year that I'm Going to Tell You a Secret, a CD/DVD made during her Re-Invention Tour, came out. In 2007,Madonna released another CD/DVD set, The Confessions Tour, this time chronicling her tour of the same name.




She inched closer to the completion of her Warner Bros. contract with 2008's Hard Candy, featuring collaborations with the Neptunes and Timbaland. As poorly received as it was, the bold album boasted a Top Five hit in "4 Minutes," and it was supported with the Sticky & Sweet Tour, which concluded in September 2009 (a month prior to her filing for divorce from Ritchie) and produced yet another CD/DVD package, released in 2010. It was her final Warner Bros. release and set the stage for her long-term recording deal with Live Nation.




Madonna began work on her 12th album midway through 2011, with the goal of releasing it early in 2012. The subsequent full-length, MDNA, featured production from French electronic musician and DJ Martin Solveig, as well as longtime collaborator Orbit. The album's title, an abbreviation of Madonna's name, appeared on the heels of her performance at the 2012 Super Bowl. Preceded by the Top Ten single "Give Me All Your Luvin'" (featuring Nicki Minaj and M.I.A.), MDNA debuted at number one across the world, including the U.S. and U.K.

Decision: 13 #1 Pop Hits, 30 Top 5 hits, 38 Top 10s, 29 #1's on the dance chart. Ranked the #2 artist of the Hot 100 era behind only the Beatles. Pop Music Hall Of Famer......


Bryan Adams


Bryan Guy Adams, OC OBC (born 5 November 1959) is a Canadian rock singer-songwriter, musician, producer, actor and photographer. For his contributions to music, Adams has garnered many awards and nominations, including 20 Juno Awards among 56 nominations, 15 Grammy Awardnominations including a win for Best Song Written Specifically for a Motion Picture or Television in 1992. He has also won MTV, ASCAP, American Music awards, two Ivor Novello Awards for song composition and has been nominated for several Golden Globe Awards and three times forAcademy Awards for his songwriting for films.

Adams was awarded the Order of Canada and the Order of British Columbia for contributions to popular music and philanthropic work via his own foundation, which helps improve education for people around the world.

Adams was inducted into the Hollywood Walk of Fame, with the 2,435th star in March 2011 and Canada's Walk of Fame in 1998, and in April 2006 he was inducted into the Canadian Music Hall of Fame at Canada's Juno Awards. In 2008, Bryan was ranked 38 on the list of All-Time top artists by the Billboard Hot 100 50th Anniversary Charts. On 13 January 2010, he received the Allan Waters Humanitarian Award for his part in numerous charitable concerts and campaigns during his career, and on 1 May 2010 was given the Governor General's Performing Arts Award for his 30 years of contributions to the arts.

Adams was born in Kingston, Ontario, to parents who had emigrated from England in the 1950s. Adams's father joined the Canadian Army, followed by a stint with the United Nations as a peace keeping observer, and finally as a Canadian diplomat. Adams grew up traveling around the world with his parents, with his father's diplomatic postings in Europe and the Middle East. He traveled through the United Kingdom, and the Middle East, and spent more than four years in Birre, Cascais, 25 km near Lisbon, Portugal and a year in Vienna, Austria. After his parents divorced in 1973, Adams and his mother returned to settle in Vancouver, British Columbia.

From the ages of 14–18, Adams worked as a dish washer to save money for a proper guitar. He started auditioning as a guitarist while rehearsing his own band in his mother's rented basement in North Vancouver. Adams elected to sing until they found a singer, but they never found one, and his auditioning landed him a few jobs, with bands like Shock and Sweeney Todd, who in 1976 released If Wishes Were Horses with the 15-year-old Adams as the singer. He quit school to play nightclubs and go on the road and upon his return he settled into the Vancouver studio scene, working as a background vocalist for the CBC and working with keyboardist Robbie King, whom Adams attributes as having given him his first paying session.

In 1978, at the age of 18, Adams met Jim Vallance introduced by a mutual friend in a Vancouver music store. Vallance was the former drummer and principal songwriter for Vancouver based rock band Prism and had recently quit that band to focus on a career as a studio musician and songwriter. They agreed to meet at Vallance's home studio a few days later, which proved to be the beginning of a partnership which still exists today. Later in 1978, Adams signed to A&M records for the paltry sum of one dollar. Some of the first demos written in 1978 have surfaced over the years, most notably "I'm Ready" (recorded for both the album Cuts Like a Knife and later his release for MTV Unplugged) and "Remember," which was recorded on his first album. Both songs were covered by other artists even before his first album was released. Also recorded during this time was "Let Me Take You Dancing," which made the Canadian RPM chart in March 1979 and its B-Side "Don't Turn Me Away". "Straight From The Heart" was also written during this period. The song was later recorded for Adams's third album "Cuts Like A Knife" in 1983 and released as a single, becoming Adams's first top ten record in the US in 1983.

Adams's self-titled debut album was released in February 1980, and marked the beginning of what was to become a long songwriting partnership between Adams and co-writer Jim Vallance. With the exception of "Remember" and "Wastin' Time", most of the album was recorded from 29 October up until 29 November 1979 at Manta Studios in Toronto and co-produced by Adams and Vallance. The album was certified gold in Canada in 1986.

Adams's second album, You Want It You Got It, was recorded in New York City in two weeks and it marked Adams's first album co-produced by Bob Clearmountain. It was released in 1981 and contained the FM radio hit "Lonely Nights," but it was not until his third album that he achieved international recognition, popularity and sales.

Adams also co-wrote songs for other bands during this time including Billboard charted songs like "No Way to Treat a Lady" for Bonnie Raitt, Don't Let Him Know for Prism, Teacher Teacher for 38 Special, Edge Of A Dream for Joe Cocker, Bonnie Tyler and many more.

Cuts Like a Knife, which was released in January 1983, was Adams's breakout album due mainly to the lead singles. "Straight from the Heart" was the most successful song, reaching number ten on the Billboard Hot 100. Another single, "Cuts Like a Knife" charted at number 15. "This Time" also placed on the Hot 100. Music videos were released for four of the singles from the album. "Cuts Like a Knife" arguably became Adams's most recognizable and popular song from the album. Its music video received heavy airplay on music television channels. The album peaked at number eight on the Billboard 200 album chart and achieved three times platinum status in Canada, platinum in the United States and gold in Australia.

Adams's album, Reckless, co-produced by Adams and Bob Clearmountain, peaked at number one on the Billboard 200. The album was released in November 1984 and featured the singles, "Run to You", "Summer of '69", "Heaven", "One Night Love Affair", "Somebody", and "It's Only Love", a duet with Tina Turner. All the singles had accompanying music videos and all charted on the Billboard Hot 100 but only "Run to You", "Summer of '69", and "Heaven" peaked in the top ten. "Heaven" became the most successful single from Reckless at the time of its release on the pop charts, reaching number one on the Billboard Hot 100 and number nine on the mainstream rock chart. "It's Only Love" was nominated for a Grammy Award for Best Rock Vocal Performance by a Duo or Group. In 1986, the song won an MTV award for Best Stage Performance. After the release of the album, Adams was nominated for Best Male Rock Performance. The album is Adams's best-selling album in the United States and was certified five times platinum.

In December 1984, Adams embarked on a massive 2-year world tour to launch the album starting in Canada and United States, then into Japan, Australia, back to the UK and again to Canada. After winning four Juno Awards, he headed south towards the American West Coast, culminating with 2 dates at the studded Paladium in Los Angeles.

After the tour in the United States, Adams took part of a grand ensemble of Canadian artists named Northern Lights, who recorded the song "Tears Are Not Enough" for the African famine relief effort. Adams later headed back to Europe for a fifty-city concert tour with rock singer Tina Turner, culminating in April with his return to London to headline three sold-out shows at theHammersmith Odeon. Adams began the first leg of his tour entitled "World Wide in '85" which started in Oklahoma and ended in October 1985. Adams later visited Vancouver, Canada, and afterward returned to the American East Coast to play 2 sold-out concerts in New York.

The follow-up album to Reckless was Into the Fire which was released in 1987. The album was recorded at Cliffhanger Studios in Vancouver, British Columbia and mixed at AIR Studios in London and Warehouse Studio in Vancouver. This album contained the hit songs "Heat of the Night" and "Hearts on Fire" and hit the Top 10 on both sides of the Atlantic.

In 1989 Adams did backup singing on Mötley Crüe's album Dr. Feelgood and also on Belinda Carlisle's song "Whatever It Takes" which appeared on her Album Runaway Horses.

Adams's next album, Waking Up the Neighbours, co-produced by Adams and Mutt Lange, peaked at number six on the Billboard 200. It was even more successful on the other side of the Atlantic, reaching number 1 on both big European markets, the UK and Germany. The album was released in September 1991 and featured "(Everything I Do) I Do It for You", his second #1 hit single in the Billboard Hot 100. This song was featured on the album and in the movie Robin Hood: Prince of Thieves, starring Kevin Costner and Alan Rickman. The single topped the charts in numerous countries around the world including big markets such as the US, the UK, France, Australia and Germany. "(Everything I Do) I Do It For You" spent 16 consecutive weeks at number 1 on the UK Singles Chart, breaking a record previously held by Slim Whitman with Rose Marie since 1955. It also achieved record-breaking sales in the US. Canadian contentregulations were revised in 1991 to allow radio stations to credit airplay of this album towards their legal requirements to play Canadian music. Adams won a Grammy Award in 1991 for Best Song Written Specifically for a Motion Picture or for Television.

Adams further supported the album with his tour, Waking Up the World which started on 4 October 1991, in Belfast, Northern Ireland. On 18 December 1991, Adams played two first-ever shows in Reykjavík, Iceland and then performed in the U.S. with a concert at the Ritz Theatre in New York City on 10 January. It was a sell-out in less than twenty minutes. In attendance were music legends Ben E. King and Nona Hendryx. The Canadian leg of the Waking Up The World Tour kicked off in Sydney, Nova Scotia on 13 January 1992, and wrapped up with a standing room only concert in Vancouver, Canada, on 31 January. In February 1992, he started touring in New Zealand and Australia for seven dates—kicking off with a press conference in Sydney. On 21 February, the tour headed to Japan for approximately a dozen shows in six cities. The tour continued through several European countries in June 1992, including Italy, Germany, Holland and Scandinavia, and in July 1992, Bryan performed for the first time in Hungary and Turkey (where he filmed his video for "Do I Have To Say The Words?"). During the long tour, further singles from the Waking Up the Neighbours album were released: In the US, the rocky "Can't Stop This Thing We Started" peaked at number 2, and "Do I Have to Say the Words?" reached number 11. In the UK, "Thought I Died and Gone to Heaven" was the most successful single behind "(Everything I Do) I Do it for You" by reaching the Top 10. In September through December 1993, the tour took place in the US. The Asian tour headed to Thailand, Singapore, Japan, and Hong Kong in February 1993, before returning to the US during March through May.

In 1993 he collaborated with Rod Stewart and Sting for the single "All for Love" written for the Motion Picture Soundtrack of the movie Three Musketeers. The single topped the charts worldwide. In November 1993 Adams released a compilation album entitled So Far So Good, that again topped the Charts in numerous countries such as the UK, Germany and Australia. It included a brand new song called "Please Forgive Me", that became another number 1 single in Australia as well as reaching the Top 3 in the US, the UK and Germany. It was followed in 1995 by, "Have You Ever Really Loved a Woman?" (song released with the Motion Picture Soundtrack of the movie Don Juan DeMarco). It became another number 1 in the US and Australia as well as a Top 5 hit in the UK and Germany. Released in June 1996, the album 18 til I Die contained the UK Top 10 singles "The Only Thing That Looks Good on Me" and "Lets Make a Night to Remember". The album peaked at number thirty-one on the Billboard 200 in the United States and held that position for three weeks. It was more successful in Europe and Australia and reached the top spot on the UK charts for Adams's third number 1 in a row.The album has been certified platinum in the United States and is Adams last studio effort which has been certified by the RIAA. 18 til I Die was certified three times platinum in Canada and Australia and two times platinum in the UK. On 27 July Adams performed at theWembley Stadium in London in front of a crowd of about 70,000. It was his second sold-out concert there and it is often considered as his biggest concert ever as it went out live to 25 countries and fans from all over the world came up to watch the performance. It also received rave reviews from critics and fans alike. In December 1997, Adams released MTV Unplugged with three new tracks: "Back to You", "A Little Love" and "When You Love Someone". "Back to You" was the first single, followed by "I'm Ready", an acoustic version of the Cut's Like A Knifetrack. The album was a top 10 success in Germany while both singles reached the top 20 in the UK.

Adams performed at a party that Wayne Gretzky and Jaromír Jágr attended during Olympics, this brought all three together once again, following Gretzky's final game in 1999 at Madison Square Garden, when Gretzky then played for the New York Rangers and Jagr was with the Pittsburgh Penguins. Adams then sang the Canadian national anthem and ad-libbed a line to acknowledge Gretzky's departure, singing, "We're gonna miss you Wayne Gretzky."

On 31 January 2012, Adams announced a 20-date concert tour across Canada between April and June to celebrate the 20th Anniversary of the "Waking Up the Nation Tour", to be followed by a new studio album expected to be released later in the year.

Decision: With 4 #1 singles, 11 top 10's, and several platinum albums, Bryan Adams is a Pop Music HOFer...


INXS

INXS hailed from the pubs of Australia, which is part of the reason the band never comfortably fit in with new wave. Even when they branched out into synth pop on their early recordings, they were underpinned by a hard, Stonesy beat and lead singer Michael Hutchence's Jagger-esque strut. Ultimately, these were the very things that made INXS into international superstars in the late '80s. By that time, the group had harnessed its hard rock, dance, and new wave influences into a sleek, stylish groove that made its 1987 album, Kick, a multi-million-selling hit. While that sound was their key to stardom, it also proved to be their undoing; INXSbecame boxed in by their Stonesy pop-funk in the early '90s, when their audience became entranced by harder-edged alternative rock. In spite of declining sales, they soldiered on, continuing to tour and record for a dedicated fan base until Hutchence's 1997 death brought the band's heyday to a close.

Appropriately for a band that featured three brothers, INXS had their roots in a family act, the Farriss Brothers. The group came together while keyboardist Andrew Farriss, the middle brother, was attending high school with vocalist Michael Hutchence. The two formed a band with bassist Gary Beers. Simultaneously, guitarist Tim Farriss was playing in various groups with his friend, guitarist/saxophonist Kirk Pengilly. Eventually, the two groups merged in 1977, with Jon Farriss joining the unified lineup as drummer. Two years later, when Jon graduated from high school, the band renamed itself INXS, moved from Perth to Sydney, and began to play the pub circuit. Within a year, the group landed an Australian record contract and released an eponymous debut on Deluxe in 1980.


INXS and Underneath the Colours (1981) became Australian hits, leading the band to an American contract with Atco Records. In 1983, they released their U.S. debut, Shabooh Shoobah, and embarked on an extensive tour which, thanks to the hit single "Don't Change," made them minor new wave stars. For their next album, INXS recorded a few sessions with producer Nile Rodgers, which resulted in the sleek, funky "Original Sin," the first inclination that the band was making a move toward a fusion of Stonesy rock and dance music. "Original Sin" made 1984's The Swing a minor hit, yet the group didn't have a genuine mainstream breakthrough until 1985's Listen Like Thieves, which climbed to number 11 in the U.S. on the strength of the single "What You Need."




Listen Like Thieves laid the groundwork for Kick, the album that made INXS international superstars. Released late in 1987, Kick worked its way to multi-platinum status over the course of 1988, as four singles -- the number one "Need You Tonight," "Devil Inside," "New Sensation," and "Never Tear Us Apart" -- climbed into the U.S. Top Ten. In the wake of the album's success, Hutchence was hailed in some quarters as the heir to Jagger's throne, and the group was considered to rival U2 in terms of international popularity. However, such success went to the group's head. Hutchence released the "experimental" side project Max Q in early 1990, and the record tanked. X, INXS' follow-up to Kick, appeared in the fall of 1990 to mostly negative reviews. While the album generated several hits, including "Disappear" and "Bitter Tears," only its first single, "Suicide Blonde," reached the Top Ten in the U.S., and the sales of X were disappointing when compared to Kick.




X hurt INXS' momentum considerably. Although the group was still quite popular on its accompanying tour -- the 1991 live album Live Baby Live was recorded at Wembley Stadium, the second largest stadium in Europe -- the group could no longer be considered in the same league as U2 or R.E.M.Hutchence continued to live a jet-setting lifestyle, datingKylie Minogue and various supermodels, which did not wear well in the wake of alternative rock's commercial breakthrough in 1992. By the time INXS released Welcome to Wherever You Are, their most adventurous record, they were out of date in 1992, and even a rash of reviews that favorably compared the record to U2's Achtung Baby couldn't make it a hit. Full Moon, Dirty Hearts followed in 1993 and was generally ignored. Following its release, INXS left Atlantic's roster, releasing Greatest Hits as their last album for the label.




INXS signed with PolyGram in 1994, yet it took them three years to release a new album. During that time, Hutchencewas involved in several tabloid scandals, most notably his love affair with British TV personality Paula Yates (which brought an end to her marriage to Bob Geldof), and he hinted that he was recording a solo album. That record didn't materialize, butINXS returned in the spring of 1997 with Elegantly Wasted. While the album was greeted with poor reviews, its hedonistic dance-rock was better suited to the late '90s than the early '90s, which made the record the group's biggest hit since X. On November 22 of that year, however, Hutchence was found dead in his Sydney hotel room, the victim of an apparent hanging. His long-in-the-works solo debut was posthumously issued in late 1999.




Terence Trent D'Arby took the frontman role for an abbreviated set at the opening of Sydney's Stadium Australia in 1999, and Jon Stevens filled the spot for occasional gigs that took place through the end of 2003. The latter singer eventually left to pursue a solo career. INXS remained quiet throughout the following year, but in 2005 they teamed up with reality show maverick Mark Burnett to launch Rock Star: INXS, a global TV show that aimed to find a permanent replacement for Hutchence. The winner was J.D. Fortune, a former Elvis impersonator from Canada. Fortune joined INXS, sang on their 2005 album Switch, and participated in the accompanying world tour. Switch only charted well in Fortune's native Canada, though, and his cocaine habit drove a wedge between Fortune and his bandmates as the tour wound down. Another period of inactivity followed. When INXS returned in 2010, they did so with a long list of guest vocalists, retainingFortune as the official frontman but enlisting stars like Rob Thomas and Ben Harper to appear on their next album, Original Sin, which featured reworked versions of the band's past hits.

Decision: 7 top 10 hits, including the #1 hit "Need You Tonight", but not Pop Music HOFers...


Def Leppard

In many ways, Def Leppard were the definitive hard rock band of the '80s. There were many bands that rocked harder (and were more dangerous) than the Sheffield-based quintet, but few others captured the spirit of the times quite as well. Emerging in the late '70s as part of the New Wave of British Heavy Metal, Def Leppard actually owed more to the glam rock and metal of the early '70s, as their sound was equal parts T. Rex, Mott the Hoople, Queen, and Led Zeppelin. By toning down their heavy riffs and emphasizing melody, Def Leppard were poised for crossover success by 1983'sPyromania, and skillfully used the fledgling MTV network to their advantage. The musicians were already blessed with photogenic good looks, but they also crafted a series of innovative, exciting videos that made them into stars. They intended to follow Pyromaniaquickly but were derailed when their drummer lost an arm in a car accident, the first of many problems that plagued the group's career. They managed to pull through such tragedies, and even expanded their large audience with 1987's blockbuster Hysteria. As the '90s began, mainstream hard rock shifted away from their signature pop-metal and toward edgier, louder bands, yet they maintained a sizable audience into the late '90s and were one of only a handful of '80s metal groups to survive the decade more or less intact.



Def Leppard had their origins in a Sheffield-based group that teenagers Rick Savage (bass) and Pete Willis (guitar) formed in 1977. Vocalist Joe Elliott, a fanatic follower of Mott the Hoople and T. Rex, joined the band several months later, bringing the name Deaf Leopard with him. After a spelling change, the trio, augmented by a now-forgotten drummer, began playing local Sheffield pubs, and within a year the band had added guitarist Steve Clark to the lineup, as well as a new drummer. Later in 1978, they recorded their debut EP, Getcha Rocks Off, and released it on their own label, Bludgeon Riffola. The EP became a word-of-mouth success, earning airplay on the BBC. The group members were still in their teens.


Following the release of Getcha Rocks Off, Rick Allen was added as the band's permanent drummer, and Def Leppardquickly became the subject of the British music weeklies. They soon signed with AC/DC's manager, Peter Mensch, who helped them secure a contract with Mercury Records. On Through the Night, the band's full-length debut, was released in 1980 and instantly became a hit in the U.K., also earning significant airplay in the U.S., where it reached number 51 on the charts. Over the course of the year, Def Leppardrelentlessly toured Britain and America, playing their own shows while also opening concerts for Ozzy Osbourne,Sammy Hagar, and Judas Priest. High 'n' Dry followed in 1981 and became the group's first platinum album in the U.S., thanks to MTV's strong rotation of "Bringin' on the Heartbreak." MTV would be vital to the band's success in the '80s.




As the band recorded the follow-up to High 'n' Dry with producer Mutt Lange, Pete Willis was fired from the band for alcoholism, and Phil Collen, a former guitarist for Girl, was hired to replace him. The resulting album, 1983's Pyromania, became an unexpected blockbuster, due not only to Def Leppard's skillful, melodic metal, but also to MTV's relentless airing of "Photograph" and "Rock of Ages." Pyromania went on to sell ten million copies, establishing Def Leppard as one of the most popular bands in the world. Despite their success, they were about to enter a trying time for their career. Following an extensive international tour, the group reentered the studio to record the follow-up, but producer Lange was unavailable, so they began sessions withJim Steinman, the man responsible for Meat Loaf's Bat Out of Hell. The pairing turned out to be ill-advised, so the bandmembers turned to their former engineer, Nigel Green. One month into recording,Allen lost his left arm in a New Year's Eve car accident. The arm was reattached, but it had to be amputated once an infection set in.



Def Leppard's future looked cloudy without a drummer, but by the spring of 1985 -- just a few months after his accident -- Allen began learning to play a custom-made electronic kit assembled for him by Simmons. The band soon resumed recording, and within a few months Lange was back on board, having judged all the existing tapes inferior and ordered the band to begin work all over again. Recording sessions continued throughout 1986, and that summer, the group returned to the stage for the European Monsters of Rock tour. Def Leppard finally completed their fourth album, now titled Hysteria, early in 1987. The record was released that spring to lukewarm reviews, with many critics claiming that the album compromised Leppard's metal roots for sweet pop flourishes. Accordingly, Hysteria was slow out of the starting gates -- "Women," the first single, failed to really take hold -- but the release of "Animal" helped the album gather steam. The song became Def Leppard's first Top 40 hit in the U.K., but more importantly, it launched a string of six straight Top 20 hits in the U.S., which also included "Hysteria," "Pour Some Sugar on Me," "Love Bites," "Armageddon It," and "Rocket," the latter of which arrived in 1989, a full two years after the release of Hysteria. During those two years, Def Leppard's presence was unavoidable -- they were the kings of high-school metal, ruling the pop charts and MTV, and teenagers and bands alike replicated their teased hair and ripped jeans, even when the grimy hard rock of Guns N' Roses took hold in 1988.


Hysteria proved to be the peak of Leppard's popularity, yet their follow-up remained eagerly awaited in the early '90s, as the band took a break from the road and set to work on a new record. During the recording process, however, Steve Clarkdied from an overdose of alcohol and drugs. Clark had historically battled with alcohol, and following the Hysteriaheyday, his bandmates forced him to take a sabbatical. Although he did enter rehab, Clark's habits continued, and his abuse was so crippling that Collen began recording the majority of the band's guitar leads. Following Clark's death,Def Leppard resolved to finish their forthcoming album as a quartet, releasing Adrenalize in the spring of 1992. Adrenalize was greeted with mixed reviews, and even though the album debuted at number one and contained several successful singles, including the Top 20 hits "Let's Get Rocked" and "Have You Ever Needed Someone So Bad," the record was a commercial disappointment in the wake of Pyromania and Hysteria. After its release, the group added former Whitesnake guitarist Vivian Campbell to the lineup, thus resuming Def Leppard's two-guitar attack.




In 1993, Def Leppard released the rarities collection Retro Active, which yielded another Top 20 hit with the acoustic ballad "Two Steps Behind." Two years later, the group released the greatest-hits collection Vault while preparing for its sixth album. Slang arrived in the spring of 1996, and while it proved more adventurous than its predecessor, it was greeted with indifference, indicating that Leppard's heyday had indeed passed and they were now simply a very popular cult band. Undaunted, Leppard soldiered on, returning to their patented pop-metal sound for Euphoria, which was released in June of 1999. Despite the success of "Promises," the record failed to produce any additional hits, resulting in a return to adult pop balladry on 2002's X. The two-disc Rock of Ages: The Definitive Collection arrived in 2005, followed in 2006 by Yeah!, a strong collection of covers. In 2008, the guys released their ninth studio album, Songs from the Sparkle Lounge, which debuted at number five and was supported by a lucrative summer tour. Material from that tour helped make up the bulk of Mirror Ball: Live & More, a three-disc live album containing a full concert, three new studio recordings, and DVD footage.

Decison: One of the top stadium rock bands of the 80s, but with just 4 top 10 singles, they are not Pop HOFers..

Next: 1984 Nominees: Bon Jovi, U2 & Cyndi Lauper

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